One of Manchester’s newest and most exciting festivals, Beyond The Music, is set to return for its second instalment later this year and the first raft of artists has just been announced.
BTM is a multi-venue live music festival and fundamentally global music conference that spotlights new up-and-coming artists, grassroots gig spaces, as well as key voices in the industry, with an at changing the face of the modern music landscape.
Having first launched in 2023, much of their flagship Manc music festival and conference still felt somewhat like a work in progress, but with the inaugural weekend now under the bag and plenty of time and experience to build upon, year two is looking promising already.
Announcing Aviva Studios as the main hub for this year’s festival, along with a number of beloved Northern Quarter venues this week, you can find the first wave of artists set to play Beyond The Music 2024 down below:
Credit: Supplied
Taking place from 9-12 October, they have already confirmed 70 artists and 20 different stage partners (BBC Introducing, Clash and Unity Radio just to name a few) who will serve as ‘tastemakers’ alongside the multiple venues helping put on what is, without doubt, one of the UK’s most diverse live showcases.
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Set to platform over 200 artists when the full lineup is confirmed, this is one of the best ways for any budding musical talent based in and around Greater Manchester to try and find a platform, with plenty of out-of-towners sure to join too.
On the conference side of things, under the title, ‘Is It Time For The Music Industry’s Great Rest?’, the groundbreaking look at the inner workings of the music industry will centre around Aviva Studios as already mentioned, with new-look summits and talks programme available to all attendees.
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The hope is not just to make this an even bigger and better music festival than last year but to create a unique and global music forum to find solutions to the most pressing issues within the sector. They already made a decent start on it in 2023.
Commenting on its return, festival partners Clash said of the event, “There is hope and we felt it in Manchester… the beginning of something incredibly special”, and Hunger Magazine added, “It could be the spark that sets the scene alight. Manchester is already a centre of creativity, but the extra push could see it become the centre of the musical universe” – as if it wasn’t already.
To sweeten the deal even more, there’ll be a whole host of afterparties following the horde of gigs being held over the weekend and if you sign up for pre-sale, not only do you get a discount on your entry fee but you’ll also be entered into a prize draw, with drinks vouchers and upgrades up for grabs.
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Pre-sale for Beyond The Music 2024 is already live and tickets are now more affordable than ever before, with a standard Delegate Pass (including full festival access) priced at £170, a one-day festival ticket costing only £20 and a full weekend pass to enjoy all three days of music setting you back just £45.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: