The original stage play version of classic UK comedy, Rita, Sue and Bob Too!, is coming to Greater Manchester this February and it’s set to star Jake Quickenden in a leading role.
Released as a feature-length back in 1987, the cult favourite film set in North Yorkshire is still considered one of the most quintessentially British and incisive ‘dramedies’ ever made, depicting a very unfiltered and poignant look at working-class life during the Thatcher years.
The story has been brought to the theatre many times before, including down the road in Salford Quays, but this latest series of stage shows marks the first time Rita, Sue and Bob Too! the play is heading to this particular borough.
With a healthy slate of tour dates across the country, the Regal Entertainments production and recognisable cast is coming to Stockport for multiple nights next month.
Adapting the original semi-autobiographical play text by Bradford‘s very own Andrea Dunbar – where the tale takes place and whose upbringing the events revolve around – with direction from Chantelle Nolan, this is one of the biggest live productions of Rita, Sue and Bob Too! ever.
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Speaking ahead of the nationwide tour, Nolan says: “After over 20 years of producing brilliant entertainment in St Helens and in Liverpool, Regal Entertainments has developed a touring department, and we can’t wait to share our five-star productions with new audiences across the UK.”
“We’re very proud to attract the top stars from the worlds of theatre, film and TV to star in our productions […] Dunbar’s cult classic film was originally a hit play, and we know that it’s a show that you can see time and time again and still be rolling in the aisles with laughter, we are incredibly pleased with the ticket sales so far.”
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As well as the former X-Factor, I’m A Celeb, Hollyoaks and Dancing on Ice star in the leading role as Bob, other names on the call sheet include Jessica Ellis (also seen on Hollyoaks), Shameless and Coronation Street‘s Warren Donnelly, as well as ex-Britain’s Got Talent contestant, Siobhan Phillips.
As for the other two leads, Liverpool-born comic Kay Nicholson is starring as Rita and Lancashire actor Jenna Sian O’Hara as Sue. In case you’ve never seen or heard anything about it before, without spoiling anything, the two young schoolgirls get themselves into some rather adult circumstances.
Strictly an 18+ performance, the Stockport show is one of just a small handful of North West runs, set to take place at the iconic art deco theatre that is The Plaza from Tuesday, 18-Saturday, 22 February.
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As for Quickenden, the 36-year-old added: “I’m delighted to be joining the brilliant cast of Rita, Sue and Bob Too! Regal Entertainments have a fantastic reputation for producing exciting entertainment in Merseyside and I can’t wait to take the show all over the UK.
“Andrea Dunbar’s play is a classic and I can’t wait to play Bob.” If you’ve not come across it before, maybe ask your mum and dad or perhaps a grandparent – we’re sure they’ll fill you in…
Featured Images — Press Image (supplied via Regal Entertainment)/Film 4
Theatre
Manchester City Council green-light new venue at Medlock Square, with Mamma Mia! The Party to open the immersive space
Danny Jones
The smash-hit ‘Mamma Mia: The Party’ is set to land in Manchester next year as the maiden event of another brand-new space set to open as part of the upcoming Medlock Square development.
Etihad Campus has seen a lot of moving pieces over the past few years, be it the building of Co-op Live, the ongoing expansion of Man City’s home ground, the soon-to-launch hotel attached to the stadium and now Medlock.
But those in control of the land are content with stopping there; this looks to be just the start of a whole new evolution for the East Manchester area, with an as yet untitled new immersive arts, experience and events venue also set to join the new slate of projects.
You see another glimpse of the purpose-built mini arena, of sorts, down below.
With plans having now been approved by the City Council, the ‘immersive’ space will be situated between the Etihad, Co-op Live and Medlock Square itself, holding up to 600 guests per performance.
Currently set to open in late 2027, following the rest of the square’s launch window being fully rolled out, we still don’t know the name of this next addition, but the structure itself will dovetail with the surrounding buildings and areas as part of seasonal activations, live shows and sports screenings, as well as pop-ups, brand collaborations and more.
Looping back, the interactive, multimedia extravaganza that is ‘Mamma Mia! The Party’ will finally be making its Manc debut as part of the 10th anniversary of the all-singing, all-dancing and even all-dining in-demand production.
As per an official press release from the Medlock Square media team, the show will combine “live music, theatre, food and storytelling” and “offer visitors an unforgettable night out.”
The original UK production at The O2 in London has now surpassed more than 1,500 performances, with a total of 700k guests attending these shows in 110 countries across the globe. Safe to say it’s rather popular.
As for Medlock Square and the surrounding Etihad Campus, Manchester City supporters have also been given another look at the soon-to-open, immersive hotel tie-in experience.
With a skywalk, rooftop bar, a new MCFC shop and various other bits set to spill out onto Medlock Square, it all feels like a period of wholesale changes over in the blue half of the city – especially with the football club bidding farewell to their manager Pep Guardiola after more than a decade.
Following the new and improved North Stand being named after him in the first of many tributes, the City Football Group (CFG) are also set to commission a statue in his honour over the coming months.
Meanwhile, Medlock Square is also due to open later this year, although an official completion date has not been confirmed.
You can stay up to date with all the latest on Mamma Mia! The Part’s Manchester shows right HERE.
Not forgetting a brand-new women’s football facility, too, there is so much stuff going on over at the Etihad that it can be hard to keep track, but here’s the latest look at some of the rooms set to feature in the hotel of the same name.
Featured Images — Publicity pictures (CGIs via Medlock Square)
Theatre
Annie at Palace Theatre Manchester – a charming interpretation of an old classic | Review
Clementine Hall
For a musical built on nostalgia, this Annie that’s just arrived at the Palace Theatre in Manchester feels surprisingly lively – here’s our full review…
Annie is a show tied up with countless childhood memories. Whether you performed it in the school choir, watched the film starring Carol Burnett, or saw it on stage, we’ve all got our own memories of Annie since it first opened in 1977.
So to bring it to a modern theatre audience who no doubt feel some connection to the characters and score is no mean feat.
If you’ve seen any of the posters plastered around the city, you’ll see British drag queen ‘La Voix’ take centre stage as the slippery and gin-fuelled Miss Hannigan.
Images: Press shots (supplied)
This is obviously a strategic move to get bums on seats, and although La Voix is of course a ferocious and standout performer, the production is so much more than that.
They say never to work with children in showbiz, so leading a group of 10-year-old orphans in a snappy and perfectly choreographed rendition of‘It’s a Hard Knock Life’ is really a huge achievement in itself.
All the kids are wonderful, but Victoria Alsina, who plays the titular role, deserves particular credit. It’s a huge role for any actor, never mind a child, and she handles it with confidence, charm, and just the right amount of grit.
As expected, La Voix gets some of the biggest laughs of the night. Her Miss Hannigan leans heavily into the character’s chaos and bitterness, but never feels one-note. It’s a performance packed with quick-fire comedy, and the vocals are tight.
Images: Supplied
That said, Annie would be in trouble if it relied solely on stunt casting. Thankfully, it doesn’t.
The wider cast is consistently strong, the ensemble numbers are full of energy, and the costumes are nothing short of fabulous. The real challenge with Annie is making a story that’s approaching its 50th birthday feel fresh. This production doesn’t reinvent the wheel, but it doesn’t need to.
Instead, it focuses on delivering the songs people came for, giving the cast room to shine, and reminding audiences why the show has stuck around for so long.
La Voix might get people through the doors, but it’s the strength of the production as a whole that sends them home happy.
Danny Jones -
9th January 2025 
