Up-and-coming alternative rock band Keo have just announced a new UK tour and “most ambitious chapter yet” in terms of live performances, including a Manchester gig that we CANNOT wait for.
Combining the likes of post-grunge, garage rock and more, Keo are one of the most exciting and fast-emerging new acts in the space right now, having seen their recent run of half a dozen domestic shows sell out completely.
Pulling influences from artists of The Smashing Pumpkins and Soundgarden, as well as most notably fellow contemporaries and former tour partner, Wunderhorse, they’re well-positioned at the front of the guitar-driven revival and are bound for big things. We’re by no means the only ones banking on it either…
Having been described as “already that band” by Dork and delivering “a sound that has given UK guitar its biggest kick up the fretboard in years” by Rolling Stone, you can bet tickets for these shows will be snapped up in seconds, too.
UK and Europe spring 2026. Pre-sale: 03 Nov 2025 10AM GMT On Sale: 05 Nov 2025 10AM GMT pic.twitter.com/Xz1km0Z93O
Set to play their biggest Manchester venue to date, Keo will be playing the O2 Ritz on Whitworth Street next spring, and let us tell you, that sprung floor is not ready…
ADVERTISEMENT
Co-fronted by two brothers, Finn and Conor Keogh (originally from Devon before ultimately getting their music careers underway in the capital), the now London-based group make quite a racket for just the four of them.
That being said, they also do quiet moments well, too, as seen in several of the ‘calm before the storm’ breakouts in songs like ‘Thorn’, ‘Fly’, ‘Crow’ and many more.
ADVERTISEMENT
If you like anything close to grunge or even just shoegazey riffs, trust us, they’ll be right up your street.
One of the most exciting parts about this lot is how feverishly their fans have packed out their audiences all over the country, somehow learning every single word to every song before most of the material had even been released on any kind of platform. They’ve led with their live reputation – and it shows.
Case and point – the crowd at The Key Club in Leeds, where our mates over at The Hoot got to witness them up close and personal as the entire room erupted in a chorus of screams about a girl called Amber:
“To be playing venues like these with only five songs out still feels surreal”, says lead singer Finn Keogh. “We always imagined we’d reach this level after years of supporting other bands, but somehow we’ve skipped that step.
“It’s mad, come March, our biggest indoor shows will have been our own. Electric Ballroom [in London] is a special one for me personally; I’ve seen some life-changing gigs there. To be on that stage this time around is going to feel unreal.”
Listing a total of 16 live show dates up and down the country throughout March and April of 2026, it’s fair to say we Mancs are excited to see them playing their biggest room in our city to date, having absolutely smashed Gorilla this past October.
Tickets for Keo at the O2 Ritz in Manchester go on sale next Wednesday, 5 November at 10am; you can get ready to grab yours right HERE.
The debut release from Keo has delighted fans and critics alike, and their Manchester gig is sure to be a stormer.
Kahiki Soundhouse – the new Mint Lounge site is living up to the old name and its live music legacy
Danny Jones
If you went out in town back in the day (pretty much any time from the late 90s to the 2010s), or indeed have sampled a Funkdemia over the past couple of decades, chances are you tried or at least heard of Mint Lounge – but did you know it’s been replaced by a new kid on the block, Kahiki?
Kahiki Soundhouse, to give it its full name, is the new live music venue bar that has opened up the old basement space on Oldham Street in the Northern Quarter.
In truth, it’s now more of a classic lounge than ever before.
The large open-plan floor, which used to be filled with people standing/two-stepping inside a fairly barebones club room with no air conditioning, has now been traded up for a stylish space lined with plush padded seats, classy low-lit tables perfect to share a glass or two over, and lots of new features.
Perhaps the biggest change is that the old soundbooth/stage area that used to be way at the back has now been swapped for a central 360° podium that changes up each night.
It really is the star of the all-week-round Kahiki show, if you ask us.
