Oh hello there. All calmed down from the Oasis chaos now, have we? Well good, because we’re back to celebrating newer and largely lesser-known local bands and artists – hopefully to the point that they become far too big to need round-ups like these.
Not that we’ll stop writing them, mind you.
Yes, after last month’s edition (wink wink, nudge nudge), we’ve got five more Manc born and bred or at the very least currently based somewhere in within boroughs bands and artists that Audio North has been enjoying of late.
We welcome all walks of tunage here, by the way; it’s the best way to be and if you don’t manage to find something there’s always next month or all the previous ones, for that matter. Let’s get into it.
Kicking the September rundown in style, we’ve got the wonderful Nia Archives, who despite not hailing from Manchester originally has made a happy home here, playing countless stages around the city since she moved here when she was just 16 and now she’s well and truly shining.
The 2022 BBC Introducing Artist of the Year is set to deliver her Up Ya Archives club night to The Warehouse Project for just the second time and if you’ve never heard her before, you’re really not ready for the breadth going on. Dance, electronic, D’n’B, jungle, neo-soul – she really does play with it all.
From Bradford, Leeds then to 0161, she’s got to be one of our favourite talents around right now. ‘Baiana’ is certainly one of her biggest tunes and her debut title track ‘Silence Is Loud’ is a certified banger, but we’re gonna shout out her remix of ‘leavemealone’ by Fred again… and Baby Keem.
From varied floor-fillers to another genre-bending outfit that we’re ashamed to confess we arrived far too late but are making up for it with some intense listening over the last 30 days. They started out as a trio nailing alternative synth-pop but things have got even more interesting and complex since then.
With roots in Wilmslow, Cheadle Hulme and various other spots around Greater Manchester, the band has grown in every sense of the word since their highly acclaimed 2019 debut, not only because they’re a five-piece these days but because their sound is oozing with so many sprawling influences.
One of the first tunes we heard from them is ‘High Pressure Days’ (it’s a cover but we don’t care), so that has to go in there as a potential starting point, but we’d also check out ‘Somebody Like’ before trying ‘Bloom and Fade’ off their upcoming third album, out 18 October, to see how much things have changed.
Come and see us roll around a bit…
— W. H. Lung (@whlungmusic) September 12, 2024
Tickets 👉 https://t.co/uqnEyfXeLT pic.twitter.com/blpjxznuoP
Next up is a much more familiar sound for us as Yasmin Coe has the shimmery, shoegaze-esque guitars that her sound is fitting right in with the 90s revival that’s currently thriving all over the country, not to mention a great display of versatility so early on in her career.
If you ask her, she’s self-proclaimed ‘girl power pop’, but there’s everything from Lana Del Rey, Mazzy Star, Wolf Alice and more going on here; safe to say we’re really excited to see where else she takes her music and we’ll definitely be buying a ticket to see her in person very soon.
Fortunately for you, Yasmin’s still pretty fresh so she only has four songs for you to get stuck into – ‘No Hope’, ‘Doubt’, ‘Promise Not To Care’ and her latest, ‘Linen’ – and you’ll get something different from all of them. We love artists like this, keep it up.
@yasmincoe__ My single Linen is out now!!
♬ Linen – Yasmin Coe
For a slightly heavier, more in-your-face entry at number four, our penultimate band has been enjoying the live setting for years but is slowly working its way onto people’s playlists – ours included.
There’s a lot more no-nonsense American rock to the very Mancunian-named Haciendas than there is Madchester or even Britpop, but that feels somewhat refreshing in amongst the mix of contemporary guitar-driven bands, and they also have the attitude to back it up. Think The Reytons but with more US-inflections and riffs and you’re part way there.
This is music that doesn’t need over-intellectualising: it’s fast, fun and even if it does subscribe to somewhat formulaic chorus formats, they’re winning combos for a reason. Our top picks are ‘Overdose’, ‘Brighter Days’ and you can’t go wrong with ‘I’m Not In Control’.
Last but not least, we’ve got Denver County Council: one of the best sounding and, in our opinion, best-dressed bands in Manchester – especially if you’re like us and you love early Kings of the Leon era or anything even remotely close to the country aesthetic. There’s a real mix of blues/old-school rock and roll vibe with an indie sensibility, what’s not to like?
These guys came on our radar around the time they landed a spot on AO Arena‘s stripped-back series last year and we’ve been enjoying them on and off ever since, to be honest. However, since we spotted them on the lineup for Neighbourhood 2024, they’ve been firmly back in the rotation.
These guys haven’t put out tonnes of much just yet either, however, if we had to play favourites amongst the few it would be ‘Grace’, ‘Flawd’ and Mad Love – but the strictly the live version that we can’t wait to hear for ourselves this weekend. Having said that they can also do lovely slower ones like this:
And with that, another month of the best Manc bands and rising local artists is done with, we hope you enjoy them as much as we have.
As always, please do go back and check out previous months and feel free to drop your suggestions for who we should listen to next in the comments.
Don’t forget to come and say hello to our NBHD 2024 stage at the O2 Ritz on Saturday, 5 October too!
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Featured Images — Press Image/The Warehouse Project (supplied)/Yasmin Coe (via Facebook)