Watching the Jonas Brothers at the Co-op Live Arena was like stepping into a time machine that none of us ever wanted to get out of.
Although the tour was literally called ‘Five Albums, One Night’, we still somehow had our doubts as we walked up to the ever-impressive Co-op Live that we’d actually get the full spectrum of hits we were hoping for (mainly due to my disbelief that they’d actually play Camp Rock songs…)
But sometimes you have to hold your hands up and say ‘fair play’, because the Jonas Brothers delivered nothing non-stop hits, from nostalgic classics to the modern-day stuff.
What a venue, what a night. (Credit: The Manc Group)
Jonas Brothers at Co-op Live, Manchester – Review
Special mentions from the off
Before I really get into the bulk of the review though, I’d just like to shout out Mimi Webb, who opened the show brilliantly at the Co-op Live. From the moment she walked on stage you could have genuinely been fooled into thinking she was the one headlining.
Delivering many of her hits such as ‘Erase You’, ‘House on Fire’, ‘Good Without’ and more, she was the perfect support act for a crowd that was ready to party the night away.
Special mention also goes out to the actual venue: last night was admittedly my first time stepping foot into the Co-op Live and I was absolutely blown away, not only by the sheer size of the place but by how smoothly everything ran.
I know it may sound like a moot point but the best venues are the ones where you barely even notice all the effort that goes into the operation of ensuring customers have the best experience possible.
There’s nothing worse than paying good money for a ticket only to be held up in queues for the bar, toilet, or even just to get in; Co-op Live certainly ensures those problems don’t occur. It genuinely filled me with a little bit of Manc pride knowing that we have a music venue that good, right on our doorstep.
ADVERTISEMENT
Let’s go, Jo’ Bros
Anyway, onto the actual concert and can I first of all just start by saying, or rather screaming, AHHHHH!…
I’ll be the first to hold my hands up and admit Camp Rock was a seminal part of my early teenage years and that I’ve had a burning love for the Jonas Brothers ever since.
One thing that I really respected about their show is how they didn’t try to hide from their roots. There’s many a ‘child actor turned superstar’ out there who would love nothing more than to eradicate the memory of them ever being a plucky Disney channel regular.
ADVERTISEMENT
Not these lads, however. The Jo’ Bros seem to fully own their pre-teen and small screen past, wearing that reputation not with any adolescent cringe but instead like a badge of honour.
The show truly did span their entire discography, from ‘Gotta Find You’ (Camp Rock), all the way through to their latest record – fittingly called, The Album. It was two and a half hours of banger after banger… after banger, after BANGER, (I could go on—actually, I might…); after banger, after banger.
Okay, I’m done. Seriously though, the crowd were absolutely loving every moment of it. Every time one song ended and another began, within the first three notes being played, all you could hear was 23,000 simultaneous screams from adoring fans, ourselves firmly included.
In summary, the vibes were immaculate, the songs were stunning, the audience had the times of their lives and for one very special evening with inhibition left at the front door, a trio of siblings from across the pond made it felt like all might be well in the world once again.
ADVERTISEMENT
Hyperbole? Maybe, but that’s what pop music’s all about.
For future reference, we’ll fight anyone who dares to mock the Jonas Brothers as just some guilty pleasure.
That anyone should show shame for enjoying because last night they completely rocked (‘Camp Rock!’) the show, in an arena already heralded by many music legends.
You just have to be grateful for moments like these. Thank you, Jonas Brothers.
We know this write-up is 40% ‘review’ and about 60% Jonas Brothers fanboying — deal with it. (Credit: The Manc Group)
The Prodigy announce HUGE gigs at The Warehouse Project this year
Thomas Melia
EDM band The Prodigy are bringing their electronic punk and big beats to the crowds of Manchester this December.
As The Warehouse Project kicks off a great series of gigs with its 2024 opening season, what a way to make it even better than with not one, but two The Prodigy headline dates.
The Disrupta Tour 2024 sees the Essex-formed band stopping off in Bridlington first before taking on the mighty 10,000-capacity crowd at The Warehouse Project in Manchester for two nights.
They are no stranger to the clubbers’ paradise as The Prodigy have performed at the prestigious event in 2019 and are now returning to the immense venue in December.
Known for their singles like ‘Firestarter’ and ‘Breathe’ the crowd is in for an electric night of high-energy raving and rocking as they perform tracks taken from their many hit-packed albums.
