If there’s one artist we believe has never quite got the credit he deserves, it’s Francis Edward f***ing Turner – Frank to his loyal legions of followers around the world and the roughly 2,600 gig-goers inside Manchester Academy on Saturday, 5 April 2025.
Don’t get us wrong, Frank Turner and his long-standing touring band The Sleeping Souls are no minnow in the music industry: the 43-year-old is now two decades into his solo career and even during his time as the frontman of Million Dead, he had plenty of die hards right out of the gate.
What we mean is that for someone with the longevity, stamina, charisma, commitment to grassroots and such a rich back catalogue, he doesn’t get anywhere near enough the level of recognition he should.
It doesn’t matter which of the 10 albums he pulls from; the connection with those in the crowd is as strong as it’s ever been, if not even more powerful than the last time they saw him and the Souls, mainly because those lot up on the stage put in the same amount of energy as they always have.
Even the most avid fan would admit the Hampshire-born bard of the modern age has such an extensive back catalogue that you can be forgiven for not knowing every B-side and deep cut from back to front.
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The man himself joked, “You’ve had a whole year to learn these f***ing songs”, but in all seriousness, that’s not what a Frank Turner gig is about. As he has the audience repeat back to without any need for a prompt at this point, the rules are simple: “Don’t be a d***” and don’t be ashamed to dance around.
Just like he told his Manc congregation this past weekend, “If you’re at this show, you probably were never that cool to begin with”, so if he and his truly brilliant live band can put their “aging knees” through the ringer hundreds of times a year, those watching him best reciprocate in kind.
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And they did, from start to finish, as a Manchester Academy crowd or any venue in the city will always guarantee for that matter.
But more importantly, we suddenly realised something as he introduced the cult favourite track ‘Jinny Bingham’s Ghost’ from his eighth studio LP, Tales From No Man’s Land (2019), which was released with an accompanying podcast about historical female figures whose stories he wanted to shed light on.
It only took us seeing him for the fourth time to fully understand it, but we got there in the end…
We used that word ‘bard’ before – i.e. the old storytellers, musicians and orators, performers, comedians, historians, genealogists and so on that used to chronicle people’s lives, events taking place and the wider world around for centuries – but it felt like this most recent gig spoke to that oral tradition.
There have always been moments like this in his albums, in truth, and we only now realise that we had the same feeling the first time we heard ‘Balthazar, Impresario’ but Turner, we feel, is one of the few current artists truly keeping that almost time-travelling bard culture alive.
Be it conducting an orchestra of tipsy Northerners as they sing back in perfect harmony (just about), organising a crowd-surfing race between two mates who chose the concert as the stag do, teaching them literal historic tales of a young woman who drowned in the River Seine back in the 1800’s, he’s a rare breed of performer.
There’s plenty of call and response in Frank Turner’s music, but there’s also a real sense of history, politics and culture, not to mention a sense of proud Englishness that contemporary society can find difficult or at least a somewhat cumbersome topic these days.
Undefeated, underrated, criminally underappreciated and absolutely unbelievable live.
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Folk and old-school punk rock at its finest. Frank Turner can come back to Manchester Academy any time he likes. (Credit: Audio North)
Akon speaks on his connection to Manchester after run of Co-op Live gigs
Danny Jones
Music veteran Akon has recently discussed his connection to our city following his run of live shows here in Manchester.
In fact, he went so far as to say he feels much more affinity here than he does with ‘The Big Smoke’.
The seasoned Senegalese-American rapper, singer-songwriter, entrepreneur and humanitarian, teamed up with fellow chart-topper Ne-Yo for not just one, not even two, but three whole nights at Co-op Live this May as part of their co-headline tour across the UK and Ireland.
Chatting with Simone Riley on BBC Radio Manchester before the third and final gig of the trio, Akon admitted that there’s “something about Manchester” that he loves way more than London.
As you can see, while he couldn’t quite put his finger on what exactly is about it in the North compared to the capital, he said simply that “it’s crazy here”, and he loves it.
Same, mate. Same.
Admitting that he feels “more attached to Manchester than London” and labelling the energy from the crowds as “stupid” up here (he meant it in a good way, we promise), Simone couldn’t help but confess her joy over his comments.
He’s not the only global superstar to have recently shouted out their affection for 0161, either, as Billie Eilish also said something similar.
Speaking to the mainline BBC at the premiere of her Hit Me Hard and Soft: The Tour (Live in 3D), she said that while the dates lining up were certainly a key factor, there were other reasons why she chose Manchester to film her new movie.
Our Audio North team were also lucky enough to chat with Akon’s touring partner Ne-Yo recently, too, who also had nothing but good things to say about us as a place to play.
As for Akon, the 53-year-old has obviously played here plenty of times over the decades, with last year’s tour being his first return in a decade.
That being said, given how glowingly he’s spoken about us and how popular these joint performances were, we reckon it won’t be that long before he comes back.
Last but not least, we obviously couldn’t resist going along to at least one of the nights for ourselves; listen to what we had to say about the tour in our full review down below.
Antony Szmeirek announces second album along with biggest UK tour dates yet
Danny Jones
Greater Manchester spoken word artist Antony Szmeirek has finally revealed the name, cover art and release date for his second album, along with his biggest run of UK tour dates yet.
The Tameside teacher turned full-time artist dropped his maiden record, Service Station at the End of the Universe, back in February 2025, and now, just over a year on from its launch, he’s getting ready to deliver his highly anticipated follow-up.
Entitled Decoding Birdsong, the sophomore studio project is scheduled for this summer, with a series of live shows booked for the following autumn.
Having already dropped lead single ‘The Heron’ earlier this year, Szmeirek has just released the opener from his upcoming LP, which is simply called ‘Chalk’; he’s also unveiled the rest of the tracklist and a rather striking bit of album artwork.
The Hyde-born artist is making big moves not only within the spoken word space but across multiple genres, with his music blending everything from indie, hip-hop, electronica and more.
His latest song, for instance, is more of an acid-house-esque meets contemporary EDM outing, and has quickly gone down as a popular addition among fans.
On the album name itself, he’s never one to shy away from a weird title or two – case in point, ‘The Great Pyramid of Stockport’ from his debut and ‘Dave’s Angling Superstore’ on this new record.
The 34-year-old carries that same idiosyncrasy throughout his lyricism and creative concepts, as well.
‘Chalk’ is a perfect example of this, as the song is inspired by The Edge of Everything documentary: a film about the career of legendary British snooker player, Ronnie O’Sullivan.
Here’s the music video…
As for his latest raft of live shows, these will be some of the biggest domestic gigs that the local lad has played in his career so far.
In addition to a pair of hometown shows here in Manchester, he is set to play a dozen different cities across Great Britain and Ireland.
Antony Szmierek UK/IE tour dates – October 2026
We’ve highlighted the Northern stops for you, too:
Danny Jones -
6th April 2025 
