Watching the Jonas Brothers at the Co-op Live Arena was like stepping into a time machine that none of us ever wanted to get out of.
Although the tour was literally called ‘Five Albums, One Night’, we still somehow had our doubts as we walked up to the ever-impressive Co-op Live that we’d actually get the full spectrum of hits we were hoping for (mainly due to my disbelief that they’d actually play Camp Rock songs…)
But sometimes you have to hold your hands up and say ‘fair play’, because the Jonas Brothers delivered nothing non-stop hits, from nostalgic classics to the modern-day stuff.
What a venue, what a night. (Credit: The Manc Group)
Jonas Brothers at Co-op Live, Manchester – Review
Special mentions from the off
Before I really get into the bulk of the review though, I’d just like to shout out Mimi Webb, who opened the show brilliantly at the Co-op Live. From the moment she walked on stage you could have genuinely been fooled into thinking she was the one headlining.
Delivering many of her hits such as ‘Erase You’, ‘House on Fire’, ‘Good Without’ and more, she was the perfect support act for a crowd that was ready to party the night away.
Special mention also goes out to the actual venue: last night was admittedly my first time stepping foot into the Co-op Live and I was absolutely blown away, not only by the sheer size of the place but by how smoothly everything ran.
I know it may sound like a moot point but the best venues are the ones where you barely even notice all the effort that goes into the operation of ensuring customers have the best experience possible.
There’s nothing worse than paying good money for a ticket only to be held up in queues for the bar, toilet, or even just to get in; Co-op Live certainly ensures those problems don’t occur. It genuinely filled me with a little bit of Manc pride knowing that we have a music venue that good, right on our doorstep.
Let’s go, Jo’ Bros
Anyway, onto the actual concert and can I first of all just start by saying, or rather screaming, AHHHHH!…
I’ll be the first to hold my hands up and admit Camp Rock was a seminal part of my early teenage years and that I’ve had a burning love for the Jonas Brothers ever since.
One thing that I really respected about their show is how they didn’t try to hide from their roots. There’s many a ‘child actor turned superstar’ out there who would love nothing more than to eradicate the memory of them ever being a plucky Disney channel regular.
Not these lads, however. The Jo’ Bros seem to fully own their pre-teen and small screen past, wearing that reputation not with any adolescent cringe but instead like a badge of honour.
The show truly did span their entire discography, from ‘Gotta Find You’ (Camp Rock), all the way through to their latest record – fittingly called, The Album. It was two and a half hours of banger after banger… after banger, after BANGER, (I could go on—actually, I might…); after banger, after banger.
Okay, I’m done. Seriously though, the crowd were absolutely loving every moment of it. Every time one song ended and another began, within the first three notes being played, all you could hear was 23,000 simultaneous screams from adoring fans, ourselves firmly included.
In summary, the vibes were immaculate, the songs were stunning, the audience had the times of their lives and for one very special evening with inhibition left at the front door, a trio of siblings from across the pond made it felt like all might be well in the world once again.
Hyperbole? Maybe, but that’s what pop music’s all about.
For future reference, we’ll fight anyone who dares to mock the Jonas Brothers as just some guilty pleasure.
That anyone should show shame for enjoying because last night they completely rocked (‘Camp Rock!’) the show, in an arena already heralded by many music legends.
You just have to be grateful for moments like these. Thank you, Jonas Brothers.
We know this write-up is 40% ‘review’ and about 60% Jonas Brothers fanboying — deal with it. (Credit: The Manc Group)
Honorary Manc Ariana Grande announces huge world tour – but skips Manchester
Daisy Jackson
Ariana Grande has announced details of a huge world tour, but the honorary Mancunian will be skipping Manchester again.
The 32-year-old, Grammy Award-winning star has instead booked five nights at The O2 in London for her only UK stop on the tour.
Ariana Grande was made an honorary Mancunian back in 2017, in recognition of her work following the Manchester Arena terror attack.
She is the first person to have ever received this honour.
Since the atrocity in the city, which took the lives of 22 people, Ariana has only performed here twice more – once at the One Love concert she organised as a fundraiser for the victims and their families, and once as a headliner of Manchester Pride.
It’s been six years since her last tour, but Ariana Grande is now back, sharing details of her hotly-anticipated The Eternal Sunshine Tour next summer.
As well as her five-night residency in London, she’ll play four nights in LA and Brooklyn, as well as cities right across North America.
Ariana Grande has announced The Eternal Sunshine Tour
Her London dates will be her only European shows on The Eternal Sunshine Tour.
Eternal Sunshine was released in 2024 and was her seventh studio album, spawning singles ‘Yes, And?’, ‘We Can’t Be Friends’, and ‘The Boy Is Mine’.
Ariana Grande is now also an Academy Award and Golden Globe-nominated actress thanks to her starring role in Wicked as Glinda the Good Witch.
Tickets for her tour will go on sale from Tuesday 16 September with an artist presale as well as an O2 Priority Presale. Remaining tickets will be available during the general ons-ale beginning Thursday 18 September at 10am.
Ariana Grande – The Eternal Sunshine Tour Dates 2026
A rising Manc musician is supporting a global popstar on tour in America
Danny Jones
Up-and-coming Greater Manchester musician Elliot James Reay, from just down the road in Bury, has just joined fellow rising solo artist and already established US superstar Benson Boone on his upcoming American tour.
Yes, a lad from Bury is opening for the bloke who belts out that ‘Beautiful Things’ tune that’s been stuck near the top of the charts for what feels like the last year.
Fittingly joining Boone for the US leg of his American Heart tour supporting his sophomore album of the same name, 23-year-old Elliot James Reay has already played a trio of shows warming up the crowds ahead of the headliner and is quickly gaining new fans across the pond.
Especially since his music harkens back to some of their most famous music icons of all time.
The youngster is still having to pinch himself at the mere notion of being on the road with such a big name so early in his career, posting on social media this week, “How do I explain this one to my friends back in Bury?
“A dream come true to be opening for Benson Boone in St Paul last night, I’m eternally grateful for the opportunity to sing to you all and thank you for all the love you gave me!”
Roy Orbison-obsessed Raey – who also takes plenty of look and feel from the likes of Elvis and Billy Fury, among other old school, soulful American singers – has gone from releasing covers on YouTube to dropping his first-ever EP back in June and now playing full Stateside stadiums.
What a whirlwind journey it’s been for the local lad already.
The Manc songwriter and guitarist featured as one of our artists of the month last December, and we’re glad to see he’s only gone from strength to strength.
It’s fair to say that he’s matured a lot in the time since then, let alone the last 12 months or so, and booking a slot as a support act for as big as Benson Boone is right now is nothing short of huge.
We said late last year, and we’ll say it again: we see a bright future ahead for this talented young Macunian, and we wish him all the best for the dozen or so remaining US tour dates.
If you haven’t listened to his stuff before, you can get a little taste with his latest single HERE.
Or, if you want to take our advice, why not watch a great music video filmed around some very familiar city centre sites down below?
He’s certainly got his own style, even if it his heavily inspired by some of the greats.