A huge virtual reality festival from Glastonbury’s Shangri-La team is happening this weekend
Users will be able to navigate their way through four stages of music via PC, VR or mobile app (iOS and Android), diving onto dancefloors, discovering secret headliners, and wandering into art performances.
An enormous, interactive virtual reality dance music event is streaming across the globe this weekend.
The team behind Glastonbury’s legendary Shangri-La, in partnership with VRJAM and Sansar, have announced the launch of Lost Horizon – the world’s largest VR music and arts festival.
Taking place on July 3 and 4, Lost Horizon features an line-up of superstar DJs, underground acts and visual artists – with proceeds going to The Big Issue and Amnesty International.
Users will be able to navigate their way through four stages of music via PC, VR or mobile app (iOS and Android), diving onto dancefloors, discovering secret headliners, and wandering into art performances.
Guests can even interact with fellow festival attendees as they explore the site.
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Alan Fitzpatrick, Carl Cox, Eats Everything, Fatboy Slim, Francesco Mami, Jamie Jones, John Digweed, Mella Dee, Nastia, Pete Tong, Sasha, Seth Troxler and Skream will all feature on the bill, among many others.
The SHITV (Shangri-La International Television) stage will be showing films, documentaries, theatre, live art, comedy, animation and talks, along with a special Nomad stage featuring artists from 24hr Garage Girls, Amen4Tekno Records, Born on Road, Critical Records, Hospitality, Hold Tight Records, Kaotic Kartel, Run Tings Records and UnCommon Records.
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More than 200 visual art pieces will also be on display at the festival, whilst Design Manchester has curated an exhibition around the main music stage.
Further billboard art based on the Lost Horizon artwork will be contributed by Manchester’s Instruct Studio, which created Lost Horizon’s brand, campaign and website.
Creative Director, Kaye Dunnings, said: “Shangri-La has brought many world firsts since its creation in 2008, from the first to use video mapping in a festival environment and an immersive storyline, to the first woman only space or Heavy Metal area at a mainstream festival, incorporating creativity at its core and as a direct response to the world we live in.
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“Our mission is to pioneer new ways of sharing culture and creating a global community that we feel defines us and our ethos.
“We need unity more than ever right now, in an industry that is falling away in front of us. By creating a digital platform to experience art and music in a new way, we are at the forefront of defining the next generation of live entertainment and creative communities as we know them.”
Sheri Bryant, President of Sansar, added: “Now more than ever, fans are looking beyond traditional live shows to connect with the artists they love. They’re online, they’re savvy about streaming, they’re eager to experience music unconstrained by where they live, and there’s a clear demand for events that transcend old boundaries.
“With Shangri-La presents: Lost Horizon, we’re delivering the music festival of the future: deeply immersive, fully online, accessible to anyone and anywhere with a PC or phone at their disposal. Shangri-La presents: Lost Horizon exists at the vanguard of something truly incredible, and we couldn’t be more excited to turn this page.
“The future of live events is virtual and we’re incredibly excited to be bringing it to fruition.”
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Lost Horizon tickets are free but if you can afford to contribute, you can purchase a ‘premium’ ticket with proceeds going to charities.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
The Manc -
30th June 2020 
