Another big night at The Warehouse Project is just around the corner as Bicep return to Depot Mayfield for what is set to be an incredible night with a whole host of top guests in tow.
The Bicep presents Chroma AV (audiovisual) DJ set is arguably one of the biggest dates on the entire WHP 2024 calendar, with the Belfast duo sitting comfortably at the top of the current electronic scene.
It may have been more than three whole years since their sensational sophomore record, Isles, but as part of the ‘CHROMA’ project launched back in January, the new label, event series and hybrid live-DJ show has given us our first taste of new music from the pair along with producing partner, Hammer.
So, if you’re heading to Warehouse for Bicep and co. instead of Sam Fender this Friday – hopefully, you’ve got tickets for the latter on Saturday – here’s everything you need to know.
Bicep at The Warehouse Project gig guide
Bicep smashing Repercussion 2023 (Credit: Supplied via Graham Joy)
Are there tickets left for Bicep at WHP?
If you’re still looking to have a night jam-packed with tunes and some of the best light shows you’ll find anywhere in Machester, there are still tickets left to catch Bicep at Warehouse Project.
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Early entry tickets (before 9pm) start from £29.50 + booking and handling fees, with standard full-price tickets clocking in at £43.35 with all service charges included.
There are also VIP passes available if you fancy being bougie. Whatever your preferred option, you can grab yours HERE.
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The CHROMA lineup for WHP 2024
For their return to the Warehouse, Bicep have attracted a fantastic collection of names to see throughout the night before they headline the whole shebang.
With Aussie favourite Mall Grab, aforementioned collaborator Hammer, as well as British DJ icon SHERELLE (Sherelle Camille Thomas), to name but a few taking part, it’s going to be a brilliant night.
You can see the full lineup down below:
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Bicep Present Chroma AV DJ Set
Mall Grab
Daphni
Helena Hauff
Bubble Love (Ross From Friends)
SHERELLE
Elkka – Live
Moxie
Effy
LCY
Hammer
Denham Audio
Machine Woman
Space Afrika
Giulia Tess
Cameo Blush
Swoose
Bakey
Bicep WHP stage splits
As for where you can find these dance and electronic pioneers playing, WHP will once again be split up across the main Depot room, the equally popular Concourse stage and the Archive room.
With an overall capacity of roughly 10,000, the place is sure to be packed out but you just need to figure out which area suits you best.
Stage times for Bicep presents Chroma – Manchester
As for when you get to catch each of these incredible acts, we’ve broken down Bicep’s WHP set times in a handy little table for you.
That being said, you can access all of these times easily on the night by downloading the WHP24 app.
DEPOT
CONCOURSE
ARCHIVE
Hammer b2b Swoose – 8-10pm
Giulia Tess – 8:30-9:30pm
Cameo Blush – 8:30-9:30pm
Moxie – 10-11pm
Effy – 21:30-22:45pm
Space Afrika – 9:30-10:45pm
Elkka – Live – 11:05pm-12:05am
Mall Grab – 22:45pm-12am
Machine Woman – 22:45pm-12am
Bubble Love (Ross From Friends) – 12:05-1:05am
SHERELLE – 12-1:15am
LCY – 12-1:15am
Daphni – 1:05-2:15am
Helena Hauff – 1:15-2:30am
Denham Audio b2b Bakey – 1:15-2:30am
Bicep – 2:15-4am
n/a
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Transport and how to get to The Warehouse Project
Just an eight-minute walk from Manchester Piccadilly or a 20-minute walk from Manchester Victoria Station, it’s super easy to get to Warehouse Project on foot or via public transport.
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You can catch a train or multiple tram lines from Victoria and various other points around the city centre which will drop you off at Manchester Piccadilly; better still, a tram journey will only set you back £1.90 and not much more for the train.
Taxis are also widely available across Manchester city centre starting from £5 upwards from Manchester Victoria to Depot Mayfield or £4 and above for a ride to the venue from Piccadilly.
Final things to remember
Credit: Graham Joy
There are multiple free drinking points inside as well as free cups of water behind the bar. Stay properly hydrated and you’ll be able to rave well into the early hours.
Please also note that multiple amnesty bins can be found on your way into the building. We urge everyone to stay safe and look after one another.
Lastly, anyone wearing a football shirt will not be accepted into the venue but other than that, have an absolutely incredible time.
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You can find the rest of the WHP24 programme below:
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.