Foo Fighters fans, gig-goers and all-round music lovers in general have been left up in arms after the legendary American rock band announced some surprise shows in the UK and Ireland – including here in Manchester – as ticket prices have labelled ‘shameful’ by some.
In case you missed the news that sent us here in Manchester and all over the nation into bedlam, Foo Fighters recently revealed they would be playing just a handful of shows up and down the country, all at smaller venues than their usual arena tour dates.
Sharing the news fairly last-minute over the weekend, with tickets going on sale this past Sunday and (shock) selling out almost immediately, many have taken issue with the band’s and/or promoters’ approach to the event.
While lots have revelled in the excitement of a show scheduled for this week being dropped on our laps in the eleventh hour, lots of others feel the price point for the tickets is ‘ridiculous’.
Although they’re not quite on the level of the controversial Oasis/Harry Styles sagas, at £99 including all fees, they’re still up there with the most expensive gig tickets venues like these will ever charge.
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Most poignantly, the tickets were sold strictly in person via the box office, with fans queuing up outside a trio of venues.
Taking place at the O2 Ritz, which has a capacity of roughly 1,500, the Foo Fighters’ Manchester date is not only one of the most in-demand gigs, but also promises to be one of their sweatiest – and, apparently, most divisive.
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For some, this is a very cool bit of marketing and at least an attempt to curb online ticket touts, plus helping support live music spaces directly; on the other hand, the significant fee remains a sticking point they refuse to move past.
Responding in the comments underneath the post by the Ritz, one person wrote: “That ticket price is f****** disgusting. It’s not costing them f*** all to play there, if Harry Styles can play the Co-op Live for £20 then they should”; another simply added, “99 quid is wild, do better.”
Safe to say it has split opinions across the board.
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i really want to know who is paying £100 to see foo fighters at o2 academy ritz and what they do for work to justify that
Big fan of the foo fighters but having only in person tickets and then still charging £100 is a joke. Then to move other bands earlier to slot them in isn’t fair
As you can see, it’s also affected other acts set to play these same rooms this month, too.
Others have also doubted whether the ‘face value exchange’ tactic really works all that much, as a few people on social media reported having already found a number of tickets being listed on resale on certain platforms.
What do you make of artists charging these kinds of prices for exclusive one-off shows like this, or the cost of gig tickets in general these days?
Better yet, did any of you succeed in grabbing tickets to see Foo Fighters at the Ritz here in Manchester this Friday, 27 February?
Featured Images — Audio North/Publicity picture (via Foo Fighters/O2 Ritz)
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Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: