The lineup for Kendal Calling 2026 has been officially revealed in full, and let’s just say the list of headliners alone is absolutely box office.
It feels like we say this every year, but this could be one of their best to date.
With the likes of Scottish rock legends Biffy Clyro (after years of courting them), Mercury Prize-winning Wolf Alice, as well as indie veterans The Kooks and Two Door Cinema Club topping the bill on the main stage, next year’s Kendal Calling is shaping up to be a tasty one.
Next summer will mark the 21st year of the annual music and arts festival, and after a wonderful 20th anniversary edition in 2025, we have every faith the KC crew are going to nail it yet again.
Announcing a total of 120 acts – yes, this lineup is already STACKED – the roster is packed with everything from timeless indie stalwarts, Northern favourites, some pop surprises and plenty more.
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For instance, we were genuinely buzzing to see not only the one and only Scissor Sisters, but also Gabrielle, and even noughties throwback, Vanessa Carlton.
We’re now hoping and praying she doesn’t pull out and quite literally travels ‘A Thousand Miles’ over to the Lake District.
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After making their own comebacks this year, the likes of The Libertines, Deaf Havana, Hard-Fi and several others have joined the lineup, which is spread across more than a dozen stages, including non-musical acts and other bits of live entertainment.
We were very much spoilt for choice for our favourite festivals this year, but you only have to read our review of ‘KC20’ to know how much it meant to be there.
You can see the Kendal Calling 2026 lineup poster down below.
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Biffy Clyro, Wolf Alice, Two Door Cinema Club, The Kooks, Scissor Sisters, The Libertines & more head to the Lakes! pic.twitter.com/HoI0qpgrxQ
If you look closely, you can also see that there’s a special guest slot thrown in there, too, though we’re stumped as to even the slightest hint of who it could be.
We’re sure you’ll have your theories and guesses in the chamber already, but let’s just say that after seeing how well they’ve done with surprises in the past, we cannot wait.
Commenting on the drop, co-founder Ben Robinson said: “I’m so excited to reveal next year’s line-up! Our brilliant team has secured a line-up worthy of the jaw-dropping faith the Kendal Calling family puts in us each year.
“Selling 98% of the tickets before announcing a single artist is the biggest compliment we could ever receive, so here’s an early Christmas present to say thank you!”
Like the man said, most full weekend passes have already gone, but if this lineup tickles your interest, you can still register for the final release of Kendal Calling 2026 tickets right HERE.
Featured Images — Press shot (supplied)/Audio North
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Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: