Hello Manchester, hope you’ve been doing well and finding lots of great new music; even if not, you’ve come to the right place because it’s time once again to dive into five bands and artists from in and around Manchester that we’ve been listening to of late.
We’re not sure what it is necessarily – perhaps all the smaller to mid-level British bands that we loved for many years announcing their break-ups recently – but we’ve been soaking ourselves in pretty much not but groups and mainly infectious indie riffs for the past 31 days.
That being said, we do have a surprise or two on the list this time around and, more importantly, everyone that we’ve spotlighted is obviously brilliant because we’d never lead you astray.
Anyway, enough faffing about, time for you to find some new Manchester artists and music to get stuck into – go right ahead.
Five Manchester bands you should check out this month
First up on our list of five Manchester bands we’ve been listening to throughout October is the still very new and already very good, The Guest List: five mates making very good indie rock with a more old-school vibe that’s almost reminiscent of the early 2000s and a general swagger way beyond their years.
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Only formed back in 2021 and are obviously still young lads, there’s already an impressive understanding of building both mature and memorable melodies, which we can only assume has come from soaking up the right influences growing up. They did go viral for a great cover of ‘505’ by Arctic Monkeys too.
They’ve only released a small selection of music so far, meaning you should definitely catch up with all their discography whilst it’s still easy, but we’d pick out ‘161’ as a great example of that impressively reminiscent sound and lyricism, so is ‘Won’t You Leave Me Alone’ and we just love the guitar on ‘Canada’.
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2. Larkins
Next up for this month is Larkins and while they have been around for a good long while now, with just a couple of EPs and one admittedly short and sweet debut album between them, they still feel like our little secret somehow.
They’re categorically not by the way: these guys gained some loyal local fans from their humble beginnings up in Glossop all the way back in 2015, unbelievably, and as their Manchester following grew, along with the number of gigs and festival slots,
‘Hit and Run’ – the first song they ever released – remains an effortless indie banger designed to get the crowd jumping and an older track we also still love is ‘Sugar Sweet’, but TV Dream is still their biggest song for a reason. You can start wherever you want with these guys, to be honest, it’s all pretty good.
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We also enjoy this slower, synthy sing-a-long, not least because of where it’s filmed…
3. The Apex Singers
In at the middle mark, we’ve got undoubtedly the most talented vocalists we’ve ever put on this list simply due to the level of classical training, range and the sheer amount of people pulling together to make such a fulsome, orchestral sound. They even do workshops but it must be hard to teach this…
A Manchester-based vocal ensemble made of eight incredible voices, the name Apex Singers couldn’t be a more fitting moniker. They can go from soothing and uplifting – like you’re listening to the Elven songs from a medieval fantasy film – to haunting, hallow and utterly tear-jerking times.
It genuinely floors us at times that humans can sound this beautiful. Their recent original song ‘The Mermaid Wife’ is a stunning production and a special shout-out to ‘The Booley House’ which actually started out life as a fiddle solo, but you’ll probably best recognise this old Irish song made famous by Hozier not too long ago.
Special shout-out to The Manc‘s very own Oli for this recommendation.
4. Rolla
The second to last band on our list of Manchester artists we recommend you get stuck into is Rolla, and we’re going from soft to hard and in your face with this one. Do the bucket hats, mod haircuts and shades give off quintessentially Northern rock and roll? Yes. Is that kind of the point? Absolutely.
Make no mistake, this isn’t just another band merely trying to imitate the Britpop sound that was mastered here in 0161 enough now, they’re the real f***ing deal if you ask. Rather ironically rolling Oasis, Stone Roses, The Verve, Shed Seven and more all into one, it’s pretty much a Mancs wet dream.
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There are so many tracks that give Liam Gallagher leaning into the mic if that’s what you’re after, but ‘No Violence’ was the first track we heard, ‘When Life’s Thunder Striking’ is the one we fell in love with and we’re quite literally addicted to their newest single ‘We Owe You Nothing’. They’re also doing their bit to help out Salford Lads Club too.
