Candlelit dinners, intimate moments, cosy nights in – OR, for a few thousand of us, a Valentine’s Day spent putting our eardrums to the test and watching a slender rock star wriggle about for two hours.
I know which I’d choose, any day of the week, because despite a five-year break from touring, Cage the Elephant remain one of the most electrifying live acts on the planet.
And frontman Matt Shultz still remembered to get us flowers, flinging dozens of red roses into the audience. What a romantic.
The six-piece, formed back in 2006 in Kentucky, are back in town for the first time since early 2020.
In that time, Shultz experienced a medication-induced psychotic breakdown, something he’s spoken publicly about and that he addresses on stage, saying he feels ‘grateful’ to be back performing.
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Cage the Elephant have got a new-ish album with them in Neon Pill, but they don’t give it much weight in the setlist, which is mostly filled with songs from Tell Me I’m Pretty, Melophobia and Social Cues.
For long-time fans of the band this is a relief.
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It’s hard to beat their tracks like Trouble with its zig-zagging bass, the surprisingly moving Cigarette Daydreams which has an entire room belting along, and the slow-build, semi-Western anthem that is Ain’t No Rest for the Wicked.
They get off to a very strong start, firing through Broken Boy, Cry Baby and Spiderhead before they pause to say hello to a crowd that’s been suitably loosened up by the glam-grunge sound of Sunflower Bean, the New York outfit whose lead, Julia Cumming, is either teetering on fiercely high platforms or otherwise thrashing her bass from her knees.
As usual with Cage the Elephant’s staging, most of the kit is crammed into a third of the stage. You need A LOT of space for a firecracker frontman like Matt Shultz, not to mention his guitarist brother Brad.
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I can only imagine how chaotic their house was growing up, but they’re the most entertaining siblings in rock n roll and yes, I’m aware how inflammatory that sentence is on a Manchester page.
There’s even a guitar smash towards the end from Brad, which I didn’t think was a thing we were still doing. In this economy!?
The energy they bring to the O2 Apollo is never-ending, like during Mess Around when it seems that Matt might wriggle out of his own skin, Cold Cold Cold where he gets so giddy he can’t keep both feet on the ground, and Sabretooth Tiger which is intensely lively.
The hardest working person in the crew is the poor fella trying to keep Matt spotlit as he judders and slinks back and forth across the stage.
Cage the Elephant clearly LOVE Manchester, even enquiring about the status of Big Hands (yep, still thriving).
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And by the time we hit the encore, wrapping up with Come A Little Closer, it’s pretty clear this crowd loves them right back.
Cage the Elephant setlist
Broken Boy Cry Baby Spiderhead Too Late to Say Goodbye Good Time Cold Cold Cold Ready to Let Go Neon Pill Social Cues Halo Mess Around Trouble Ain’t No Rest for the Wicked Skin and Bones Rainbow Telescope House of Glass Sabertooth Tiger Encore: Back Against the Wall Shake Me Down Cigarette Daydreams Come a Little Closer
Lily Allen to play smash-hit new album in full on first tour in seven years
Danny Jones
Lily Allen has returned with one of the best comeback albums the British music scene has witnessed in decades, and it’s been received so well that she’s set to play the record IN FULL on a new tour – her first in more than seven years – and, yes, she’s coming to Manchester.
The noughties popstar and daughter of fellow musician and actor, Keith Allen, isn’t just having a renaissance, the 40-year-old singer-songwriter is now riding arguably one of the biggest waves of popularity in her career following the release of her fifth studio LP.
West End Girl, released earlier this month, has not only gone down a treat with die-hard Lily Allen listeners but has earned her plenty of new fans too, as well as winning over numerous critics.
Notching multiple five-star reviews, a shout for album of the year from Variety, and even being labelled “one for the history books” by the BBC, the demand to see her back on the road was ready and waiting, and now the genre-hopping Hammersmith heroine is giving the people what they want.
Without giving too much away for those who haven’t listened to it yet, the deeply honest and no-holds-barred material dives into her divorce from ex-husband, David Harbour, of Stranger Things and Thunderbolts* fame.
Leaving no stone unturned, it’s a deeply personal, scorched-earth kind of album that has resonated with a lot of people, it seems.
