Hayley Williams, lead singer of Paramore, was up to her usual tricks on stage in Manchester last night, pulling audience members up on stage with her.
But the huge crowd at the AO Arena got an unexpected treat when one of the people handed the mic ended up being the singer of a local band.
Jess Branney from Peaness, an up-and-coming all-female group from Chester, shared the same space as the American rock band, and fans have absolutely loved it.
Paramore also invited a pair of best friends up at the same time as Peaness, with Hayley joking that the four of them were The Spice Girls.
On Instagram, Jess’s bandmate Rach Williams shared videos of the insane moment, which saw her catapulted from their usual intimate stage size (like their recent gig at Gorilla) to the mighty 21,000-capacity AO Arena.
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She wrote: “Absolutely LOSING MY SH*T at Hayley Williams talking about Peaness loooool.”
Jess later shared a video where she said: “It’s 2am. I’ve been processing in bed. I’ve calmed down a bit now.
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“Firstly, I’m sorry I messed it up – no one’s more upset than me. But um, what a night, and it’s been nice to see some footage back from different spots in the arena. Because honestly, when I was up there, I didn’t know what was going on.
“My body was reacting, flailing around, having a party, going ‘oh my god it’s Paramore’. What a night.”
Can’t believe that just happened. Like, Hayley Williams knows our band. I pushed my air into her personal microphone. WTFFFFFF
pls help me find my mizbiz partner 🥲🥲🥲 i wanted to send her the pictures but didnt see her afterwards (i peaked in life at 22) (paramore manchester) #paramoremanchesterpic.twitter.com/x3m8SHO2im
She also posted on Twitter: “Can’t believe that just happened. Like, Hayley Williams knows our band. I pushed my air into her personal microphone. WTFFFFFF. Thanks for all the love but holy heck what a night and what a band @paramore are.”
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Other people on Twitter were showering Jess and Peaness with praise after the Paramore gig – although some did struggle with their band name.
One person wrote: “JESS of the p*nis (?) band, wherever you are, please know you slayed mizbiz (i thought for a sec hayley was still on the mic)
Someone else wrote: “Living for Jess from @peanessband getting pulled up onstage to sing with @paramore and smashing it!”
Another said: “Okay so everyone who was at @paramore in Manchester (and actually just everyone regardless) should go and follow @PeanessBand right now. Jess did Miz Biz and they are just the most wonderful band, and deserve all of our love.”
One person tweeted: “Amazing to see @BlocParty and @paramore on the same line up with a little bonus @PeanessBand!”
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Someone posted: “i am having an asthma attack this is so amazing an ABSOLUTELY deserved you absolute legend!!!!!!!!!!!!!!!!!!!!!!!!!! PEANAMORE TOUR NOW”
Grammy-winning hardcore band Turnstile perform ‘exceptional’ cover of a Stone Roses classic
Danny Jones
In a cover version we never knew we needed, multiple Grammy award-winning hardcore band Turnstile have taken social media timelines by storm with a cover of a true British rock classic by The Stone Roses.
Described as everything from “pretty damn brilliant” and “exceptional” by CLASH Magazine to “one of the best triplej covers ever”, it’s fair to say they smashed it with this one.
This one was always likely to go down well with us Mancs, but you never know how possessive people are going to be with iconic tunes treasured not just by regions but entire eras like this.
Without further ado, please enjoy Turnstile’s cover of ‘I Wanna Be Adored’ by The Stone Roses:
Lost track of how many times we’ve watched this now.
Truly excellent.
Not only did they manage to capture the ambient atmosphere of that legendary intro, but they managed to tow the thin paint-splattered line between simply trying to imitate the original and making it their own.
There’s something about frontman Brendan Yates’ vocals that suits this particular cover so very well right from the off.
We’re, of course, not saying that he sounds like Ian Brown in any way, but his range and top notes, in particular, seemed to fit almost perfectly.
Pair that with a contemporary rock band helping rejuvenate their particular guitar-driven genre, and those raw, driving D-beat-centric drums, and you’ve got a winning combo.
As you can see, the majority of the internet seems to agree with us…
.@TURNSTILEHC step into the @triplej studio to recover their take on The Stone Roses' debut album opener 'I Wanna Be Adored'.
The bulk of social media didn’t just hail the reimagining as one that did Brown, John Squire, Reni and the late, great Mani justice, but perhaps one of the greatest that the popular Australian radio station, YouTube channel and Spotify playlisters have seen in a long time.
In fact, in Audio North‘s humble opinion, we’d go so far as to say this is the best we’ve heard in the platform since their native Royel Otis’ delightful duo of The Cranberries and Sophie Ellis-Bextor covers.
Safe to say it’s been an incredible year for Turnstile, who mopped up all manner of accolades in 2025 and were even nominated for International Group at the BRITs here in Manchester this past weekend. They might not have won that one, but they get all the plaudits from us for their song selection alone.
What did you make of it? Better still, do you have a favourite triplej ‘Like a Version’? Actually, no – scrap that: is there a better cover of a Manc artist‘s track that you can think of?
Featured Images — triplej (screenshot via YouTube)/Silverstone Records
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Harry Styles One Night Only will be strictly phone-free – with thousands of real cameras handed out instead
Daisy Jackson
Harry Styles’ show in Manchester on Friday night will have a strict no-phones policy, it’s been confirmed.
Instead, the lucky few thousand of fans heading to his One Night Only gig will be handed proper disposable cameras to capture moments from the night.
Rumours of a phone ban had been swirling online for weeks after job adverts appeared for extra staff to help promote a phones-free event.
But the news has now been confirmed by the Co-op Live itself, following the announcement that Netflix would be filming the full Harry Styles show.
In a statement, the venue said it hopes fans will ‘take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience’.
Any use of cameras, smart glasses, smart watches, or other recording devices won’t be permitted in the venue on Friday night.
Fans will instead have to secure their phones inside recyclable bags, which will allow them to be used in normal ways for communications, but without the camera.
At the end of the night, your phone will be removed from the bag and the bag will be recycled.
Anyone caught using a digital recording device during the Harry Styles One Night Only phones-free show may be asked to leave the venue.
Instead of a sea of phones, Harry Styles will be asking fans to capture their memories from the night on disposable cameras, which will be included with every pair of tickets sold.
Harry Styles’ One Night Only gig in Manchester will be the subject of a Netflix documentary
The statement shared by Co-op Live says: “We are looking forward to seeing you on Friday 6th March to be part of a very special live performance – Harry Styles One Night in Manchester at Co-op Live! We’re pleased to announce Netflix will be filming the full show for everyone to enjoy and re-live again and again, it will be available globally from Sunday 8th March at 7pm GMT.
“We hope you will take this opportunity to enjoy the show fully and allow yourself to be fully immersed in the experience.
“The use of cameras, smart glasses, smart watches and similar recording devices will not be permitted in the event space. Phones will be secured in a recyclable bag, kept on your person upon entry to the event, and will still be able to be used in a normal way including all communication functions but without the camera. All other recording devices will not be permitted in the building.
“At the end of the night your phone will be removed from the bag and the bag will be recycled. Please note that anyone using a digital recording device during the performance will be asked to stop and if they do not, they may be asked to leave.
“Each pair of tickets sold will receive a disposable camera on the night so you can still capture your own special moments and share them after the show.”