Last but not least, we’re swinging back in the direction of no-nonsense indie yet again with Ventrelles, though there’s also a throwback element sonically here too. This Manchester quartet are still pretty green as well but they seem to have found the niche they’re going for.
Self-described as everything from ‘ScallyGaze/Council Soul/Highrise Psychedelia’ to ‘Fleece Pop’, you can call their so-called sub-genre whatever you want but you’ll definitely get dripping vocals that hark back to the Roses, as well as some Echo and the Bunnymen-esque effects and guitar patterns at times.
‘County Lines’, ‘A Symphony of Sorts’ and their 2023 single ‘Happenstance’ almost reminded us a little of Hard-Fi in spots; we’re not sure whether this was just a moment in time for the band but delays, pedals and shimmery guitars or not, we just can’t wait for them to drop some more tunes.
They also credit some of their sound to Liverpool band Pale Fountains and other contemporaries from the area.
And there’s your lot, five more Manchester artists for you to familiarise yourself with and we hope you get at least some variety from us this month even despite the fact we’re still mourning the likes of Sundara Karma, Jaws, The Native and more.
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Still, it looks like we’re getting back everyone from The Maccabees and Doves to even the Scissor Sisters, so it’s not all bad and we still love stumbling across new bands and artists more than anything.
As always, we encourage you to go back and check out last month’s list and all the other for that matter, and we’ll catch you next time!
Kendal Calling turns 21 in fine form with a brilliant bunch of headliners – and that was just the start…
Danny Jones
Oh, what a long weekend we had at Kendal Calling 2026, our fourth consecutive visit to the beloved festival proclaimed as ‘the favourite’ by many across the North West, and forever ‘the best’ if you hail from in and around Cumbria.
Now 21 editions into its run, the Penrith party down in Lowther Deer Park has gone from being a cult classic among natives in and around the Lake District a couple of decades ago, to one celebrated all over – and for good reason.
Apart from delivering stellar lineups year in, year out, it’s also one of the most family-friendly festivals you’ll ever come across.
But having said that, they still know how to kick a party into gear when the sun sets…
With The Kooks, The Cribs, Manchester up-and-comers Spangled, Oldham’s very own Tim Burgess, and many more opening up the party on Thursday night, they hit the ground running early doors.
Speaking of the turf, the wider arena was nice and dry this year, with punters only being treated to very short showery intervals, and most overnight.
Having the perfect conditions obviously helps, but we will say that Kendal Calling remains one of the brave few that powers in through regardless of the weather.
Nevertheless, we didn’t have to worry about it for KC2026, and maybe it’s just recency bias, but the entire festival site somehow looked prettier than ever, especially soaked in all that sun.
The dappled rays coming through trees over in the ‘Lost Eden’ definitely made the Woodlands stage as special as we’ve ever seen it – including those magical neon nights – and we even got to chat with Yorkshire lass Ellur ahead of her spellbinding set out in the forest.
Still surprising people more than two decades in
Lots caught us by surprise this year, such as Dutch indie pop group Son Mieux (our new obsession, by the way), as well as Fletchr Fletchr, who we now believe really need to be seen live to truly appreciate every aspect of their huge potential.
And then there was rising Sunderland star Tom A. Smith (again, over in the Woodlands), who joked he was “never there” after filling in on short notice at the same festival he first played when he was 12.
Fair to say he’s come some way since then, and you won’t find many more electric performers from this very confident, talented and still very young man.
But nothing more so than the surprise acoustic set starring the legendary Pete Doherty ahead of The Libertines’ main stage slot later that day, which we had to sprint across the fields to just about catch after hearing about. We had to climb up the side of a window to get the view of those that beat us there.