Taking to The Warehouse Project stage on Saturday 14 December and Sunday 15 December, crowds are treated to a weekend of live music from The Prodigy that is guaranteed to be unforgettable.
They sure know how to control a crowd, after all Manchesterhas been a staple tour stop for the iconic act since they first debuted in the 90’s, and they have played a collection of live music venuesacross the city.
What’s even more special, besides the fact they’re returning to Manchester, is the Sunday 15 December show at The Warehouse Project is a late curfew. The band are continuing the party til 1am for lucky guests who just can’t get enough of the EDM tracks.
For the last shows of the year, this musical act is ready to bring the heat. The band are merging their signature sounds of electric rock and rave anthems to create a show that will blow your mind.
Liam Howlett, the group’s co-founder and leader, is stoked too, saying: “We will be there armed with a sonically fresh attack. Let it disrupt ya…”.
Tickets to The Prodigy’s The Disrupta Tour 2024, including their shows at The Warehouse Project, go on fan presale, 19 September at 10am and general sale on 20 September at 10am – get your tickets here.
The Prodigy 2024 tour dates
Friday 13 Dec – Bridlington Spa, Bridlington
Saturday 14 Dec – The Warehouse Project, Manchester*
Morrissey: Johnny Marr now has ‘100%’ of The Smiths rights to tour without him – and one potential replacement is trending
Danny Jones
Morrissey has come out to claim that former bandmate Johnny Marr now holds all the rights to The Smiths and their music, even stating that he can now go on and tour without him – and there’s already a very big name being floating around for his replacement.
Yes, as per Mr ‘Bigmouth Strikes Again’ himself, the co-songwriter and lead guitarist recently acquired “100% trademark rights/intellectual property” despite Morrisey himself having coined the “musical unit name ‘The Smiths’ in May 1982.”
It is said that this application was secured without any consultation from the former frontman or any chance to object on the 65-year-old’s part.
Although the fellow Manc music legend himself is yet to come out and comment on the reports made on the official Morrissey Central website, fans are already speculating whether Marr is gearing up to head out on tour, the internet was quick to drum up what many are calling the ideal stand-in for a singer.
If there is any justice in the world, Marr will immediately tour with Rick Astley as the new Smiths’ front man and I for one will be at the front of the queue for tickets. https://t.co/Pg8LPe35TV
Though it might have seemed a slightly mad suggestion a few years ago, there are literally tonnes of accounts and music fans from all over calling for Rick Astley to be called in as a replacement frontman should Marr actually end up taking The Smiths back out on tour.
The ‘Never Gonna Give You Up’ singer and Lancashire-born 80s pop star has been enjoying what we’ve affectionately referred to as the ‘Rick-naissance’ over the past few years, playing main stage slots at the likes of Glastonbury, Kendal Calling, Bestival and continuing to release new music.
Going on to not only become friends with the group but reiterate what an incredible singer he is – covering classics such as ‘There Is a Light That Never Goes Out’, ‘This Charming Man’ and even the likes of ACDC to tens of thousands on the Pyramid Stage – he’s quietly become one the UK’s favourite all-round performers once again.
That being said, it’s safe to say some people have other thoughts on the suggestion; many believe Marr wouldn’t be interested in doing it, others were aghast at the suggestion or some offered a much easier alternative that’s already proven to be a more than viable option…
People suggesting Johnny Marr should tour as The Smiths with Rick Astley as vocalist. Fuck off. FUCK OFF.
Nevertheless, there seem to be many more people in the pro-Astley camp than there are in the anti, with one user writing, “Johnny Marr, Rick Astley is waiting by the phone!”, and another in America adding: “If Marr tours Smiths songs with Rick Astley in the US, I’m going to every date in the south.”
As explained in the full post entitled, ‘The Plot Thickens’, Morrissey and his representation said that not only can Marr “now tour as The Smiths using the vocalist of his choice” but doing so will also “also prohibit Morrissey from using the name whilst also denying [him] considerable financial livelihood.”
The plot thickens indeed but, for now, there’s nothing concrete to any of this talk beyond what Morrissey has claimed regarding trademark rights and what a lot of fans would clearly love to see: some kind of The Smiths’ comeback tour featuring Marr and the mighty Rick Astley.
Hey, who knows? We’ve finally got an Oasis reunion and much stranger things have happened – and we’re talking just this week alone…
No backing, no label, all @TheReytons — with a little bit of @GNev2 now too, apparently… 👀
Oli Lowe -
13th September 2024 
