The city has given the world so much, from Coronation Street, to Vimto, football, and even rain – but above all, it’s known for its musical roots, having set countless iconic bands on their road to success and most-notably inspiring the creation of the iconic Factory Records and the ‘Madchester’ scene that followed.
From Joy Division and The Smiths, to Oasis, Elbow, and more, there are pieces of music history hidden across Greater Manchester – some you may not even know about.
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86 Palatine Road
It may be in the heart of West Didsbury, but it would be easy to walk past 86 Palatine Road without giving it a second glance – but this unassuming detached house split into flats was where Factory Records was founded in 1978.
It was in one of the top floor apartments where Tony Wilson and Alan Erasmus set up Factory Records. They would go on to release the likes of Joy Division’s ‘Unknown Pleasures’ and become one of the most influential independent record labels – playing a major part in the city’s transformation from an industrial powerhouse to a beacon of art and culture by reclaiming its past and leading a new wave of creative industries.
Although music lovers can’t go inside, there is a blue plaque commemorating the important role the apartment played in musical history.
86 Palatine Road, West Didsbury, M20
The Haçienda
The most famous of all landmarks of the Manchester music scene had to be the Haçienda.
Opened on the 21 May 1982, the nightclub and music venue was the brainchild of Rob Gretton and largely financed by Factory Records and the band New Order, along with label boss Tony Wilson. Everyone from The Smiths to even Madonna – who appeared there for her very first UK performance – played at the Haçienda, and it is known for being instrumental in the careers of many of the UK’s biggest bands, including Oasis and The Happy Mondays.
But it was during the ‘Madchester’ scene that the venue rose to fame, before becoming world famous during the Acid House years.
The nightclub was demolished in 2002 after years of issues and replaced by modern flats – with a plaque being all that remains of the legendary ravers’ paradise.
15 Whitworth Street West, Manchester, M1
86 Palatine Road & Haçienda Apartments / Credit: Manchester Digital Music Archive | Flickr
Epping Walk Bridge
To some this is just another bridge in Hulme – but to Joy Division fans, this is an important piece of the band’s history as it’s the bridge where one of the most famous photos of the Macclesfield band was taken by photographer Kevin Cummins.
Hulme, Manchester, M15 6DU
Free Trade Hall
It may now be home to a Radisson Hotel, but this is one of the most significant buildings in Manchester’s music history thanks to playing host to the famous ‘gig that changed the world’ in its upstairs venue The Lesser Free Trade Hall, when the Sex Pistols played to a crowd of about 40 people in 1976.
While the gig itself wasn’t anything out of the ordinary, what was special was that many of the those who attended were inspired enough to go on to form some of Manchester’s biggest bands, including The Smiths, Joy Division, The Fall, and Buzzcocks.
Peter Street, Manchester, M2 5QR
FAC 251 Factory Manchester
A nightclub and live venue, FAC 251 Factory Manchester is based in the former Factory Records headquarters at 118 Princess Street and the name comes from the fact that the label employed a unique cataloguing system that gave a number not just to its musical releases, but to artwork and other objects as well.
118 Princess Street, Manchester, M1 7EN
Free Trade Hall / Credit: Wikimedia CommonsSalford Lads Club / Credit: Flickr
Salford Lads Club
A must-visit for any The Smiths fan is the Salford Lads Club.
Not only is it famous for appearing on the inner sleeve of The Smiths’ 1986 album The Queen is Dead, it’s also the perfect excuse to recreate your own version of one of band’s most iconic photos.
St Ignatius Walk, Salford, M5 3RX
Southern Cemetery Gates
Another one for diehard fans of The Smiths, the Southern Cemetery Gates at Barlow Moor Road in Chorlton were the inspiration for their song Cemetery Gates, which focuses on Morrissey’s fascination with death – singing about taking a stroll through the cemetery.
One of Britain’s legendary music venues and practice spaces, The Boardwalk is known as the place where Oasis made their live debut, and is also known for having hosted other ‘Madchester’ icons such as The Charlatans and The Stone Roses.
Although the club closed in 1999 and was converted into apartments, there is a blue plaque on the building paying homage to the venue’s importance.
Little Peter Street, Manchester, M15 4PS
The Temple of Convenience / Credit: Geograph (Thomas Nugent)Sifters Record Shop / Credit: Twitter (@matt_cork)
Sifters Record Shop
For any Oasis fan, it’s worth paying a visit to Sifters Record Shop on Fog Lane in Burnage.
It’s where Liam and Noel Gallagher used to buy their music when they were growing up and it’s even mentioned in the band’s song Shakermaker in the line: ‘Mr Sifter sold me songs when I was just sixteen.’
177 Fog Lane, Burnage, M20 6FJ
The Temple of Convenience
This bar and former Victorian public toilet in the centre of Manchester is referenced in one of Bury band Elbow’s most famous songs Grounds for Divorce, with the line: ‘There’s a hole in my neighbourhood down which of late I cannot help but fall’.
The on-the-nose lyric is literally talking about a hole in the road of the street where lead singer Guy Garvey used to live.
100 Great Bridgewater Street, Manchester, M1 5JW
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Use Hearing Protection: the early years of Factory Records at the Science and Industry Museum is located on the first floor of the museum, and tickets are priced at £8 for adults and £6 for concessions, with under-12s going free.