This also means that no matter where you are in the main venue (there are other rooms, but we’ll get to that), be it tucked in a booth to the side, at the bar, or even ‘behind’ whoever’s playing, you’ll have a virtually unobstructed view of what’s happening from noon until night.
Seriously, thanks to their already jam-packed schedule, the reviews aren’t just off to a great start only a few days in, but people have been turning up in the early evening and staying well into the early hours of the next day.
They’ve got duelling pianos, live bandaoke, acoustic nights and straightforward DJ sets for those who still fancy a taste of the previous vibe.
Kahiki’s maiden Manchester city centre venue definitely harks back to the good times had in the Mint Lounge days, but the team, who possess decades of experience between them, have combined a retro feel almost more akin to 1960s speakeasies, cocktails and evening venues.
It’s no secret that clubbing and the UK nightlife scene have changed quite a bit since the pandemic, but these guys look to have found that perfect blend of more relaxed seating, along with plenty of room to get up and boogie; there’s even a raised mini-stage/dance cage for your main character moments.
Better still, if you do want something a little bit away from the crowds of punters that are continuing to make this one of the liveliest new additions to NQ, they also have adjustable karaoke rooms where bi-folding doors can make room for up to 50 of you and your lot to party in privacy.
Let’s just say the spirit of the Lounge is alive and well in the Soundhouse.
Just one corner of KahikiYour podium awaitsOne of the smaller karaoke rooms
Release date set for Oasis reunion tour documentary by Peaky Blinders creator
Danny Jones
If you had any doubt that the upcoming Oasis reunion shows weren’t going to be heavily documented, you’re an absolute fool. However, we’ll admit we weren’t expecting to hear the creator of Peaky Blinders‘ name connected to the tourthat’s soon set to be relived in theatres.
Yeah, as in the Brummies with the flat caps on the telly – them ones.
That’s right, the same man who brought Tommy Shelby and Birmingham’s most infamous gang to our screens has been overseeing the major documentary project, which will chronicle the return of the Gallagher brothers and put the best bits on film.
Better still, now we have a full release date and know where it will be shown, including information about its cinematic and streaming rollout.
The great wait is over.
An epic new documentary film from BAFTA and Oscar-nominated writer, producer and director Steven Knight, directed by Dylan Southern and Will Lovelace, will tell the story of the Oasis reunion the world was waiting for. Featuring unprecedented on stage and… pic.twitter.com/hgR2ERlz0n
That’s right, while there still isn’t a set title for the doc (we’re pretty sure it’s a very Ronseal kind of deal), we do know it’ll be coming not just to cinemas but even IMAX theatres.
Landing on 11 September 2026, just over a year on from when the boys got back on the road and gave us one of the greatest summers ever, it will launch on Hulu and Disney+ internationally.
With additional direction from Dylan Southern and Will Lovelace, the Steven Knight-produced project is arguably set to be just as big a cultural event as the Live 25′ themselves.
Knight, who was confirmed as the co-creator, writer and producer of the Oasis ‘Live ’25’ world tour documentary movie back in March, recently teased that the initial rough edit was around four hours long.
While we doubt it’ll remain so significant in length, who knows how it will compare to the likes of Supersonic or the Knebworth documentaries?
The brain behind Peaky Blinders is creating the second Oasis doc after 2016’s Supersonic. (Credit: Taylor Rooke/BBC/IMDb)
It’s worth noting to begin with that, besides the BBC’s blockbuster gangster series, which is soon to be followed up with the franchise’s first feature film on Netflix, Knight does have some background in music-related media.
The 65-year-old created the six-part BBC drama, This Town, which revolves around the rise of ska and the ‘two-tone’ revival movement in the Midlands during the 1970s; he also wrote the script for the 2024 opera biopic, Maria, starring Angelina Jolie.
Southern and Lovelace are also two of the names behind the LCD Soundsystem film, Shut Up And Play The Hits, which covers frontman James Murphy’s final gig as part of the band at Madison Square Garden in New York.
Danny Jones -
29th October 2025 