This year, we also thought we’d go around and ask those who know it best just what makes it so special, and more importantly, what keeps them coming back. Here’s what they had to say:
“I’ve been five times over 11 years. I’m Cumbrian-born but based in Manchester, so there’s always the pull to travel back home for it, and I’d definitely come more if I could. First memory that pops into mind is seeing The Vaccines when they were just getting big, and now over a decade on I got to see them on the main stage all these years and albums later – really full circle.
“One of the best parts about it is just how much there is on; back when I first started coming, they still were spotlighting local bands like Colt 45, but they just so happened to be on the same bill as Snoop Dog – and now I’ve seen everyone from Tom Jones and the Sugarhill Gang to The Darkness and now Biffy.
“Despite the festival growing in size and in terms of the acts that flock to it now, it still feels like one that looks after smaller names; it’s still got that wholesome, all-ages feel, and can be enjoyed for lots more than the music. I’ve definitely grown a new appreciation for everything it has to offer as I’ve gotten older.”
Nick, 32, from Dearham
The LathumsBiffy ClyroRed Rum ClubDeaf Havana, and SO many more…Credit: Audio North
We also asked another seasoned veteran of the annual summer fest how they’d sum it up in as few words as possible, to which they responded: “Nature, variety and (at times) questionable weather.”
Once again, we’ve definitely had wetter ones in the past – it is the North of England after all – but the music gods were smiling down on us all weekend long, and that extra dose of vitamin D definitely helped keep us going.
More personal highlights include closing headliners Wolf Alice, as well as Circa Waves and Groove Armada on the final night, as we somehow managed to catch a bit of all three, not to mention Deaf Havana, who drew their loyal crowd of passionate fans and gave us one of the best sets of the whole weekend.
And then, of course, there was ‘Biffy… F***ing… Clyroooo’. The Manc arm of the Audio North team were lucky enough to catch the Scottish gods at their huge headline gig at Co-op Live, but BOY did jumping around in a sea of people from all over as confetti, streamers, fireworks, and literal fire hit even harder.
With Kendal, Tramlines, Parklife, Beat-Herder, and Neighbourhood Weekender all under our belt already this year, we feel truly blessed to be in what is undoubtedly one of the best periods for live music festivals we’ve known; you can check out some of our other reviews down below.
Other than that, all we have left to say is thank you to Hanglands and the KC crew as always for having us along, and we’ll catch you in the fields the same time next year. Over and out.
A reimagined dance music celebration is coming to Manchester later this year
Thomas Melia
Get ready to hear some of the biggest anthems in dance music, reimagined and given an orchestral transformation right here in Manchester city centre.
Powerhouse music business Ministry of Sound has been uplifting and promoting dance music through its varied and electric live events for over three decades.
Now, it’s putting an all-new take on all your favourite dancefloor fillers that have been released over the past 30 years with a 31-piece orchestra, a whole team of vocalists and a stacked setlist.
Expect to hear the likes of Fatboy Slim with his huge tune ‘Right Here, Right Now’ alongside Darude’s standout hit ‘Sandstorm’, as performed by a live orchestral arrangement and light production.
After receiving a great reception at major music settings like Gone Wild, The Big Feastival and Silverstone Festival, paired with a sold-out show at the Royal Albert Hall, this all-new live show now visits the music capital of the North.
Of course, it’s only fitting that Manchester gets the chance to experience this innovative twist on classics and anthems, considering the city’s vibrant club contributions like the Madchester scene and legendary music institution the Hacienda.
Now, dance, house and trance spanning the past 30 years come together courtesy of the Ministry of Sound Classical, playing out across UK locations like Brighton, Newcastle and Birmingham, as well as Manchester.
The show is playing out at city-centre gig hotspot O2 Apollo, and is about to teach 3,500 Mancunians dance music history through a dance-meets-orchestra concert like no other.
This live music extravaganza is organised and led by dance music pioneers Ministry of Sound, who developed and defined the 1990s house music scene in London and across the country.
Ministry of Sound Classical is heading to O2 Apollo in Manchester on Friday 18 December with tickets and more information available HERE.
Featured Image – Press Shot (Supplied via Ministry of Sound)