BRIT Award-winner Jorja Smith has announced she will play an intimate Manchester gig as part of a short run of shows.
In honor of releasing her highly anticipated second album ‘Falling or flying’ later this monththe BRIT award-winner has announced a series of intimate headline shows.
Beginning in her home city of Birmingham on 7 November, she’ll stop in Manchester on 9 November before concluding the short run of gigs in London on 10 November.
For her Manchester show, she’ll take over the stage at The Albert Hall – a 5,000-capacity venue in the heart of the city set within a former chapel.
Further to climbing the charts with her huge summer single Little Things, Jorja returned last month with Falling or flying; a sleek and soulful offering taken from her highly anticipated second album of the same name.
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In addition to releasing the new single, Jorja also unveiled the tracklist for the record which will include features from British rapper J Hus and Jamaican singer Lila Iké, alongside 12 brand-new, unreleased tracks.
The singer last played The Albert Hall in 2018 for a run of two back-to-back sold out shows, and it’s expected that this short run will sell out fast.
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In 2019, she was named Best British Female Artist at the Brit Awards and she was also nominated for the Grammy Award for Best New Artist.
Image: Jorja Smith
Image: Jorja Smith
Of the many British voices in music today, Jorja is among the most commanding, writing at a pitch of intensity and urgency that few can match.
Over the past five and half years, since the release of her critically acclaimed debut album Lost & Found, she has been celebrated unanimously across the world for her evocative songwriting and powerful delivery.
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In 2021 Jorja finally broke her hiatus from music – releasing Be Right Back, the holding space between the sensation that was Lost & Found and her next project.
Be Right Back was born from playing, jamming, freestyling, and sounding out what Jorja had been on the edge of expressing all her life.
It was a project entirely for her fans, with Jorja saying at the time: “Be Right Back did exactly what I wanted it to do. It was a little waiting room so people knew I was coming back.”
Read more:Olivia Rodrigo announces massive Manchester gig at brand new Co-op Live arena
Come back she did – entering a chapter of her return to music that’s certain to draw in and intoxicate Jorja’s fans and new listeners alike.
Speaking on what has changed for her, in the five years since ‘Lost & Found’ dominated the charts and the soundscape, Jorja said: “I like this world that I’ve just come into. And I’m still figuring things out. Always figuring things out.”
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“This is the first time I’m putting stuff out there that I can connect with right now.”
Tickets are on pre-sale from 10am BST Wednesday 20 September and on sale from Friday 22 September. They can be purchased from Jorja Smith’s website here.
Featured image – Jorja Smith
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: