Hold on to your cowboy hats, country fans: the smash-hit Country 2 Country music festival is coming to Manchester.
The massive live music festival specialising in all things country, folk, bluegrass, Americana and more has slowly been expanding its presence across the UK and Ireland over the last decade or so.
Starting in London at the O2 Arena, before hitting the Emerald Isle in 2015 and debuting in Scotland just three years later, it has seen some of the biggest acts from the world of country music cross the Atlantic to show off the Stateside genre, plus plenty from around the globe already immersed in the culture.
We’ll confess, even prior to the official announcement, we had a feeling this was coming when we spotted these posters dotted about in town:
Like so many of those buzzing in the comments, we cannot wait for this to come around.
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With this year’s respective events taking place simultaenously place over the coming weekend, Friday, 13 to Sunday, 15 March, it’s fair to say they’ve timed the news perfectly.
Everyone from established names such as Carrie Underwood, Tim McGraw, Chris Stapleton, Kacey Musgraves, to up-and-coming bands as well as fast-rising artists working in and around the genre, like Nate Smith, Lainey Wilson and, of course, the now well and truly massive Luke Combs.
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For instance, the likes of Keith Urban, Noah Rinker, Alana Springsteen – no relation – Zach Top and many, MANY more, are playing across London, the OVO Hydro in Glasgow and Belfast’s SSE Arena for the 12th edition of the now annual celebration.
Set to arrive in our city centre for the very first time, Country 2 Country (C2C) will be making its Manc debut at none other than the legendary AO Arena, where so many of the biggest names and current generation of stars alike have played.
You only have to look at recent examples like Darius Rucker last year and the ever-growing Tyler Childers, helping kick off this season of country gigs here in Manchester.
Meanwhile, as you can see for Country 2 Country music fest’s Manchester debut, it’s coming in March 2027, and they’ll be teaming up with other local gig venues and bars to turn 0161 into a little slice of Broadway – we just hope we get a bit of Austin weather to boot.
It’s fair to say that this particular part of the music industry is definitely enjoying a big boom right now, with lots of different acts dipping their toes into the bayou, if you will.
However, C2C have been flying the flag for country music over here for ages now, and with it being hailed as remaining “one of the UK’s most spectacular annual festivals” by the likes of The Express and countless, among countless other reviews, we think it’s time you give it a go.
Better still, let’s show everyone that we can do it even better up North, and here in what everyone knows is Britain’s real musical home: Greater Manchester.
Tickets will be available from 10am next Friday, 20 March, and you can sign up to get early bird pre-sale access right HERE.
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Credit: Niko Moon/Luke Dyson Photography (supplied)
Featured Images — Niko Moon/Luke Dyson/Anthony Mooney (supplied via SJM Concerts)
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Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Danny Jones -
12th March 2026 
