There’s a lot to be said about those people in your life that show you new music. These are the best kind of people. Cherish them, they’re special. If you don’t know what I mean, now’s the time to look for new friends.
Jokes aside, there are other ways to discover music and club history. For example, through the imaginative new concept of Electronic Echoes.
It all involves the humble QR code. We’re all familiar with these by now (thanks Boris).
Four QR codes have been placed around the city centre, each next to an iconic Manchester club – Sankeys, Music Box, Roadhouse and SoundControl.
These beloved music venues might not exist anymore, but these buildings are steeped in history waiting to be rediscovered.
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“Scanning a QR code will take you to a unique page, which will feature information about the club with pictures and music from some of the artists and club nights,” said James Montrose, Electronic Echoes founder.
“Each page will have an email subscription, where you will receive a track and information about the club.
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“As the project grows, we’ve got people lined up to provide exclusive mixes and interviews that will support this and add different layers to the experience.”
To kick things off, four artists that represent a healthy mix of genres have been lined up to provide tracks and mixes. From the drum and bass of Nian Dub, to the hard techno of Slave to Society, James has got it covered.
The artists featured in Electronic Echoes
As for the clubs, they’ve been selected on a personal basis, in honour of some of James’s most memorable club nights. For instance, the monthly ‘Keep it Unreal’ night at Music Box, where he went spent his early clubbing years.
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But these clubs are held dearly to a lot of Mancunians’ hearts too.
Famed for its industrial warehouse vibe, Sankeys is perhaps the most well-known venue on the list. Countless household names played at this former Ancoats club, including Daft Punk, The Chemical Brothers, Carl Cox and Swedish House Mafia.
Sankeys Manchester closed its doors for good in 2017. But not before taking the franchise all over the world. The most notorious being Sankeys Ibiza, which I hold dearly to my own heart!
Sankeys Manchester
That in mind, the Electronic Echoes project provides us with a nostalgic look back at happier times within the scene. A touch of 2020 escapism is exactly what we need, right? But there is plenty to be learnt about our city’s past at the same time.
James recognises this and wants to “reconnect us to physical space”: A profound request, but what does it mean?
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It’s all about interacting with the city’s rich music history and clubs past and present.
“What we’re really trying to do here is create something that lets you engage with the social history, memories and hopefully encourage people to (safely) venture out and learn a little bit about some of Manchester’s clubs.”
Since the first lockdown in March, James has found his DJing friends out of work. Many have been severely impacted by the lack of government support, as much of the music industry has. With this project, he wants to give back.
Roadhouse Manchester / Wikimedia Commons
“The aim of this project is to not only support musicians but also anyone who has been affiliated with the night-time club scene. Sound engineers, photographers, promoters,” James said.
“Throughout the first lockdown, it really struck me how much we depend on music in our daily lives and how much I missed the community of a night out.
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“This is a way that people can at least learn about the clubs, get some music and feel some connection to the nights that have now all but disappeared.”
From the ashes of a once thriving nightlife scene, Electronic Echoes gives artists some much needed exposure. But it’ll also teach us a thing or two about why Manchester’s music scene is so valued.
So, if you’re able to get out and about safely, head to one of the four QR codes and scan to see what you can find.
A$AP Rocky announces huge Manchester gig on new world tour
Daisy Jackson
A$AP Rocky is heading out on a massive world tour, and is including a gig here in Manchester.
The rapper, producer, actor and entrepreneur has just announced his upcoming 2026 tour, the Don’t Be Dumb World Tour, with a whopping 42 dates across the globe.
This will be fans’ first chance to hear his latest album and first release in eight years, Don’t Be Dumb, live.
The huge A$AP Rocky tour kicks off this May in the USA, before heading across to Europe in July.
That leg will include a gig at the Co-op Live in Manchester on Saturday 5 September, one of only three UK shows on the tour.
The announcement has come hot on the heels of the release of his fourth album last week, which Billboard has said ‘not only rewards patience but adds new wrinkles to the rapper’s approach — an evolved relationship with melody and a wiser lyrical slant’.
It became Spotify’s most pre-saved hip-hop album, with one million saves even before its release.
As well as his music career, A$AP Rocky has starred in films including the Golden Globe-winning If I Had Legs I’d Kick You, and has cemented himself as a fashion icon with his work as co-chair of the 2025 Met Gala.
He’s also been announced as the creative director for Ray-Ban, and was appointed as Chanel’s new house ambassador.
General sale for the Don’t Be Dumb World Tour will go live at 9am on Tuesday 27 January HERE.
There’ll be artist pre-sales, a Mastercard pre-sale, and various VIP packages available too.
‘Manc the Biff’: the Co-op Live crowd made the Clyro boys welcome on debut
Danny Jones
It feels like we’ve been waiting a long time to welcome Biffy Clyro back to Manchester, and they really didn’t disappoint on their Co-op Live debut.
Here’s our review of what was a proper rock show.
After a strong lineup of support acts with The Armed and Soft Play (formerly Slaves) injecting plenty of early energy into the crowds, already knew two things: the Scots wouldn’t disappoint, and a Manc crowd NEVER lets you down.
We knew everyone was on top form from the moment the Kilmarnock icons stepped out on stage under a swathe of blankets to the opener from their latest album, Futique.
Once the curtain was eventually lifted during ‘A Little Love’, which has quickly become one of the most popular singles for some time, you could see the sea of fans below start bouncing.
Rolling into the likes of ‘Hunting Season’ and Only Revolutions classic, ‘The Captain’, those bounces quite quickly turned into a healthy-sized pit, and those up in the stands with us finally got on their feet.
That was maybe our only complaint: we love seeing a seated section pretending they’re in standing from their start, but we get it and each to their own, of course.
In fact, the same goes for the rest of the session players joining them on the road this year.
One thing we weren’t expecting was quite how cool the production levels were going to be. We’ve never been Biffy fans for their creativity when it comes to toying with stage design or lighting rigs, but they threw in some fun effects regardless.
Highlights from the night included ‘Tiny Indoor Fireworks’, ‘Bubbles’, and ‘Black Chandelier’, though we were sad not to hear ‘Victory Over The Sun’, and it was especially gutting that one of our favourite tracks from the new record, ‘True Believer’, didn’t end up on the setlist.
Again, you can’t have anything – we’re just glad we got to be there and see a truly great British rock band proving that they are well and truly an arena-level band.
Lastly, even after all the years and an X-Factor cover trying its hardest to take the credit away from them, ‘Many of Horror’ is still an unbelievable rock ballad, and d’ya know who is an unbelievable rock band? “Biffy. F***ing. Clyroooooo.”
Hannah Starkie -
4th December 2020 
