Oh, hello there. Did you think we’d forgotten to do our Manchester artists round-up for March? Don’t be daft, it was just a joke – a silly little April Fool’s joke.
This is, without a doubt, one of our favourite times of the month because we get to look back at our music habits in more bite-sized pieces rather than feeling like we have to defend a whole year’s worth every time Spotify Wrapped rolls around.
If you don’t know the drill by now, for one, where have you been? Secondly, welcome to the listening party: it’s the period we set aside to spotlight the best up-and-coming, underrated and veteran musicians from Greater Manchester alike – so long as they’re good, we’re happy.
Let’s get into it then, yeah?
Manchester bands and artists we’ve been listening to this month
1. Lusaint
First up on our list for March is a very talented woman by the name of Lusaint – real name Lucy Hopkins, but trust us, this is a stage name set for stardom as far we’re concerned. Manc born and bred, she has the voice and vibe of an old soul with all the talent and style to go up against the biggest around today.
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She started gaining followers through her stunning covers of everyone from Kings of Leon and Whitney Houston to Fleetwood Mac, Jason Mraz and many more. That being said, her pop-forward original solo material is hitting our ‘Sweet Tooth’ and then some, so we tried to keep it cool when we met her recently.
If you’re looking for where to start, her latest single ‘Neon Lights’ has an almost laid-back, neo-soul vibe; ‘Sober’ has a bit of Winehouse and Bailey Rae to it, but the best way to sum her up is soulful R’n’B with plenty of jazz and contralto moments sprinkled in there. The piano version of ‘Dark Horse’… Oof.
You’re damn right we’re putting them back amongst our Manc artists of the month list because not only have we’ve been listening to their new album non-stop but, in case you hadn’t heard, it’s just gone to number one – their second to date!
Leigh’s very own Lottery Winners need no introduction at this point: they’re becoming an increasingly big name in the indie, pop and Northern scene in general, but they also might just be up there with the hardest working bands going right now.
We could recommend tonnes of songs to kick off with but we’d like to give a big shout to ‘Superpower’, a real bit of genre whiplash that really works, ‘You Again’ with Jon McClure of Reverend and the Makers because it’s just a banger and ‘Turn Around’ because same and it has the cutest music video ever.
Now, this next one pains us slightly because Push Baby, as eclectic and interesting as they are, are currently inactive as of 2022 following the release of their second full LP, Wow, That’s What I Call Push Baby!, which is a brilliant subversion of modern mainstream music.
Made up of lead vocalist Jake Roche, the son of British household names Coleen Nolan and Shane Richie, as well as multi-instrumentalist Charley Bagnall – both formerly of the boyband Rixton too – this alternative duo were pushing plenty of boundaries before they took a pause to pursue other projects.
Song wise, ‘WHAT YOU GONNA DO?’ is the closest thing to a new NSYNC track as you’ll find, ‘thenineteenseventyfive’ feels like it could just about fit on a 1975 album if you just swapped out the vocals, and you simply have to start with the first song we ever heard from them: ‘thor’
You get a much different level of production on the studio version than this equally beautiful live recording. We hope they come back.
4. Tim Burgess
Our penultimate pick for this month is a Manc music legend whose music we’ve been exposed to most of our lives, but it pains us to confess we were relative latecomers to his solo stuff. The Charlatans’ frontman had such a large body of work, but we’ve finally cracked into properly for the first time.
It won’t surprise you whatsoever to learn the Salfordian icon’s own singer-songwriter records are just brilliant asd everything else he’s done in his career and we’ll feel daft to have waited this long to dive deep. There’s plenty to get through, put it that way.
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Everyone’s heard ‘OH My Corazon’ (in fact, we’d wager you’ve heard even more Burgess than you realise), but we’d grown a particular soft spot for ‘Sure Enough – Eyedress Remix’, ‘White’ and ‘Empathy For The Devil’ where he voices go real Ian Brown-esque. We’ll keep digging and get back to you.
Yet more evidence that he deserves your attention and respect for what he’s done/doing for Manc music
5. Dirty Blonde
Last but certainly not least is another duo that, unlike Push Baby, aren’t just active but are absolutely ripping through the infancy of their alt rock story already and have all ferocity of a pair of Manc music pioneers that are going to go far – Spill The Sound seem to think so too.
Modern girl rock that kicks you in the face with punchy riffs, catchy hooks, great vocals and plenty of confidence and all-around swagger that makes you think they’re made for this business. You could probably draw all manner of comparisons to contemporaries, but put simply, they just sound sick.
There’s not absolute reams to get through yet as the two are ones for the future, but we’ve particular enjoyed ‘Rush’, ‘Run (When I Tell You)’ and you’d be a fool not to take a look at their new single ‘Adore Me’ which achieves exactly what the title says. Love ’em and we look forward to hearing more.
And we’re sorry to say that’s all she wrote for another month, and we apologise to any of you die-hard readers for being a day late to it this time around. We promise we won’t make a habit of it.
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In the meantime, you can always go back and listen to our Manc music favourite from February to keep your playlists feeling refreshed – and all the other lists prior, come to think of it.
Featured Images — Audio North/Wow, Big Legend (press shot)
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Review | PinkPantheress turns Victoria Warehouse into one huge party on first night in Manchester
Emily Johnson
There was a point during Pinkpantheress’ set at O2’s Victoria Warehouse where you almost forgot you were watching someone perform an album that barely stretches past the 20-minute mark.
