It’s been an absolutely unreal 12 months for The Lottery Winners and to top it all, they rounded out the year in style by bringing out not one, not two, but three UK music icons for their recent run of Manchester gigs: ‘Boy George’, Bez from Happy Mondays and the Reverend himself, Jon McClure.
The high-flying indie pop group and local legends from Leigh toasted an unbelievable 2024 with their ‘Burning House Party’ residency, playing three consecutive nights at Manchester Academy.
Better yet, with their new album KOKO (Keep On Keeping On) set to release in the new year with several tracks including some rather big feature artists once again, they decided to bring out a few of those famous faces as special guests this past weekend.
The Greater Manchester band genuinely caught everyone by surprise when guitarist Robert Lally did the classic Stars In Their Eyes walk-off and was reintroduced as Boy George himself.
‘Boy George’ and Bez join Lottery Winners on stage
Well played indeed.
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The former Culture Club lead singer went on to perform alongside the Wigan outfit as they played their track, ‘Let Me Down‘. Well, not really… it turned out to be his very talented lookalike ‘Boy Gorgeous’ but ah well, still a crowd-pleaser nonetheless.
As mentioned, Boy George is just one of many impressive feature artists that The Lottery Winners have notched over the past year or so, having previously worked with Frank Turner, KT Tunstall and even fellow Manc, Shaun Ryder.
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The Happy Mondays star featured in the music video for their song ‘Money’ on their last record, ART (Anxiety Replacement Therapy), and was arguably their biggest coup to date next to Turner, who has now worked on several tracks with the four-piece and played live with them on multiple occasions.
As another surprise on night two at Manchester Academy, frontman Thom Rylance might not have been able to bring out Ryder in the flesh, but he did rope in some hype-man help from long-standing band partner and best mate Bez to delight the crowd and shake his trademark maracas throughout.
Lottery Winners Keep On collabing
But it doesn’t stop there either.
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Set to release in February, their upcoming fourth LP will not only see the return of Frank Turner for his third studio collaboration with the band, but they’re adding even more names into the Northern music mix for this latest record.
As well as songs featuring Rick Witter of Shed Seven and even Chad Kroeger of Nickleback (yes, we said Nickelback) their lead single also features Sheffield favourite Jon McClure of Reverend and the Makers.
Their uplifting track ‘You Again’ has enjoyed plenty of radio play since it was released back in September and the Yorkshireman also made an appearance during their city centre residency.
These lot have such a lovely, collaborative thing going on are we are absolutely here for it.
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As if things weren’t massive enough already, having supported massive bands like Nickelback and headlining festivals like Kendal Calling this year, 2025 looks set to get even bigger for the gang with a potentially game-changing support slot.
Neil Young U-turns on Glastonbury drop-out after being confirmed as festival headliner
Danny Jones
Barely a beat or two after having seemingly dropped out of the festival, Neil Young has now U-turned on Glastonbury 2025 and now looks set to be headlining it.
Thelegendary musician called out the world-renowned music festival for being under “corporate” control at the whim of the BBC (its official media and broadcasting partner for nearly 30 years) and said he would no longer be playing his slot.
Young went so far as to call it a “corporate turn-off”, claiming the event is “not how I remember it” in a message on his website.
However, just a few days after posting the news, it now appears as though the Canadian singer-songwriter will still be playing Glastonbury – and not just as one of the multiple legends lined up for 2025 either, but as a headliner.
Neil Young is now seemingly headlining Glastonbury 2025. (Credit: Screenshot via Neil Young Archives)
As you can see in the update shared on Friday, 3 January, the 79-year-old now claims there was an “error” in the information he received regarding his performance at the festival.
Having now cleared up whatever confusion occurred, he and his band the Chrome Hearts will in fact be playing the festival as planned, reiterating his long-lasting love for the festival.
Quite a far cry from the sentiment he seemed to be getting across in his previous post, but make of that what you will.
Furthermore, chief organiser Emily Eavis – whose parents Michael and Jean Eavis set up the first ever Glastonbury music festival back in 1970 – not only hopped on social media to confirm that ‘Shakey’ will be performing but that he will be headline the main Pyramid Stage.
“Neil Young is an artist who’s very close to our hearts at Glastonbury”, she wrote, adding: “He does things his own way and that’s why we love him.”
So has he been given a slot upgrade of sorts or what? It still remains a little unclear.
At present, Rod Stewart is set to play the iconic and outright ‘Legends’ slot during Sunday teatime this June. We likely won’t hear much else about the rest of the lineup until sometime in spring.
This, of course, isn’t the first time Neil Young has done a 180 following a well-publicised decision in protest against a big media company.
The music veteran famously removed all of his discography from Spotify for two years before it eventually reappeared back in March 2024.
As for whatever happened between him and the festival or whether this was some gamesmanship from the influential music icon, at the end of the day, he’s heading to Worthy Farm after all.
Neil Young pulls out of ‘corporate controlled’ Glastonbury Festival
Danny Jones
Music icon Neil Young has pulled out of Glastonbury Festival 2025 after claiming it has lost its identity and is now under “corporate” control.
The 79-year-old singer-songwriter, widely considered one of the greatest and most influential to have ever lived, was due to play the festival as one of the legends named on this year’s lineup.
However, despite lots of excitement around the veteran being given the nod over others from what has largely been seen as a pop-leaning pool (at least according to the detractors) in recent years, Young has now decided to drop out of the festival.
Neil Young’s latest ‘NYA Times Contrarian’ post explains the decision to drop out of Glastonbury.Neil Young in 2023 Credit: Screenshot (via Neil Young website)/Per Ole Hagen (via Flickr)
“The Chrome Hearts and I were looking forward to playing Glastonbury, one of my all-time favourite outdoor gigs”, it reads. “We were told that BBC was now a partner in Glastonbury and wanted us to do a lot of things in a way we were not interested in.”
For context, the BBC has been partnered with Glasto since way back in 1997 and Neil Young has already headlined the festival back in 2009, so this shouldn’t exactly come as a surprise.
“It seems Glastonbury is now under corporate control and is not the way I remember it being. Thanks for coming to us the last time!”, he continues. “We will not be playing Glastonbury on this tour because it is a corporate turn-off, and not for me like it used to be.”
The message concludes with him hoping to catch fans at other venues and a simple “LOVE Neil – Be well”, but the tenor of the somewhat abrupt update is that the ever-opinionated and long-celebrated protest song-writer clearly believes the BBC‘s influence over the festival has now grown too strong.
Known not only as ‘Shakey’ and the ‘Godfather of Grunge’ but as one of the pioneering anti-establishment figures of a generation, the Canadian was previously in the headlines for demanding Spotify remove his music after taking issue with Joe Rogan’s anti-vax messaging on his show.
All that to say, the solo artist co-founding member of supergroup, Buffalo Springfield, is no stranger to taking on big business and companies if he feels he has good reason. Meanwhile, Rod Stewart will be performing in the coveted ‘Legends’ headliner slot at teatime on Sunday, 29 June.
Neil Young and the Chrome Hearts are looking set for a European tour this summer but if he’s taking on corporations and concerts under umbrella control, it seems unlikely we’ll see him at too many festivals or the likes of Co-op Live.
The better question is: do you agree – has Glastonbury Festival become too corporate and sanitised, or do you think it still upholds the same core values it had when it first popped up on Worthy Farm in 1970?
Danny Jones -
30th December 2024 