We’re not going to say any more than that; just strap in, give it a go and thank us later. You can see the full list of her newly announced domestic tour dates, where she’ll be playing West End Girl in its entirety, down below.
Lily Allen UK live tour dates
March 2026
2/3 Glasgow Royal Concert Hall
3/3 Liverpool Philharmonic Hall
5/3 Birmingham Symphony Hall
7/3 Sheffield City Hall
8/3 Newcastle City Hall
10/3 Manchester Aviva Studios, The Hall
11/3 Manchester Aviva Studios, The Hall
14/3 Nottingham Royal Concert Hall
15/3 Cambridge Corn Exchange
17/3 Bristol Beacon
18/3 Cardiff New Theatre
20/3 London Palladium
21/3 London Palladium
Here’s a little taste of just one of the tracks from the acclaimed new album, which is already being heralded as her best to date.
Honestly, there’s plenty more where that came from…
If you’re looking to hear the explosive 14-track diatribe from start to finish in person, she’ll be playing not just one but two nights at the Factory International’s Aviva Studios.
Tickets for all Lily Allen live tour dates, including her Manchester shows next spring, go live on Friday, 7 November from 10am – and given the reaction to the album itself, you can bank on them selling out fast.
Featured Images — Charlie Denis/press shots (supplied)
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Fast-rising alt-rock cult favourites Keo announce Manchester gig on new UK tour
Danny Jones
Up-and-coming alternative rock band Keo have just announced a new UK tour and “most ambitious chapter yet” in terms of live performances, including a Manchester gig that we CANNOT wait for.
Combining the likes of post-grunge, garage rock and more, Keo are one of the most exciting and fast-emerging new acts in the space right now, having seen their recent run of half a dozen domestic shows sell out completely.
Pulling influences from artists of The Smashing Pumpkins and Soundgarden, as well as most notably fellow contemporaries and former tour partner, Wunderhorse, they’re well-positioned at the front of the guitar-driven revival and are bound for big things. We’re by no means the only ones banking on it either…
Having been described as “already that band” by Dork and delivering “a sound that has given UK guitar its biggest kick up the fretboard in years” by Rolling Stone, you can bet tickets for these shows will be snapped up in seconds, too.
UK and Europe spring 2026. Pre-sale: 03 Nov 2025 10AM GMT On Sale: 05 Nov 2025 10AM GMT pic.twitter.com/Xz1km0Z93O
Set to play their biggest Manchester venue to date, Keo will be playing the O2 Ritz on Whitworth Street next spring, and let us tell you, that sprung floor is not ready…
Co-fronted by two brothers, Finn and Conor Keogh (originally from Devon before ultimately getting their music careers underway in the capital), the now London-based group make quite a racket for just the four of them.
That being said, they also do quiet moments well, too, as seen in several of the ‘calm before the storm’ breakouts in songs like ‘Thorn’, ‘Fly’, ‘Crow’ and many more.
If you like anything close to grunge or even just shoegazey riffs, trust us, they’ll be right up your street.
One of the most exciting parts about this lot is how feverishly their fans have packed out their audiences all over the country, somehow learning every single word to every song before most of the material had even been released on any kind of platform. They’ve led with their live reputation – and it shows.
Case and point – the crowd at The Key Club in Leeds, where our mates over at The Hoot got to witness them up close and personal as the entire room erupted in a chorus of screams about a girl called Amber:
“To be playing venues like these with only five songs out still feels surreal”, says lead singer Finn Keogh. “We always imagined we’d reach this level after years of supporting other bands, but somehow we’ve skipped that step.
“It’s mad, come March, our biggest indoor shows will have been our own. Electric Ballroom [in London] is a special one for me personally; I’ve seen some life-changing gigs there. To be on that stage this time around is going to feel unreal.”
Listing a total of 16 live show dates up and down the country throughout March and April of 2026, it’s fair to say we Mancs are excited to see them playing their biggest room in our city to date, having absolutely smashed Gorilla this past October.
Tickets for Keo at the O2 Ritz in Manchester go on sale next Wednesday, 5 November at 10am; you can get ready to grab yours right HERE.
The debut release from Keo has delighted fans and critics alike, and their Manchester gig is sure to be a stormer.