Manchester-based collaborative orchestra The Untold Orchestra, are aiming to redefine classical music with a modern twist by reimagining the music of widely-popular artists.
For this special project, Bowie: An Orchestral Rendition, they will deliver a musically explosive journey through some of Bowie’s greatest hits.
Taking place at Hulme’s legendary NIAMOS on Friday 15 and Saturday 16 October, a 25-strong collective of violinists, saxophonists, guitarists and the likes will reimagine the Bowie classics.
It’ll be the first time the group have performed together as a full 25-piece since 2019.
As a pioneer for individuality, Bowie was renowned for his eclectic and innovative approach to creative expression. To represent this, the music will be brought to life not only by the orchestra, but through dance too.
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Dancer and performer Finley Letchford Dobb – well-known in Manchester for his work in the LGBTQIA+ community – has been running a series of dance and movement workshops over the past few weeks.
These workshops have been designed to explore the themes of identity and freedom of expression that are found in Bowie’s music. Visuals and videos generated from these sessions will be presented on the night to accompany the orchestral renditions.
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Co-producer, Sam Davies, said: “With our icon show projects, we are always keen to see how we can play our role in understanding and celebrating the diversity of Manchester.
“It’s a constant privilege to work with so many different performers, creatives and partner organisations in curating these projects, and we’re already excited about our plans for next year.
“We’re also very excited for the two performances at the NIAMOS concluding this project – they’re already set to be a real celebration.”
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It’s the first time the collective will perform as a full 25-piece since 2019. Credit: The Untold Orchestra/IG
In a series of shows across Greater Manchester, the orchestra have been giving a selection of music icons their signature classical twist, including covers of Beyonce, Tina Turner, Paul Simon and more. Over the past couple of months, they’ve had mammoth run of up to 60 shows.
With more than 100 freelancers on their roster, the collective generates opportunities for all kinds of creatives. From musicians and sound engineers to venues and communities, they are constantly reaching new audiences.
For the full Bowie experience, head here for tickets.
NIAMOS Radical Arts & Culture Centre | 15-16 October | Chichester Road, Hulme, M15 5EU | 7.30pm
Ticket requests are now officially open for Harry Styles’ one-night-only Manchester gig
Emily Sergeant
The time has come – the ticket request system for Harry Styles’ one-night-only gig in Manchester is now live.
In case you hadn’t heard, it was announced on Wednesday evening after much speculation that Harry Styles would be making a return home to Manchester for a one-night-only ‘intimate’ gig at Co-op Live to celebrate the release of his fourth studio album next month.
Styles is set to share Kiss All The Time. Disco, Occasionally with the world on Friday 6 March – and it’s that very same night he’ll be taking to the stage in Manchester.
Although little is known about what to expect at the gig, the poster for the event does state that there’ll be a ‘special performance of the album’, so it seems fair to say that Manchester will be the first to hear the new set of songs in full live.
And if all of that wasn’t exciting enough as it is, the tickets are only £20 per person.
But, of course, there is a bit of a catch, as this isn’t your regular online queuing up for tickets scenario, this is a ‘ticket request’ system instead.
So, like us – and literally every other fan in the vicinity of Greater Manchester and beyond this week – you’re probably wondering what a ‘ticket request’ system is… what does it look like? How does it work? Basically, what the heck is it? Well, we’ve done a bit of digging around to get to the bottom of it so you’re not left too much in the dark.
According to Ticketmaster’s website, if an artist is running a ticket request, they’ll invite fans to request tickets so you don’t have to compete in a first-come, first-served sale.
This means you can take your time to review the available options and request the right tickets for you.
All you need to do is tell Ticketmaster which shows you’re interested in, the type of ticket you want, and your payment details. Then, if the tickets you request can be fulfilled, your card will be charged and you’ll get emailed instructions to access them in the Ticketmaster App.
Unfortunately, as much as we’d love it to be the case for everyone, submitting a request doesn’t guarantee you tickets – it really is just luck of the draw.
To request tickets, you’ll need to follow these three simple steps:
Select which shows you’re interested in and the type of ticket you want
Add your payment details
Harry Styles ticket requests are now live / Credit: Johnny Dufort (Publicity Picture)
Ticketmaster will then send you a summary email that details the tickets you’ve requested. Your card won’t be charged at this time, but they may charge a temporary £1 authorisation to your card to validate your request.
A maximum of two tickets per person can be requested, which has been set to allow for as many fans as possible to get tickets.
Now, here’s the crucial part – you will need to submit your request for tickets while the window is open until Sunday 8 February at 11pm GMT. After the request window closes, you’ll get a second email by 11:59pm GMT on Tuesday 10 February confirming whether or not your request has been fulfilled.
All that’s left to do now is provide you with the link here and send you on your way… oh, and may the odds be ever in your favour.
Featured Image – Wikimedia Commons
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The story behind Sâlo: the rising Georgian-born Salford artist set be one of the region’s next stars
Danny Jones
We always love stories of people moving to Manchester to be more creatively engaged, but tales of entire families relocating here for a better life and art being born out of it is something truly special – and besides her obvious talent, that’s what has attracted us and plenty others to Sâlo.
This up-and-coming Salfordian artist may have been born around the border between Eastern Europe and Western Asia during a particular fraught time for her country, but she’s been raised and moulded like so many of us by this city’s rich music culture and wider artistic heritage.
She came to the UK with her family as a baby, with her parents fleeing poverty and lingering friction in Georgia following the collapse of the Soviet Union in the 90s, and their journey as asylum seekers eventually brought them here to the North West.
It was clear from a young age that Sâlo (short for Salome) had a gift for the piano, but it was when her family moved to the Greater Manchester area that her own interest in genres and styles began to develop. Here’s a little snippet of her recent performance at the stunning Stoller Hall.
This short video was taken from her feature in a recent episode of Manchester: Unplugged, the web series by StreamGM that launched just last year and spotlights local songwriters.
Honing in on one of her newest releases, ‘Set Me Free’, which taps into that pure love for the keys.
While this clip shows a stripped-back version of the fully-fledged electronic studio version, with production playing a key role in defining her sound, she blends everything from classical music and jazz to neo-soul as well as drum and bass.
You hear the phrase ‘genre-bending’ thrown around a lot these days, but if this mid-20s star in the making isn’t the epitome of that term, then we don’t know who is.
Speaking more about her background in the short documentary film, which aired on YouTube this week, she talks about her first memory of visiting Forsyth Music Shop in Manchester city centre, and the inspiration behind the track in question.
You watch the Sâlo episode of Manchester: Unplugged in full here.
Detailed in the description of the newest edition of the online show, “Classically trained from the age of four, Sâlo’s journey runs through some of Manchester’s most important music spaces”, including time spent at the RNCM and Chetham’s School of Music and more.
As for the tune itself, not only do the lyrics revolve around a difficult patch in a personal relationship – this being one of the first times she felt like she’s fully opened up and not held back on letting people know what she’s speaking about – but it’s also the first track she’s produced and mixed entirely on her own.
Painstakingly mastered from a small studio at home, she almost “fell out of love” with the song altogether, but getting back to that simple joy of playing piano helped revive her passion for it.
With a stunning voice, natural musical talent when it comes to her instrument, and a great blend of different analogue and digital influences, Sâlo is definitely one to watch moving forward.
Hannah Starkie -
8th October 2021 
