If there’s one artist we believe has never quite got the credit he deserves, it’s Francis Edward f***ing Turner – Frank to his loyal legions of followers around the world and the roughly 2,600 gig-goers inside Manchester Academy on Saturday, 5 April 2025.
Don’t get us wrong, Frank Turner and his long-standing touring band The Sleeping Souls are no minnow in the music industry: the 43-year-old is now two decades into his solo career and even during his time as the frontman of Million Dead, he had plenty of die hards right out of the gate.
What we mean is that for someone with the longevity, stamina, charisma, commitment to grassroots and such a rich back catalogue, he doesn’t get anywhere near enough the level of recognition he should.
It doesn’t matter which of the 10 albums he pulls from; the connection with those in the crowd is as strong as it’s ever been, if not even more powerful than the last time they saw him and the Souls, mainly because those lot up on the stage put in the same amount of energy as they always have.
Even the most avid fan would admit the Hampshire-born bard of the modern age has such an extensive back catalogue that you can be forgiven for not knowing every B-side and deep cut from back to front.
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The man himself joked, “You’ve had a whole year to learn these f***ing songs”, but in all seriousness, that’s not what a Frank Turner gig is about. As he has the audience repeat back to without any need for a prompt at this point, the rules are simple: “Don’t be a d***” and don’t be ashamed to dance around.
Just like he told his Manc congregation this past weekend, “If you’re at this show, you probably were never that cool to begin with”, so if he and his truly brilliant live band can put their “aging knees” through the ringer hundreds of times a year, those watching him best reciprocate in kind.
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And they did, from start to finish, as a Manchester Academy crowd or any venue in the city will always guarantee for that matter.
But more importantly, we suddenly realised something as he introduced the cult favourite track ‘Jinny Bingham’s Ghost’ from his eighth studio LP, Tales From No Man’s Land (2019), which was released with an accompanying podcast about historical female figures whose stories he wanted to shed light on.
It only took us seeing him for the fourth time to fully understand it, but we got there in the end…
We used that word ‘bard’ before – i.e. the old storytellers, musicians and orators, performers, comedians, historians, genealogists and so on that used to chronicle people’s lives, events taking place and the wider world around for centuries – but it felt like this most recent gig spoke to that oral tradition.
There have always been moments like this in his albums, in truth, and we only now realise that we had the same feeling the first time we heard ‘Balthazar, Impresario’ but Turner, we feel, is one of the few current artists truly keeping that almost time-travelling bard culture alive.
Be it conducting an orchestra of tipsy Northerners as they sing back in perfect harmony (just about), organising a crowd-surfing race between two mates who chose the concert as the stag do, teaching them literal historic tales of a young woman who drowned in the River Seine back in the 1800’s, he’s a rare breed of performer.
There’s plenty of call and response in Frank Turner’s music, but there’s also a real sense of history, politics and culture, not to mention a sense of proud Englishness that contemporary society can find difficult or at least a somewhat cumbersome topic these days.
Undefeated, underrated, criminally underappreciated and absolutely unbelievable live.
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Folk and old-school punk rock at its finest. Frank Turner can come back to Manchester Academy any time he likes. (Credit: Audio North)
Green Island Festival and Nell’s team up for bank holiday street party in Northern Quarter next month
Emily Sergeant
Green Island Festival is teaming up with pizza pros Nell’s and taking over the Northern Quarter for a big street party early next month.
For one day only, Edge Street will be locked off and a ‘fiesta’ will be taking over.
This early May bank holiday weekend, Green Island Festival will be linking up with Manchester’s favourite New York-style pizza merchants, Nell’s, for a special street party takeover right in the heart of the Northern Quarter.
Set to take over from midday on Saturday 2 May, families are first invited to join in on the bank holiday fun, as Born to be Wild Child – celebrated for their family-friendly parties – will be first up, encouraging all daytime ravers to get down early doors with their little ones.
Deptford George then takes the reins afterwards with his signature blend of soulful house, disco, funk and deeper electronic music, while Manc heavyweights Sprechen are guaranteed to bring a mixture of groove, soul, and energy with no limits.
Into the evening, Manchester-based collective Me Gusta will be taking things up a notch, so you can expect to hear sounds ranging from Afro-Latin and Caribbean, to Middle Eastern musical diaspora.
Closing the street party is La Noche, who again, will be bringing the best of Afro and Latin music to the streets of the city.
Green Island Festival and Nell’s are teaming up for bank holiday street party in the Northern Quarter next month / Credit: Supplied | The Manc Group
All day long, Nell’s famous New York-style pizza slices and pies will be available to feast on, as will Yard & Coop’s legendary buttermilk fried chicken, burgers, wings by order.
And then to wash it all down with, RIPE Beer are also getting involved, so partygoers can sip on delicious pints of beer as they dance the night away right through to 9pm.
Green Island x Nell’s Bank Holiday Street Party is landing on Edge Street from 12-9pm on Saturday 2 May, and it’s completely free to attend with no booking needed – just turn up on the day.
Featured Image – Supplied
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‘If only he was here’: Peter Hook reflects on Ian Curtis as Joy Division join Rock and Roll Hall of Fame
Danny Jones
We were lucky enough to play a part in a bit of music history (albeit only a small one) this week, as we had the privilege of chatting with the one and only Peter Hook of Joy Division and New Order, as the pair were finally admitted into the Rock and Roll Hall of Fame.
A long overdue bit of recognition, if you ask, but a momentous day nonetheless.
Chatting with Hooky and a long-time friend, collaborator, and beloved Manchester-based DJ, Graeme Park, in the aftermath of being named in the ‘Class of 2026’, he was visibly moved and honoured by the announcement. Here’s what he had to say…
Joking from the off by repeating Graeme’s initial question, “How does it feel?” (an absolute tap-in, that one), the 70-year-old bassist and co-founder of both iconic Greater Manchester groups admitted that they “had a couple of false starts”, to put it mildly, but went on to add: “we can only thank our fans.”
Confessing there has been somewhat of a mixed reaction about “what it means” to them and/or in the industry these days, he made it clear that on a personal level, it’s still a huge moment.
Put simply, he said: “Without the fans, we’d all be nothing.”
He also went on to praise the sort of no-nonsense, DIY and unapologetic approach of the Manc music scene, quipping: “You know, what would Simon Cowell have said about Ian Curtis, Bez, Shaun [Ryder] – Ian Brown, for god’s sake?!”
Acknowledging that while no one was necessarily an “accomplished singer” (often the case when you start early and just pursue a passion), his caveat was that “they had heart and soul” and “they embody something deep within us all that has lasted and will continue to last.”
Noting a de facto ‘Renaissance’ that a few names have enjoyed – especially following the passing of certain notable figures – he believes, rather, that they never went anywhere and that Northern crowds and beyond have helped those songs stretch to three, four, even five different generations.”
He’s not wrong: they’ve never stopped connecting with audiences, and they NEVER will.
Once more, it was an absolute joy (again, pardon the pun) to chat with Peter and Parky, who clearly haven’t lost their love for each other, nor this business – even after all these decades.
Congratulations to both bands, Hooky, Bernard Sumner, Stephen Morris, Gillian Gilbert, Tom Chapman, Phil Cunningham, as well as every session musician who’s ever played these tunes and kept them alive.
Last but not least: forever and always, rest in peace, Ian Curtis.
Danny Jones -
6th April 2025 
