UK girl group FLO visited Manchester Academy yesterday and let the crowd ‘Access All Areas’ of their discography on their tour of the same name.
Jorja, Stella and Renée, more widely recognised as R&B girl group FLO, had Manchester in awe, treating the crowd to a night of silky vocals, stylish choreography and expert harmonising.
After visiting New Century Hall in 2023, Gorilla in 2024 and Parklife twice, the latest being earlier this summer – this time they’re setting ‘The Mood’ in Manchester Academy.
As the show begins, the trio pop out one by one and poses in a way that harks back to cult classic action film Charlie’s Angels, with the girls only visible by their silhouettes.
FLO played to a very lively Manchester Academy crowd last night (Credit: Audio North)
The song soundtracking this initial greeting is none other than the Cynthia Erivo-narrated ‘AAA’, which gives each member their own individual time to shine.
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This girl group are ready to show off their musical skills in full force.
Next is the sassy and playful ‘Walk Like This’ which has the Manchester Academy crowd strutting their stuff while chanting “There’s a reason I walk like this / Side to side with a sway in my hip.”
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‘Check’, which clocks in at just under three minutes, sees the girls ticking off some important relationship traits: “Is he loyal? Check / He spoil you? Check”; “Is he faithful? Check / Gentleman? Check.”
Jorja, Stella and Renée wowing the Manchester crowd with their stacked musical roster (Credit: The Manc Group)
This fun-filled single keeps the vibes at a high with the girls finishing each chorus admitting, “The way I trust him, I ain’t gotta check”, while giving each other a smile or two.
The gospel influenced ‘Bending My Rules’ was nothing short of religious. FLO made sure to take us to church for four minutes with their vocal runs, belts and stellar harmonies.
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Following this is a number of much-loved album tracks like ‘Shoulda Woulda Coulda’, ‘Get It Till I’m Gone’ and the confident ‘How Does It Feel?’ which all go down a treat and show the girls in their elements or as they’d phrase it… in their bags.
As soon as the trumpet-heavy instrumental for ‘In My Bag’ plays out, the audience self-appoints themselves the role of US rapper GloRilla, making sure to recite her flow bar for bar – “On gang, gang”.
UK girl group FLO performing as part of their long-awaited ‘Access All Areas’ tour in Manchester (Credit: The Manc)
During this track, the girl group brought their A-game, recreating the choreography from this song’s music video with the audience acting as their hype men – it’s safe to say, it wasn’t just the girl group lapping up this moment; everyone was in their bag.
As Stella blurts “I got a confession”, the opening line to the band’s debut single ‘Cardboard Box’, there’s a flurry of screams from the crowd for this fan favourite.
Performing this penultimately really gave fans, such as myself, the time to process the journey these three have been on in the past five years and also to come to terms with the fact that the show was almost over.
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The introduction to ‘I’m Just a Girl’ plays out, and in that moment, it’s safe to say no one could name a better closing song, as this encapsulates the band’s feelings towards the industry they’re working in.
This R&B trio put on quite the performance at Manchester Academy last night (Credit: The Manc)
Lyrics like “What’s a girl got to do to be seen?” and “How many black girls do you see on centre stage now?” reinforce the harsh realities this girl group have had to face and how they’re slowly inserting themselves in mainstream conversations.
Although this rock-twanged R&B hit might not be the perfect fairytale ending, the fact that over 2,000 fans have shown up and shown out for FLO’s Manchester gig is.
Their fanbase isn’t leaving anytime soon, and last night was a prime example.
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Thomas Melia -
2nd October 2025 
