It’s rare you get to see legends in real life, especially this up close and personal, but there’s still just one key word that keeps coming to mind when we think of seeing Bruce Springsteen in Manchester at the Co-op Live last night: surreal.
We still can’t quite believe that he was here in Manchester, in the flesh, for three separate nights, but we do intend to replay it in our heads over and over again until it fully sinks in.
Springsteen, ‘The Boss’, Brucey, whatever you want to call him, there really is something to be said for someone who’s been going this long and still exerts so much energy at 75.
That goes for his desperately loyal and dedicated crowds, too. The legions that marched down ‘Thunder Road’ and back down the CityLink walking route and the Ashton canal in supreme spirits after all was said and done gave as good as they got.
We can only assume Springsteen was as incredible on the first night at Co-op Live as he was on the last. (Credit: Audio North)
From singing back every chorus to the chants of “Bruuuuuuuce!” between every single song, it was more apparent than ever that being a Springsteen fan is quite literally a way of life for these people; they know every line, every call and response, every micro-dance move and regular on-stage ritual.
Each show is roughly three hours long, by the way – he does have an absolute treasure trove of discography to work through, in fairness.
Put simply, there’s no messing about, just non-stop rock and roll of the highest order. Well, there are some brief pauses, but for good reason…
As a passionate political and philanthropic person throughout a career which spans more than six decades, he took the time to talk about America and the turbulent times they are once again facing.
He spoke about the craven billionaire class, poverty, uniting through art and, just as he did on night one in Manchester, Springsteen railed against a particular tyrant who happens to have found himself in the seat of power yet again back over in the States. He made sure to do this every single night.
‘Born in the U.S.A.’ (which he did decide to play, along with a plethora of the other biggest hits) now feels more like a protest song than ever. The war may no longer be in Vietnam, but there is one raging back home, and he’s even more wary of it than before.
He thanked those in the pit and the stands for indulging him, as well as the “wonderful space” of the Co-op and its “beautiful sound” for hosting him, but we have a feeling the New Jersey poet could have said just about anything and he’d still have 23,500+ in the palm of his hands.
All that being said, it wasn’t like this was a pseudo-rally or anything like that, nor was anything of this being foisted upon the audience, but there was a real sense of a congregation gathering in the church of Bruce to take in his sermon.
His followers have often been referred to in this way, and despite only previously considering ourselves a very casual Springsteen enthusiast, having now been to a sell-out arena gig with one of the biggest Boss fans we know, we can understand why millions of people around the world idolise this absolute icon.
It goes without saying that a huge amount of applause must go to The E Street Band themselves, who are just as much a part of what makes Springsteen sets so special as he is.
From the ever-charismatic Steven Van Zandt (still hard not to see him as ‘Sil’ from The Sopranos) to Jake Clemons on sax – who has been part of the group since 2012 and shared a touching embrace with Bruce as tributes to his predecessor and uncle, Clarence, played behind them – these lot are a family.
Our only minor gripe is that we sorely missed hearing ‘Atlantic City’, but what the concert did confirm is that much like the effect the recent Bob Dylan biopic had on us, we’re now more committed than ever to working through the Springsteen back catalogue from start to finish and seeing how obsessed we get.
To end on one final thought and echo the words of the man himself: “peace, love and freedom.”
The story behind one of Noel Gallagher’s best bits of songwriting and greatest ever peformances
Danny Jones
Noel Gallagher is not only one of the greatest songwriters of a generation, but perhaps one of Britain’s best-ever; he’s certainly in the top five of all time from Greater Manchester, but did you know how the story behind how one of his best (you heard) songs, ‘Dead In The Water’ came to be?
Or rather, do you know how one little radio performance produced one of his best vocal performances to date? Keep reading…
In case you’ve never heard the haunting ‘Dead In The Water’, taken from Noel Gallagher’s High Flying Birds LP three, Who Built The Moon?, it is very much just that: an almost ghostly and preciously quiet, acoustic song that became a cult favourite on the LP and even more beloved live track.
But this tune was never even supposed to be on the album; the deep cut, which was only ever played live a few times during concerts prior to its being released to the world, was taken from a radio show on Irish station RTÉ 2FM – and Noel didn’t even know it was being recorded.
Played during 2015, and it barely even needed ‘mastering’ before being released in 2017.
