It’s been five long years without new music from pop-punk icons Fall Out Boy – and rather than launching back into our lives with a huge arena show, the American rockers chose one of Manchester’s most intimate venues for their return.
The Grammy-nominated and multi-platinum group announced a very special intimate performance at Band on the Wall just last week, with tickets selling out in minutes.
The chance to see them performing in the 500-capacity venue is the stuff of a former emo kid’s wildest dreams.
Fall Out Boy are here to celebrate the release of So Much (For) Stardust, their first album since Mania in 2018.
They open the show with the first release from the new album, ‘Love from the Other Side’, the room immediately erupting in unified, punk-rock glee. The lads seemingly revel in the crowd belting back the lyrics of the two-week old track.
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Then it’s a jump back 10 years with The Phoenix, a track taken from the album Save Rock n Roll, the record that brought them back together from their hiatus.
Despite Patrick Stump being the lead singer, and all individual members having their own long-standing fan bases, Pete Wentz takes the lead with crowd interactions, talking to us between songs and keeping us hyped during.
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But of course, the 90-minute set gives each member their own time to shine. The band’s 19-song set plays out the band’s last two decades and shows just how far the emo veterans have come.
Three songs in, the four-piece explain they are ‘pretty f**king jetlagged’ and in true Manchester style, a member of the crowd shouts in response: “Do you want a tequila!?” Because if nothing else, us Manc lot know the cure for everything – booze.
Fall Out Boy
The floor bounces underneath your feet as 500 fans jump, dance, and mosh in unison, as Wentz extends a salute accompanied by a grin from ear to ear – after years of selling out huge venues, you can only imagine how greatan intimate one of this size must feel.
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The band perform with a backdrop of two sides of a smiley face, which they go on to explain represents the two halves of the new album, how it was built, and what it means. The second half of the record is based on the movie Field Of Dreams and the quote ‘If you build it, they will come’, acknowledging their five years of no music. Yet still, their fans are loyal as ever, as demonstrated by the enraptured congregation before them.
“It’s been a minute,” Pete says, “But we wanted to get it right so thank you for being patient, it’s almost here.
“Our band would not be a band at all, we probably wouldn’t be playing together if it weren’t for this city and what happened here for the music scene.” He makes nods to Manchester legends Oasis, The Smiths and Stone Roses and then jokingly says ‘anyway, here’s Wonderwall’. The crowd erupts, because who wouldn’t want to hear a live Fall Out Boy x Oasis mashup?
The end of the show is near but the band aren’t letting us Manchester lot go without us having something to remember as our own. After a quick intro from Pete, ‘Headfirst Slide Into Cooperstown on a Bad Bet’ is played to their fans for the first time since 2009. The atmosphere in the room is unmatched and seriously nostalgic – I can almost feel my arm reaching for the heavy black emo eyeliner buried in my drawer somewhere.
The band end the show with ‘Centuries’ and ‘Saturday’, where Pete Wentz ends his night of crowd interaction by climbing into the arms of fans as we channel our teenage angsty selves, because even though So Much (For) Stardust isn’t a throwback record, this was undeniably a throwback show.
Featured image: Publicity picture
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Manchester institution ‘a little emotional’ after receiving a visit from rock icon Hayley Williams
Daisy Jackson
Rock icon Hayley Williams has been spotted shopping at Manchester institution Afflecks.
The legendary independent retail emporium said it was ‘feeling a little emotional’ after its halls were graced with rock royalty.
And not only did the Paramore frontwoman and acclaimed solo singer-songwriter come for a browse, she even gave Afflecks a shout-out on stage later that night.
Hayley Williams headlined two solo shows at Manchester Academy on Monday and Tuesday this week.
The shows are in support of her third studio album, Ego Death at a Bachelorette Party.
And despite being known globally as one of music’s best lead vocalists, this is actually Hayley Williams’ first solo tour (her previous dates were cancelled because of Covid).
While on stage in front of fans last night, she said: “I’ve learnt some Mancunian, and I’ve been to Afflecks!”
It sounds like she’s as lovely as she is legendary, with Afflecks saying that the star hung around to chat and take photos.
Sharing photos of the star inside the building, Afflecks wrote: “So a very special visitor stopped by Afflecks yesterday…
“A huge thank you to Hayley Williams for taking the time to visit us, say hello, and pose for a photo. She was so super lovely, kind, and welcoming, and to top it all off she even gave Afflecks a shout-out during last night’s show.
“Safe to say we’re feeling a little emotional about it. Thank you again Hayley for supporting Manchester’s small businesses.”
Secret stages, surprise sets and non-stop sunshine – here’s what went down at Parklife 2026
Clementine Hall
Parklife 2026 has officially wrapped up, and dare we say it might have been the best one yet?
Well, that’s it folks. One of the biggest weekends on Manchester’s musical calendar has been ticked off, and what a time we had.
The rolling hills of Heaton Park welcomed thousands of ravers who two-stepped from the moment the gates opened until the final vibrations echoed from the speakers.
So, while we nurse our sore feet and slap on the aftersun, let’s reflect on Parklife 2026 and catch you up on what you might have missed.
Images: The Manc Group
For once, the weather actually delivered.
Blue skies and glorious sunshine stuck around all weekend, giving festival-goers the perfect excuse to stay out from open to close and making Heaton Park look more like Ibiza than north Manchester. We’re exaggerating, of course, but you get the picture.
While headline sets from pop princess Zara Larsson and grime MC Skepta drew huge crowds, some of the biggest moments happened away from the main stages.
Images: The Manc Group
After all, when else can you watch Manc icon Bez DJing on a rooftop at a secret garden party? It truly was a sight to behold.
The festival introduced three brand-new secret stages this year, which we think were a fantastic addition. Our favourite was the Bossmans Tent – an exclusive stage hidden behind the facade of a corner shop, where festival-goers had to enter through a fridge to discover the music inside.
Of course, it wouldn’t be a festival without a few cheeky surprise sets thrown into the mix. Enter Aitch.
At this point, the Manchester rapper is basically a Parklife resident, popping up each year to surprise crowds with a song or two. This year, our hometown hero joined Bou on stage, sending fans into a complete and utter meltdown.
Images: The Manc Group
The city was also well represented through a number of stage takeovers across the weekend. Ghosts of Garage, the Manchester-born brand that has built a loyal following across the region, brought together a host of local DJs on Sunday for a takeover that felt like a celebration of the city’s thriving dance music scene.
One of the most anticipated additions for 2026, the new Panorama stage was a real standout. Featuring a belting 100m LED screen, huge dance platforms and behind-the-booth access, there wasn’t a quiet moment there all weekend – and it’s not hard to see why.
Sheffield DJ Silva Bumpa drew one of the busiest crowds of the weekend at Panorama, creating relentless energy from start to finish. Fans were packed shoulder-to-shoulder as one of the UK’s fastest-rising names delivered a set worthy of all the hype.
Sophey Donohue -
16th March 2023 
