It’s another big win for dance and electronic fans in Manchester as the beloved Barry Can’t Swim has been announced as part of the WHP25 programme, revealing a massive headline show.
The Edinburgh-born beat-maker, producer and solo artist has played Manchester before, he’s even played The Warehouse Project before, but nothing quite like this.
Confirming not just his own twin performance, with a full live show and an accompanying DJ set, but nothing short of an incredible lineup of support acts, this event could very well be the best night of the 2025 WHP calendar already.
Not only is ‘Everything Is Going To Be Alright’, it’s going to be bloody brilliant.
21.11 /// BARRY CAN’T SWIM – LINE UP REVEALED TOMORROW 10AM
The full line up for Barry Can't Swim's return to The Warehouse Project will be revealed tomorrow 10AM. Registration for presale access is available – https://t.co/z6yGfAvXSN
Undoubtedly one of Scotland’s biggest music exports in recent years, Barry Can’t Swim – real name, Joshua Spence Mainnie – was one of several acts who absolutely smashed Warehouse Project last year.
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Having been shortlisted for the recent Mercury Prize, earned a nomination for Best Dance Act at the 2024 BRITs, being named DJ Mag’s ‘Breakthrough Producer’ award and winning ‘Best Dance Album’ for his most recent record, When Will We Land?, it’s been a great 18 months or so for him.
As it happens, his debut LP was one of our most played on Spotify and favourite albums of the year, full stop, so we were delighted when we got to see his curated show at Depot Mayfield back in November.
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Now he’s set to come back to one of Manchester city centre’s leading nightlife venues for one of his biggest and most ambitious sets.
To be honest, with the other names already confirmed as joining him, this is essentially shaping up to be an ultimate club event for us.
That’s right, as well as Barry Can’t Swim‘s own impressive credentials, there is plenty more pedigree on show as part of the second curated evening, with the likes of Chloé Caillet, Prospa, firm favourites Jayda G and DJ Seinfeld, as well as Ross From Friends presents Bubble Love.
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Better still, there’ll also be a special ‘b3b’ set (how many times have you seen that?) featuring Etiénne de Crécy, Cassius and DJ Falcon.
Set to land at WHP Manchester on 21 November, Barry Can’t Swim general admission goes live at 10am this Friday, however, pre-sale is available via the venue and for anyone who pre-orders his sophomore studio album, Loner, set to release on 11 July.
Featured Images — Annika Wallis (supplied)/Audio North
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Oasis, Joy Division and New Order named as 2026 inductees into world-famous Rock & Roll Hall of Fame
Emily Sergeant
It’s official – three of Manchester’s most iconic bands are joining history.
That’s because it’s been announced today that both Oasis, and Joy Division/New Order (as one act) are being inducted into the world-famous Rock & Roll Hall of Fame as part of the 2026 cohort, which is not only a huge deal for the bands individually, but also for our city’s music legacy.
It would not be an understatement to say that these past few years have been some of the biggest in Oasis‘ career, given the fact that they played all across the world 2025 on what is one of the biggest reunion tours of all time – including five nostalgia-drenched gigs in Manchester’s Heaton Park last summer.
But despite everything they’ve done over the past three decades, this could still be one of the iconic Manchester band’s greatest achievements.
Announcing Oasis’ induction this week, a statement on the Rock & Roll Hall of Fame website reads: “Oasis are one of the most successful and influential acts of all time. Exploding out of the 1990s UK music scene, they reclaimed big, brash, hook-filled rock & roll with their anthemic sound, cool swagger, expertly crafted lyrics, and electrifying live performances – eventually selling over a hundred million records.
“Their songs have become England’s go-to anthems, sung in unison by fans at sporting events and social gatherings and inspiring countless bands.”
The Gallagher brothers reunion last year was also noted by the Rock & Roll Hall of Fame as being one of the key reasons for their induction, proving that the band’s influence ‘remains as strong as ever’.
I wanna thank all the people who voted for us it’s a real honour ever since I was a little kid and singing in the shower I’d dream about 1 day being in the RnR hall of fame it’s true what they say anything is possible if you have a dream LG x
It’s not just celebration for Oasis, of course, as two of Manchester’s other most revered bands, Joy Division and New Order, have also been chosen as 2026 inductees into the Rock & Roll Hall of Fame.
A statement on the Rock & Roll Hall of Fame website about Joy Division and New Order’s joint induction reads: “Joy Division and New Order were postpunk pioneers and electronic dance-floor innovators, inspiring thousands of bands and becoming a beacon for millions of listeners.
“Spearheading the late 1970s Manchester music scene, their story is a remarkable tale of revolution, metamorphosis, and influence.
“Their dark and droning transmissions ‘Love Will Tear Us Apart’ and ‘Blue Monday’ were foundational to both dance music and alternative rock, and they still resonate deeply with outsiders and adventurous souls.
“They were innovative musicians who created something revolutionary and massively influential – not once, but twice.”
The 2026 Rock & Roll Hall of Fame induction ceremony will be held on 14 November at the Peacock Theater in Los Angeles.
Featured Image – Jill Furmanovsky (Publicity Picture)
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Morrissey claims sole credit for The Smiths’ iconic Salford Lads’ Club photo shoot idea
Danny Jones
Morrissey is once again raising the issue of credit and disputes over The Smiths’ legacy, as the controversial former frontman has now claimed that their iconic photo shoot outside of Salford Lads’ Club was entirely his idea.
The 66-year-old lead singer turned solo star from Urmston is no stranger to sparking debates and attracting controversy, and it seems his latest is to do with one of the most iconic images in British music history, let alone just Greater Manchester.
The Davyhulme-born bard and divisive artist goes on to claim that the other co-founding members of the iconic Manc band initially viewed as more of his “lunacy” – the suggestion seemingly being (as it often is with Morrissey) that they simply didn’t understand the ‘genius’ at the time.
Many of his most die-hard fans still believe that most don’t and never will.
He even jokes that, in another life, it could very well have been something entirely different and random, such as the Kellogg’s factory in Trafford, basically suggesting that other members would have simply followed suit.
In his words, he argues that “now millions of people come from all over the world to be photographed on that very spot, it is claimed as a Smiths idea. It wasn’t, it isn’t, and it never shall be.”
Once again, this is by no means the first time he’s called into question, ‘who did what’ and/or who owns what bit of intellectual property; in fact, there was apparently another one of these instances with Johnny Marr only recently.
‘Moz’ and Marr have been at loggerheads pretty much ever since the group disbanded back in 1987, and still look to be far away from seeing eye to eye on virtually anything.