As explained by RTÉ’s Damian Chennells, Noel was promoting the previous album, Chasing Yesterday (his sophomore HFB outing and just second solo album up to that point), and during the session in the studio, Damian decided to hit record on an otherwise behind-the-scenes moment.
You can actually hear him going back and forth with the sound engineer at the start of the track – one he’d only just finished writing the night before – before he actually starts playing and the rest, as they say, is history.
We love the notion of the piano player didn’t even know what he was doing until Noel started playing.
Taped and ultimately tracked thanks to a spur-of-the-moment decision made in 2FM Studio 8 at the national free-to-air network’s radio centre in Dublin, Oasis and High Flying Birds fans, as well as lovers of Noel and music in general, got one of the most beautiful stripped-back listening experiences imaginable.
Returning to Ireland some time later, and just four years prior to getting Oasis back together for the Live ’25 world tour show that is now well underway, he performed it once again for The Late Late Show, which goes out on RTÉ One and RTÉ Player.
Some might argue he sounds even better this time around, but just as he says in the interview above, there is something truly special and unfiltered about that first raw and ridiculously good live recording.
From 2015 to 2021, and even present day, the story behind the original ‘Dead in the Water’ recording is fascinating.
Many have even speculated that the chatter recorded at the start and played to crowds on just a handful of occasions may have even foreshadowed the eventual reunion, as it seems to feature discussion surrounding Liam
The radio tech himself said in the recent retrospective interview of his own, he felt in the moment that “this song is an Oasis B-side” and was the only one played on the day that could easily slip onto one of their records.
As for Who Built The Moon?, a.k.a. HFB3, the album never featured ever B-sides of its own; instead, it just had one extra bonus track right at the very end of the 48:46 run-time – ‘Dead in the Water (live at RTÉ 2FM Studios, Dublin)’.
So there you have it: one of Noel’s most emotional, in-the-zone/lost-in-the-moment vocal performances in history, and one that so many still rate right up there with his very bits of music, may never have been if it wasn’t for ‘Damo’. So thanks, mate, I guess…
Are there any other tracks like ‘Dead in the Water’ where you love the back-story almost as much as the song itself? Bonus points if they’re by Greater Manchester artists.
Ed Sheeran announces ‘intimate’ Manchester date later this year
Danny Jones
The king of contemporary male pop music, Ed Sheeran, is returning to Manchester for one of his biggest dates ever, as well as his venue debut.
Yep, Teddy’s coming to Co-op Live.
The 34-year-old solo star and songwriting extraordinaire hasn’t played a standalone Manchester show since 2023, when he played the legendary AO Arena barely a year on from playing four sold-out nights at the Etihad Stadium.
And now he’s back for more with his first-ever gig at the city’s newest and Europe’s biggest indoor entertainment space.
Confirmed on Wednesday, 3 September, Ed Sheeran is set to play just a small handful of huge headline spaces this winter, including dates in Paris, Munich, Coventry and Dublin, as well as here in Manchester.
Announced ahead of his new LP and eighth studio album, Play, of which we’ve already heard four new tracks: ‘Sapphire’, ‘Old Phone’, ‘A Little More’ and ‘Azizam’ – the latter of which went straight to number one and stayed there for five whole weeks after it dropped.
These upcoming shows will be an extra and rare chance to see Sheeran before his all-new ‘Loop’ stadium tour, which kicks off in Australia next January.
Revealing details about the limited number of EU dates via his own social media channels, Sheeran wrote: “Coming to play some shows in Europe. These shows will be more intimate than a stadium show, obvz, but still will be incredible.”
We don’t know how he plans to make a room as big as the Co-op Live arena ‘intimate’, but we’re looking forward to seeing what he has in store…
He went on to add that he loves “playing these venues so much”, urging fans to pre-order the new record if they want to get their hands on tickets ASAP.
Play releases on Friday, 12 September, and those who pre-order the album exclusively through Amazon.co.uk before 7pm BST this Sunday, 7 September, can put themselves in with a chance of securing pre-sale tickets.
Elsewhere, early access will also be available to official Co-op members next Wednesday (10/9/25) ahead of general admission going live on Thursday, 11 September.
You can get ready to grab your tickets for Ed Sheeran at Co-op Live on Sunday, 7 December HERE.
Danny Jones -
21st May 2025 
