In news that seems to have rocked social media and got everyone on the Manchester music scene talking, Blossoms and Rick Astley announced this week that they’re teaming up for two special gigs next month.
And if that collaboration wasn’t odd enough as it is, they’re only going to be performing songs by The Smiths.
Performing at Manchester’s iconic Albert Hall on Friday 8 October, before a second show at London’s 02 Forum in Kentish Town the following day, the popular Stockport indie band will become Astley’s backing band for a full set of The Smiths songs during the two intimate shows.
The announcement of the two gigs comes after Astley joined Blossoms on stage during the first of their three nights at London’s Kentish Town Forum earlier this week.
Videos of the performances have been racking up millions of views on Twitter.
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“We’re going to do some songs by one of our favourite bands with a friend of ours from the North West, welcome our friend Rick Astley,” Blossoms frontman Tom Ogden said before they tore into The Smiths’ classics Panic and This Charming Man with Astley on vocals.
Later Tom also played an acoustic segment of Astley’s classic Never Gonna Give You Up.
Despite it seemingly being pretty hard for people to wrap their heads around the collaboration, with Blossoms themselves even admitting “we’ve had wilder dreams, but not many”, it makes a little more sense when you realise that Astley – who shot to fame in the 80s, but has also enjoyed recent success with his 2016 album going to number one – is a self-confessed The Smiths superfan.
In an interview with Rolling Stone magazine in 2016, Astley promised to one day perform a set of just The Smiths songs in Manchester because he “absolutely loved them”.
However, he predicted that he would “probably get lynched for it”.
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Speaking on the announcement of the unlikely collaboration, Blossoms’ frontman Tom Ogden said: “The Smiths have always meant so much to Blossoms, with even their rainiest songs complete with wry humour and soul-reaching musicianship and melody.
“Their poppier moments are pure, joyful, danceable poetry.
“Imagine backing Rick Astley to play the songs of The Smiths?
“We’ve had wilder dreams, but not many.
“We’ll barely be able to believe it until it happens, but the dates are set, we’re studying every note, line and beat to say ‘thank you’ to The Smiths alongside Rick and do both of them proud.”
Rick Astley added: “From the moment The Smiths emerged in 1983, I was hooked and it’s as a fan, with deep respect as a musician for Morrissey, Marr, Rourke and Joyce, that I’ll be joining the endlessly enthusiastic and talented Blossoms on stage to sing their songs.
“It’s no secret that it’s been an ambition of mine to turn an idea that first sounded crazy, making more sense as Blossoms and I talked about it and then rehearsed it, into a reality.
“These shows will be nights that I’ll never forget.”
Tickets for both shows happening next month are now on sale here.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Emily Sergeant -
16th September 2021 
