Bolton-born comedian and entertainer Peter Kay is performing the final leg of his current UK arena tour with a series of charity shows.
Throughout his career, Kay has written and starred in various TV shows including Phoenix Nights, Max And Paddy’s Road To Nowhere and Peter Kay’s Car Share.
Alongside this, the Greater Manchester comedian has played a variety of arena shows across the UK, including at Manchester’s very own AO Arena with the likes of ‘Mum Wants a Bungalow Tour’ and the first raft of ‘Better Late Than Never’.
The latter came after the whole Co-op Live delays, if you can remember that.
And who can forget his successful venture as a recording artist collaborating with Tony Christie on ‘(Is This The Way To) Amarillo’ or alter-ego Geraldine’s string of singles ‘The Winner’s Song’ and ‘Once Upon A Christmas Song’? But let’s be honest, he’s back doing his garlic* bread and butter.
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Gig guide | Peter Kay at AO Arena, Manchester
Credit: Press shots (supplied)/This Morning (screenshot via YouTube)
Peter Kay UK tour dates
Fri 24 July – Leeds, UK – First Direct Arena
Sat 25 July – Birmingham, UK – Utilita Arena
Fri 7 August – London, UK – The O2
Sat 8 August – Manchester, UK – AO Arena
And then, of course, we also have his slate of other charity shows set to be played back in his hometown at the famous Albert Halls – for which he recently added even more dates.
Are there any tickets left for Peter Kay at AO Arena?
Peter Kay is coming to Manchester city centre on Saturday 8 August, and luckily there’s a handful of tickets still up for grabs, although we expect this event to sell out. Tickets are available HERE.
And, the money from the tickets you purchase will be split between the 12 charities that the British comedy hero has chosen, such as Children With Cancer UK, Teenage Cancer Trust, Breast Cancer UK and more.
What are the stage times for Peter Kay in Manchester?
Anyone heading to the ‘Better Late Than Never; The Final Show’ can expect doors to open from 6pm with Peter Kay set to take to stage at 8pm.
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Kicking off the night prompt and early, there’s no warm-up act; instead, the 53-year-old gives fans a usual interval between the first and second half of the show.
Simple as that.
AO Arena has a strict curfew of 11pm, meaning you can laugh your socks off and still get tucked up under the covers before the clock hits midnight.
Getting to AO Arena
Tram
For those of you heading to AO Arena, luckily, it’s connected to Manchester Victoria Station, and it has an integrated Metrolink stop to make your life even easier.
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Head along the pink, light blue or yellow lines directly to the Victoria stop, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Train
Considering this live entertainment venue is situated right in the middle of one of Manchester’s most frequented stations, concertgoers should find no problem getting to the arena, wherever they are.
Bus
A variety of buses cover AO Arena andVictoria Station on their route, such as the 2 bus, which stops just a one-minute walk away from the venue.
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A full list of buses and their routes can be found HERE.
The Arena has its own official CitiPark, with 958 car parking spaces, including 40 Blue Badge parking bays, which can be booked in advance.
Alternatively, anyone attending a gig can park at their nearest train station and jump on a train service or the various Metrolink park and ride facilities.
Walk/cycle
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Greater Manchester now also offers the option to hire bikes through the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app.
The Last ̶D̶a̶n̶c̶e̶ Laugh*
It’s been well publicised that these will be the local comedy legend’s final ever live stand-up comedy shows, and while it still feels hard to believe, the time has now come upon us and we’re starting to accept that this really might be goodbye.
So, with that being said, if this is farewell, all we can say is thanks for the memories, the giggles, iconic quotes, and for all the smiles you put on faces up and down the country over the past few decades.
Featured Images – BBC/ITV (screenshots via YouTube)/Publicity pictures (supplied)
Gigs & Nightlife
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Thomas Melia -
7th August 2026 