You can find more information about the exhibition here.
Featured Image – pxhere
Audio
A big Taylor Swift listening party is coming to Manchester to celebrate her new album
Thomas Melia
An iconic Manchester music venue is hosting a Taylor Swift listening party to celebrate the release of her upcoming album this autumn.
The devil may work hard, but Ms. Swift sure works harder – as less than 500 days since the release of her eleventh studio album, The Tortured Poets Department, Taylor has announced her twelfth LP titled The Life of a Showgirl, meaning the pop titan is back in full force with an era full of glitter, glitz, and showbiz glamour.
To celebrate, Manchester’s historic Deaf Institute is hosting a night dedicated to the newest era, and you’ll certainly be able to make ‘make the whole place shimmer’ as you walk into this Grade ll-listed building this October.
Get ready to hear everything from Taylor Swift’s stacked discography – including her humble beginnings like ‘Tim McGraw’, all the way through to her claiming the title as the ultimate ‘Anti-Hero’.
The DJs on the night will be spinning every single new track from Swift’s twelfth studio album too, all while mixing in some of her other standout songs.
Anyone keen to attend this Taylor Swift ‘Wonderland’ must be over 18 years old, and have their ID with them on the night, as unfortunately, there’s no ‘invisible string’ you can use to sneak yourself into this venue.
And if you’re turning 22 -or celebrating any other birthday – between 4 and 18 October, then you can score yourself free entry into this live music venue too, isn’t that ‘Gorgeous’?
Richard Ashcroft says each Oasis Live ’25 reunion tour date is like a ‘World Cup final’
Danny Jones
Manchester music veteran Richard Ashcroft has come out to join Noel Gallagher to discuss just how special this summer’s Oasis reunion shows have been so far, comparing each and every night on stage to “a World Cup final.”
The Wigan legend has been supporting the Burnage boys on their Live ’25 concerts since the opening night at the Principality Stadium.
Following fellow long-standing scouse indie rockers, Cast, for each date, Richard Ashcroft’s own performances have been heaped with praise since day one of the world tour, with many fans praising his timeless vocals and impressive stage presence against the backdrop of the biggest band in the world.
In fact, his own renaissance as part of the whole phenomenon has not only seen excitement build for his first new album in seven years, but he’s even booked a massive arena run amidst all the buzz. Speaking to Virgin Radio this week, he says he continues to feel the weight of each and every gig.
Joining host Chris Evans via video call for the interview on Tuesday, 19 August, the former Verve frontman could only echo the elder Gallagher brother’s sentiment when it came to describing that first night in Cardiff, agreeing that it felt pretty “overwhelming” and kind of “passed like a movie.”
Struggling to fully articulate the magnitude of what has genuinely become a globally observed cultural event, as you can see, he explains that it isn’t just about “nostalgia” and fans rolling back the year; he says that this specific chapter in music history and collective feeling can’t be put into words.
While arguing that “we need to find a new word” for whatever this is, we think the closest you’ll get is the zeitgeist of the moment, or perhaps ‘collective effervescence’.
Having noted that he’s seen Noel a few times since the reunion got underway, Ashcroft insists the 58-year-old seems to be “in great spirits” and “in a good place” since the Oasis comeback began.
We’re sure you’ll agree this was a particularly touching moment from the interview – and not the only one we’ve got this week…
Us listening to Noel talking about Liam in that @talkSPORT interview. 🥺
As for his 53-year-old songwriting peer – who the Oasis icon and High Flying Birds frontman has often cited as one of his favourite lyricists of all time and even dedicated ‘Cast No Shadow’ to – Ashcroft could only reiterate his own “respect” for both of the Gallaghers and the rest of the band.
He goes on to wax lyrical about “the power of the song”, too, expressing that even tracks he thought wouldn’t be the biggest favourites, adding that this is “what time does to a tune.”
Describing the entire journey thus far as a “healing, celebratory event” for the thousands who have already, he labelled it nothing short of an “amazing experience” thus far.
Even those who didn’t manage to get tickets were still somehow able to create memories to last a lifetime, and what we would argue was one of the most surreal snapshots in music history – at here in Britain, certainly.
Countless numbers gathered on a muddy hill to listen to Ashcroft and Oasis’ hometown reunion.
As well as reinforcing just how creatively charging the tour has been for him so far – quipping that the 40+ shows overall could either “retire or inspire” him, but has certainly encouraged him to pull out his trusty acoustic guitar and write even more music – there was one comment that stood out the most.
Besides acknowledging how moving it is to see them walking out holding hands, laughing and joking mid-performance, as well as hugging at the end of each night, it was how Ashcroft portrayed how much it means not just him, but those out in the crowds.
“We play like a World Cup final every day and every time I play, I win 7-0; everyone’s on my side, and then they win 22-0 at the end. We’re all on the same team.”
Having just wrapped up the first leg of UK and Ireland shows, with just two Wembley nights remaining in September, the band and their tour mates are set to arrive in Toronto, Canada, for the North America shows this weekend.
You can watch and/or listen to Virgin Radio and Chris Evans’ full interview with Richard Ashcroft down below, and if you’re an Oasis fan, we would strongly suggest you do.
Even Evans looked visibly stirred by Ashcroft’s words, calling them “prophetic and profound.”
Emily Sergeant -
15th November 2021 