Instead, night one of two Manchester shows felt like one huge club night curated by one of the most exciting British artists around right now.
From the second you walked into the venue, greeted by an army of plaid, the world of PinkPantheress (real name Victoria Beverley Walker, for those who didn’t know) completely took over.
The stage itself mirrored that energy too, with a two-tier setup that allowed her to constantly move around the space, appearing and disappearing throughout the night alongside outfit changes, dramatic lighting and eventually, a pair of angel wings.
Backed by her dancers and DJ Joe, the entire show felt slick, immersive and miles away from the early days of PinkPantheress nervously clutching onto her handbag on stage like a comfort blanket. Ironically, the handbag did make a brief appearance during the evening.
It’s a reminder of just how much her performances have evolved – and evolve they have.
What could have easily been a short and simple set instead became a fully realised live show, complete with extended dance sections, rave-inspired moments, drum solos and seamless transitions that made the whole thing feel bigger than the music alone.
There’s also something undeniably British about a PinkPantheress show: the UK garage influences, the fashion, the awkward humour, and the understated confidence all combined into something that felt distinctly hers.
At one point, she paused to laugh: “It’s hot in this venue, f*** me,” which summed up the sweaty chaos of the night perfectly.
At one point, she joked that the last time she was in Manchester, she made it all the way to the final stage of Pointless, before being told she was now “too famous” to go on the show – a perfectly PinkPantheress anecdote that had the crowd laughing immediately.
By the end of the set, Victoria Warehouse felt less like a gig venue and more like the best house party you’ve ever accidentally ended up at.
And with another Manchester show still to come, it’s safe to say the party isn’t over just yet.
Review | We need NBHD Weekender every year – and so does the North West
Danny Jones
Neighbourhood Weekender returned for 2026 this late May bank holiday, and after its second consecutive edition following an admittedly brief hiatus, we’re more confident than ever that we want this music festival on the calendar every single year.
Actually, we’d go so far as to say that lots of people around the North West and beyond NEED it.
We know plenty of people are understandably wary of potential hyperbolic declarations like that, but let us explain ourselves…
For starters, getting an opportunity to see the likes of criminally underappreciated Northern names like Richard Ashcroft playing the big slot on the main stage is a good place to start.
Many of you will have no doubt seen the Wigan legend on solo tours – not to mention serving as the pitch-perfect support act for Oasis’ reunion tour last summer – but topping the bill on Saturday night of NBHD Weekender 2026 served as yet more proof that he is, in fact, a headline act.
Maybe that changed a little for lots of people post-Live ’25, but his set was one of several over the course of the two-day festival in Victoria Park that served as a reminder of just how good lots of these long-standing acts both were and still are.
Kaiser Chiefs, Razorlight, The Fratellis, Mel C, Shed Seven, and so on: they’re not just nostalgic acts that those of a certain generation get to enjoy as a throwback – they’re all still incredible, seasoned performers in their own right.
They boast a wealth of experience and aptitude for playing to live crowds that you only get by being very good at what you do for a long time. You only have to look at the countless youths who quickly realised they knew more choruses than they realised, and got to sample hearing them in person for the first time.
Strong crowds from 12 noon until curfew. (Credit: Audio North)
And then speaking of the younger, more up-and-coming section of the lineup, the next generation absolutely smashed it as well. Let’s just say there were more than a few rising stars on show.
Westside Cowboy are clearly at the start of something very special and got a healthy dose of shout-outs from punters on the day; Keo were as frenetic as everyone knew they would be, Brooke Combe was on top form as she has been every time we’ve seen her, and Cassia were class.
More Mancs rose to the challenge in the form of The Guest List’s biggest show yet, too – they were also left super humbled when we spoke to them afterwards – and fellow regional band The Royston Club were nothing short of excellent, simple as.
Hearing thousands belt out ’52’ and ‘Cariad’ at the top of their lungs was one of our highlights of the entire weekend, to be honest.
Of course, then you’ve got the likes of the already established DMA’S, who were absolutely box office and made it plain how much affection they have for “their second home” up here in this part of the UK, and Sunday’s headliners, Blossoms, have proven time and time again that they’re the real deal now.
But aside from banger after banger, it was a conversation we overheard near us during the Stopfordians’ set that helped us come to this revelation.
Somewhere between their walk-out on stage and the second/third song, a bloke and his mate behind us shared an intimate moment we felt almost rude for having accidentally eavesdropped on, right up until the point it made us well up ourselves.
Without going into too much detail, this very stereotypical-sounding Northerner dropped all pretence and confessed to his friend that he’d had a tough couple of months, and that he’d been looking forward to this for weeks – not simply because Blossoms are his favourite artist, but because he needed it.
Call it a release, that hour or so of sheer abandon, or just sharing a special music memory with his best mate: whatever it was, this evening was much more than a gig to him. People throw the phrase ‘lifesaver’ around about music a lot, and it never feels like an exaggeration in moments like this.
It was also apparent that he was a working-class Warrington native who was lucky enough for his postcode to help him afford to go to Neighbourhood Weekender and have this embrace with his pal, who was in an ideal setting to have perhaps a long overdue heart-to-heart. THIS is what it means to people.
Music is therapy, and when done in its purest form – i.e. played live to people who live and breathe the stuff – it can do more good than you’ll ever know.
Danny Jones -
1st April 2025 
