It’s been a decade since Girls Aloud went on a hiatus that seemed like it may never end, but end it has, and The Girls Aloud Show has touched down for three nights in Manchester.
A lot has happened since the girl band formed on Popstars: The Rivals way back in 2002, including the tragic death of band member Sarah Harding at just 39 years old.
Girls Aloud promised that this huge arena anniversary tour would honour their late bandmate, and if Sarah was into 10/10, near-flawless pop concerts, they’ve done her justice.
It’s plainly obvious that hours and hours of rehearsal have gone into The Girls Aloud Show. They don’t put a foot wrong in the AO Arena, even if those silly inflatable red dresses played up again.
Even when a song falls a little flat, their performance sails on the wings of the choreography (their all-male troupe of dancers are phenomenal) and the production, and minor imperfections are quickly glossed over by the rest of the girls’ glorious pop catalogue.
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‘Now look over here! Look at the shiny costumes and the harmonies here!’ they seem to say whenever the audience gets fidgety, quickly moving onto another chart-topping banger.
There are a lot to get through – the gig is split into four acts, with a setlist that includes Love Machine, Biology, Something Kinda Ooooh, and Jump, and costumes that range from skin-tight glittering bodysuits to full-length gowns that may have been pinched straight out of The Supremes’ wardrobes.
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Girls Aloud performing in Manchester at the AO Arena. Credit: The Manc Group
The second act, which harks back to their slightly more urban debut album, is a personal highlight. I’ve long maintained that Sound of the Underground is one of the greatest pop songs ever written – but chuck in four scantily clad pop starlets riding airborne motorbikes and it just gets even better.
Did I walk in thinking I knew all the words to every Girls Aloud song ever released? No I did not, but these catchy little bops are apparently neatly filed in my brain ready to come tumbling out with a single wink from Cheryl Cole.
I know everyone has a favourite girlband member, and on stage each one plays to their own persona, whether that’s the impeccably graceful Nicola or the effortlessly cool Kimberly.
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And while on paper Cheryl is the most successful of the lot, this is now 2024 and I think we can all agree that Nadine Coyle is CARRYING this tour. She is an actress. She oozes charisma and camp, beaming the whole time, and looks like she is having the time of her life. It’s totally infectious and the crowd laps her up.
Sarah Harding is incorporated into the Girls Aloud tour throughout the show. Credit: The Manc Group
Of course, it’s a bittersweet celebration without Sarah. She is woven into the fabric of this band and into their live tour too. As hits like Can’t Speak French and Something New play, the original music videos play behind them. And with songs like A Whole Lotta History and I’ll Stand By You, her vocals take the lead along with a moving montage of the young late star, to rapturous applause.
If you’re surprised that Girls Aloud sold out this many arenas in this day and age, you are grossly underestimating the hold they had over British women in the noughties. We all used to buy false eyelashes modelled on their eyes, for god’s sake (personally, a big fan of Kimberley’s), and washed our hair with shampoos with their faces on the bottles.
21 years later and this is proven to be timeless pop music, and the styling of several acts of the show reflects that. Parts feel like they’re from a different era, from the tiny feather bustle stuck to Nadine’s sparkling bodysuit to the dancers in top hats and tails.
And things never feel more ageless than with The Promise, which closes the show.
Some of us may remember the music video, where all five Girls Aloud members time-travelled back to the 1960s, their makeup taking some influence from Twiggy and their hair growing exponentially larger (this was surely about the same time that Cheryl got her L’Oréal contract). The essence of that has been brought to their live show.
They shimmy behind microphone stands and perform choreography with their arms in sparkling gowns.
And then comes the real tear-jerker – this song was always Sarah Harding’s to own, and no one could quite fill those shoes. So instead of replacing her verse, she remains the star.
Sarah’s face beams across the arena, and her original vocals bellow over a tearful crowd, while the other girls turn to watch their late friend shine once again.
The night wraps up in an explosion of colour and sparkle. A properly fitting way to honour Sarah.
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Girls Aloud have two more shows in Manchester at the AO Arena to come – read our full gig guide here.
Girls Aloud setlist
Act I Untouchable The Show Something New Love Machine Can’t Speak French Biology Whole Lotta History Act II Wake Me Up Sound of the Underground Girl Overboard No Good Advice Graffiti My Soul Long Hot Summer I’ll Stand by You (Pretenders cover) ACT III Sexy! No No No… On the Metro Jump (For My Love) Call the Shots Something Kinda Ooooh Encore: The Promise
Featured image: The Manc Group
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Co-op Live announce unreal trio of gigs as debut calendar hots up even more
Danny Jones
Music fans, strap in because Co-op Live has just confirmed a frankly ridiculous trio of gigs, and all in the space of a few hours as their first year of events only gets tastier.
The brand-new music and entertainment venue, the biggest indoor facility of its kind anywhere in Europe, only opened back in April and has already attracted some ridiculous names but they’re not slowing down with the announcements. Not even one bit.
