When you think of Joy Division you might think of Ian Curtis, The Hacienda, or Factory Records – but one thing that will certainly spring to mind is that insanely iconic ‘Unknown Pleasures’ album artwork.
Well earlier this year, the Music Declares Emergency campaign group teamed up with Peter Saville and Joy Division to reimagine the classic artwork as part of their campaign “NO MUSIC ON A DEAD PLANET”.
Now, it’s has been recreated again – only this time, it’s the size of a house.
The original artwork, designed by Peter Saville in 1979, depicts a series of lines which represent the radio waves emitted from a rotating pulsar (or a star to you and I) as it turns.
Over the years, the artwork has become one of the most recognisable of all time – but now, it has been given a much more impactful meaning by the Music Declares Emergency organisation.
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The iconic artwork has been redesigned with flat lines / Credit: Withington Walls
As part of their “NO MUSIC ON A DEAD PLANET” campaign – which is bringing music into the fight against climate change – they have reimagined the original piece. The previous lines that represented the radio waves have been reworked as flat lines to symbolise the death of a planet and the silence that follows.
This week, the poignant new artwork was unveiled as a giant mural on the side of a house on Moorfield Street in Withington.
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It’s been painted by hand by artist Tom Jackson – a founding member of London muralist collective Wood Street Walls – and given that the mural has popped up in Withington, you might have guessed that it’s collaboration with Withington Walls – a local organisation who have been setting up mural projects across the town to celebrate some of the famous people from the area.
These are the people behind the Marcus Rashford and Tony Wilson murals that you might recognise.
This Joy Division one is the latest one to add to their collection.
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Fitting, as the band’s record label, Factory Records, was founded in a flat just down the road from where the mural sits.
The original artwork remains one of the most recognisable album artworks of all time.
Music Declares Emergency is encouraging the entire music industry to join forces in the fight against climate change.
A whole host of musicians, DJ, producers and more have already got involved worldwide. Famous names like Annie Mac, Enter Shikari, Editors, Sam Fender, The Cribs, and more are all on board. They’re calling on governments and media institutions for immediate action and to paint a more truthful picture of environmental issues.
So, to find out more about Music Declares Emergency and the campaign, check out the organisation’s website.
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Featured Image – Withington Walls
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Beyond The Music moves to MediaCity for the first-time ever
Danny Jones
Greater Manchester arts festival and conference Beyond The Music is back for 2026, but this time it will be heading to MediaCity for a Salford debut.
The long weekender is still a relative newcomer when it comes to the Manc events calendar, but it’s quickly gathered plenty of repute not just in the North West but within the industry as a whole.
Holding just its third edition later this year, Beyond The Music ’26 is set to be the most ambitious yet, spread across the three days and promising an impressive lineup both in terms of live performers, but also speakers, industry experts and wider activities.
With MediaCity and dock10 hosting their inaugural Beyond The Music, it’s another big win for the second city, with Sports Personality of the Year sticking over Salford way for the foreseeable future, along with other events like the Professional Footballers’ Association (PFA) Awards moving to the Quayside.
Much of the BBC’s World Cup coverage is also being hosted at their Salfordian studios and main Northern base this summer, too.
Given that so many big annual dates have now made the switch to central Manchester – the BRITs and the MOBOs, just to name two recent examples – you could say it only makes sense to spread things out across the surrounding boroughs and their equally rich heritage.
Not that you should need reminding, but Salford isn’t just part of the region: it’s a city all of its own right that boasts an immense amount of pride over what is nothing short of a sterling musical history.
As for the 2026 Beyond The Music programme, besides both the local artists and more international creatives than ever, there’ll be keynote conversations, industry showcases, and wider networking opportunities for anyone looking to immerse themselves deeper in this world.
You’ll have to wait a little while longer for a full live music lineup, but watch this space…
Mayor Andy Burnham and friends help launch Beyond the Music at MediaCityUK (Credit: Mark Waugh)
Sarah Pearson, Co-founder of Beyond The Music, said in an official statement: “Beyond The Music’s mission is to seize this moment, to come together and drive meaningful and lasting change in the music and content industry.
“It’s undeniable that the impact and importance of music and content are stronger than ever, but this is not reflected in their perceived value.
“The ethical and economic infrastructure of the music and content industries demands urgent attention and bold reform… It is our responsibility to protect creativity in order to ensure it doesn’t just survive but thrives. Things may feel difficult, but they are still possible.”
Mayor Burnham added: “Greater Manchester has always been at the forefront of cultural innovation, and Beyond The Music is a vital opportunity for the sector to come together and address the challenges and opportunities facing music and content creation…
“With its move to MediaCity and a bigger-than-ever programme, Beyond The Music is helping to cement our city region’s place at the centre of the creative economy.”
Taking place between 7-9 October 2026, you can register for early bird tickets right HERE. Roll on an even more extensive festival season than ever.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Hannah Starkie -
15th October 2021 
