There’s a lot to be said about those people in your life that show you new music. These are the best kind of people. Cherish them, they’re special. If you don’t know what I mean, now’s the time to look for new friends.
Jokes aside, there are other ways to discover music and club history. For example, through the imaginative new concept of Electronic Echoes.
It all involves the humble QR code. We’re all familiar with these by now (thanks Boris).
Four QR codes have been placed around the city centre, each next to an iconic Manchester club – Sankeys, Music Box, Roadhouse and SoundControl.
These beloved music venues might not exist anymore, but these buildings are steeped in history waiting to be rediscovered.
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“Scanning a QR code will take you to a unique page, which will feature information about the club with pictures and music from some of the artists and club nights,” said James Montrose, Electronic Echoes founder.
“Each page will have an email subscription, where you will receive a track and information about the club.
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“As the project grows, we’ve got people lined up to provide exclusive mixes and interviews that will support this and add different layers to the experience.”
To kick things off, four artists that represent a healthy mix of genres have been lined up to provide tracks and mixes. From the drum and bass of Nian Dub, to the hard techno of Slave to Society, James has got it covered.
The artists featured in Electronic Echoes
As for the clubs, they’ve been selected on a personal basis, in honour of some of James’s most memorable club nights. For instance, the monthly ‘Keep it Unreal’ night at Music Box, where he went spent his early clubbing years.
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But these clubs are held dearly to a lot of Mancunians’ hearts too.
Famed for its industrial warehouse vibe, Sankeys is perhaps the most well-known venue on the list. Countless household names played at this former Ancoats club, including Daft Punk, The Chemical Brothers, Carl Cox and Swedish House Mafia.
Sankeys Manchester closed its doors for good in 2017. But not before taking the franchise all over the world. The most notorious being Sankeys Ibiza, which I hold dearly to my own heart!
Sankeys Manchester
That in mind, the Electronic Echoes project provides us with a nostalgic look back at happier times within the scene. A touch of 2020 escapism is exactly what we need, right? But there is plenty to be learnt about our city’s past at the same time.
James recognises this and wants to “reconnect us to physical space”: A profound request, but what does it mean?
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It’s all about interacting with the city’s rich music history and clubs past and present.
“What we’re really trying to do here is create something that lets you engage with the social history, memories and hopefully encourage people to (safely) venture out and learn a little bit about some of Manchester’s clubs.”
Since the first lockdown in March, James has found his DJing friends out of work. Many have been severely impacted by the lack of government support, as much of the music industry has. With this project, he wants to give back.
Roadhouse Manchester / Wikimedia Commons
“The aim of this project is to not only support musicians but also anyone who has been affiliated with the night-time club scene. Sound engineers, photographers, promoters,” James said.
“Throughout the first lockdown, it really struck me how much we depend on music in our daily lives and how much I missed the community of a night out.
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“This is a way that people can at least learn about the clubs, get some music and feel some connection to the nights that have now all but disappeared.”
From the ashes of a once thriving nightlife scene, Electronic Echoes gives artists some much needed exposure. But it’ll also teach us a thing or two about why Manchester’s music scene is so valued.
So, if you’re able to get out and about safely, head to one of the four QR codes and scan to see what you can find.
Hilary Duff announces massive Manchester gig on first world tour in nearly 20 years
Danny Jones
Noughties throwback, Hilary Duff, is continuing her contemporary comeback trail by announcing a brand-new world tour, including a massive arena gig right here in Manchester.
That’s right, Lizzie McGuire herself is returning to the UK with new music.
In all seriousness, child star Hilary Duff has gone on to have quite the career, but it feels like it’s been forever since we’ve had fresh music from her, which is why her next album and huge run of tour dates around the globe feels like such a big deal.
Ahead of her sixth studio release, lucky… or something, dropping this month, the American popstar has now confirmed nearly 50 upcoming dates in support of the record; she also still managed to give us a very Disney Channel reveal video.
Yes, heading out on the road across North America, Europe, the UK and Ireland, as well as Australia and New Zealand, Hilary Duff has announced a total of 47 gigs so far.
With no other live shows confirmed in mainland Europe yet, Great British and Irish fans can be glad of the five shows locked in for the UK leg.
Having said that, with the 38-year-old enjoying a real renaissance of late, we wouldn’t be surprised to see more added to the newly confirmed ‘lucky me’ tour.
As mentioned, with her latest LP scheduled to launch on 20 February, we got her most recent track just a few short weeks ago.
Following the lead single from the project, ‘Mature’ – also released this past November 2 – you can see the music video for her ‘Roommates’ down below.
The song is also produced by her husband, Matthew Koma.
This newest outing is the first Hilary Duff album in over a decade, following 2015’s Breathe In. Breathe Out; it’ll also be nearly two of them since her last world tour, having last played Manchester all the way back in 2007.
As for her shows, following a number of performances in late 2025 and this year already, she’ll be playing throughout the calendar and well into early 2027.
You can see the rest of the European tour dates thus far down below.
Hilary Duff UK and IE tour dates – September ’26
6 – Dublin, IE – 3Arena
8 – Cardiff, UK – Utilita Arena Cardiff
10 – London, UK – The O2
Thursday, 12 – Manchester, UK – AO Arena
13 – Glasgow, UK – OVO Hydro
For tickets to see her here in Manchester at the end of this summer, early access can be enjoyed by Three mobile members from 10am on Tuesday, 17 February, or via the venue’s own presale window from the same time next Thursday, 19 Feb.
As for general admission, tickets will then go live at 10 the following Friday (20 Feb), and you can get ready to grab yours HERE.
SING TO ME PAOLO! 🎤🛵💅
Superstar @HilaryDuff brings 'the lucky me tour' to Manchester!
Featured Images — Press shots (supplied via AO Arena)
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Gig Review | Mika shines at the AO Arena in Manchester on the first night of his world tour
Aimee Woodcock
Mika’s Manchester stop on his ‘Spinning Out’ global tour was a vibrant, high-energy celebration of all things pop.
Not happy with just walking on stage – this is Mika we’re talking about – he made his entrance on a spinning hamster wheel, bathing the AO Arena in kaleidoscopic lights.
Opening with ‘Modern Times’ and ‘Eleven’ from his latest discography before leaning into one of the classics, ‘Relax, Take it Easy’, the atmosphere inside the packed arena felt charged.
His stamina was something that stood out from the get-go, delivering every track with that signature Mika flair, accompanied by choreography and a live band that matched his energy – no mean feat.
The production leaned heavily into colour and movement, with swirling visuals and playful stage design that mirrored the tour’s theme of motion and momentum with nods to themes of LGBTQ+ rights.
Working through this current album, and after a quick outfit change, we were treated to an a cappella intro to another classic, ‘Lollipop’ with Mika dressed in a full pink suit (and shoes).
Between songs, Mika’s easy rapport with the crowd added warmth and intimacy to the arena-sized performance.
He shared anecdotes and playful banter, encouraging the crowd to sing along, uniting the fans.
Highlights included a rendition of ‘Grace Kelly’, which sparked one of the loudest reactions of the night, and a heartfelt performance of his more reflective ‘Happy Ending’ offered a welcome contrast to the glittering pop anthems.