After barely taking a beat between welcoming the Eagles, Liam Gallagher, Smashing Pumpkins and The Killers just to name a few, Co-op Live has revealed that iconic 80s singer Cyndi Lauper would be coming to the arena early next year.
Then, before even getting the chance to catch our breath, they followed that up by revealing that hip-hop and R’n’B legends Lauryn Hill and The Fugees will be arriving in just a few months, along with rock and pop-punk veterans Sum 41 just a couple of later.
JUST ANNOUNCED: Cyndi Lauper
Cyndi Lauper announces UK and EU dates to her Girls Just Wanna Have Fun Farewell Tour. https://t.co/6eU3m6MfDp@CoopUK Members get first in line access to tickets
This October the band will be saying their final goodbyes as part of their "Tour Of The Setting Sum". https://t.co/7L5jBQZqf3@CoopUK Members get first in line access to tickets
And there’s The Fugees – an equally legendary trio in their own right – who they have decided to extend their current ‘Miseducation Anniversary Tour’. It’s music Christmas all come at once.
It feels like we get a whole of new acts announced for Co-op Live pretty much every week but it’s so rare you get a run of gigs dropped on you pretty much in go. The atmosphere in the immensely impressive space hasn’t disappointed even once just yet either.
Exhibit A:
Don’t think we’ll ever fully get over this…@liamgallagher said he wanted to ‘put @TheCoopLive arena on the map’ — then proceeded to just take the roof off the place instead. 🔥
Although you’ll have to wait until 9 February next year to scream your heads off to ‘Girls Just Wanna Have Fun’ at the top of your lungs, Lauryn Hill and The Fugees arrive in Manchester on 12 October, while Sum 21 says their goodbyes just over a fortnight later on 28 October.
Presale tickets for all three events go live to Co-op members at 10am on Wednesday, 26 June and general admission will follow at the same time on Friday, 28 June.
At least in Lauper and Sum 41’s case, this is your last chance to see them live in Manchester, so don’t sleep on lining up for tickets in the morning.
You can book yours via Co-op Live’s events page HERE.
Troye Sivan at AO Arena, Manchester – a celebration of self-expression
The Manc Audio
In the seven years since Troye Sivan’s sexual awakening on 2018’s semi-explicit ‘Bloom’, the Australian has emerged as a sex-positive powerhouse.
He’s been soundtracking queer nightclubs across the globe with the dancefloor-ready earworm ‘Rush’ – the lead single from his third studio album ‘Something To Give Each Other’, itself a further step into self-embrace and expressionism and one that has seen Troye embark on a global tour endlessly spilling out online videos of brilliantly sexy and sultry dance routines and on-stage playfulness.
His Manchester outing at the AO Arena is no different, oozing with sensual choreography that wouldn’t be out of place on the Magic Mike Live stage, yet set to make those with a more reserved outlook blush.
But that’s largely the point here, the third step in a chronological journey that carefully treads from the self-questioning of ‘Heaven’ on his 2015 debut ‘Blue Neighbourhoods’ through to his unapologetic onstage gyrating, a symbol of his self-acceptance.
Anybody uncomfortable in tonight’s crowd is undoubtedly at the wrong show, an open celebration of all-round gayness and its culture.
It’s inherent in everything he says, informing the crowd that he made a b-line direct to Manchester’s iconic Canal Street the night before, and tantalisingly hinting that he may do the same after the show, before immodestly suggesting that this may cause some type of stampede.
Perhaps it’s the reason why the show both starts and ends unusually early, and why at just 17 songs, it’s one of the shorter headline sets an arena is used to.
It’s also telling that Troye doesn’t go further back than ‘Bloom’, with the title track, the anthemic ‘My My My!’ and the Ariana Grande-featuring ‘Dance To This’ just about making the cut.
The song choices are in-keeping with the mood of the evening, more mature and more adult than anything off his debut, or ‘Bloom’s retrospective numbers that failed to make the setlist.
Tonight is evidently an acknowledgement of lust, love and sex; a call to live in the moment and not to look back, and a hedonistic masterclass.
With that, each set piece is brilliantly positioned, the performance split into six acts each broken with Troye running off stage for an outfit change or for structures to be seamlessly assembled or disassembled.
Fan favourite ‘One Of Your Girls’ sees him don a lacey corset as he shares an intimate lap dance with one of his dancers, while the sultry ‘STUD’ glides like silk both in its vocal and on-stage performance.
But the biggest reaction is saved for the Charli XCX featuring (although sadly not on stage) ‘1999’, which rounds out the main set with a party befitting its lyrics, and gay anthem ‘Rush’ – complete with full dance routine and mesmerising light show to bring the decadent thrill ride to a close.
As Pride Month draws to a close, and with Salford’s Pink Picnic acting as the show’s pre-party for many, Troye Sivan delivers easily one of the biggest and most freeing celebrations of queerness Greater Manchester has to offer – via Perth, Australia, of course.