Fontaines D.C., Turnstile, Wunderhorse, Sleep Token, Neck Deep; sometimes it only takes a few listens and a live show to KNOW that a band is going to catch fire and go on to be huge – for Audio North and KEO, it only took a few.
But having now seen KEO for a third time, collectively, we’re more convinced than ever that they’re going to be massive.
Sadly, a prior engagement meant that we just missed catching the support act, Tooth (though we did hear great things rumbling around the eager young crowd), but there was no chance we were going to miss this lot show off how very good they are at what they do.
And there was absolutely no chance they were going to disappoint us, either…
We first caught this fast-rising post-grunge outfit live in action at Kendal Calling last year, where they somehow turned a daytime slot on the Woodlands stage into a moody mid-evening mosh.
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They had even less fully produced and officially released music out then, but then we had the pleasure of watching them at The Key Club in Leeds this past October, and they were even better; punchier, more graduated at their game, and their fandom seemed plenty strong already.
As it turns out, that same progression proved true in Manchester, as KEO played their biggest headline show to date, and that same cult following only appeared more fervent than ever.
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They might be based down in the capital, with roots in Portugal, brothers Finn and Conor having grown up there, but they certainly know a thing or two about how to please a Northern audience.
Of course, we’re sure they go off just as hard down in the capital – in fact, we’re certain they do – but the response they got from two sold-out rooms full of Yorkshire folk and us equally discerning Mancs felt like they had well and truly passed the litmus.
With flying colours, may we add.
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Everything from the raw ’90s rock feel to the aesthetic hits just right. (Credit: Audio North)
It’s also worth noting that these London lads have built up this hype like very few ever manage to do: by developing a sterling live reputation right from the off and putting top-notch shows first.
For those unaware, they only just released their first five-track EP, Siren, back in June 2025, yet they’ve been packing out venues and festival stages pretty much since day dot, with die-hards growing their love for the band via performance and initially only learning the lyrics through social clips and snippets online.
While some have questioned why they’ve been chosen to headline this year’s Neighbourhood Festival here in Manchester city centre before they’ve even dropped a debut album, you only need to hear the entire Ritz screaming back the lyrics to ‘I Lied, Amber’, ‘Thorn’ and ‘Hands’ to know they fit the bill.
Frontman Finn pours so much unbridled power and emotion into his vocals, guitarist Jimmy Lanwern didn’t even need to look to know that his riffs were ripping the roof off, and they’ve quickly moved far beyond the early Wunderhorse parallels – they’re their own beast just waiting to be fully woken.
Alison Moyet has announced a huge European tour, including multiple Northern dates in the UK
Danny Jones
Seasoned British singer-songwriter and pop legend Alison Moyet is coming back to Manchester and more after announcing an extensive run of 2026 EU, UK and IE tour dates.
No rest for the wickedly talented and long adored.
Alison Moyet last visited Manchester in February last year, playing the stunning Bridgewater Hall in support of her latest album, Key, the 10th studio LP of her solo career.
However, now the 64-year-old artist and music veteran is set to play songs from her eighth record, the minutes, as well astracks from her days with Yazoo and more across Europe.
NEW: @alisonmoyet is headed on tour! Playing songs of Yazoo, including cuts from the minutes & Other, with a date at #O2ApolloManchester Fri 16 Oct.
— O2 Apollo Manchester (@O2ApolloManc) March 9, 2026
Moyet (real name Geneviève Alison Jane Ballard) formed Yazoo with ex-Depeche Mode member Vince Clarke in 1981, releasing two albums and becoming one of the most influential British groups of the time.
While clashes on multiple fronts saw the synth-pop duo ultimately break up in ’83, a handful of Yazoo hits like ‘Only You’, ‘Don’t Go’ and ‘Situation’ have continued to crop up in the Basildon-born artists over the years.
Once nicknamed ‘Alf’ as a youth – the same title she gave to her seminal debut album, released the year after the split – the young ‘tomboy’, turned teen punk, then synth, soul and pop act has experimented with everything from electronica to printmaking.
Put simply, she remains just as much of a creative force today as she was back then.
2025 saw her first full headline tour in eight years, playing shows not just here and over in Ireland, but across the mainland continent, Australia and New Zealand.
This current calendar will also see her touring with fellow 80s icons The Human League and Soft Cell on their ‘The Generations Tour’ in the summer – but by the autumn, she’ll be rolling back the years and working through her own back catalogue.
As you can see, as well as coming to Manchester’s O2 Apollo, other dates to see Alison Moyet live in the North this October include the Empire Theatre in Liverpool, Sheffield‘s City Hall, Buxton, Blackpool and several others.
Speaking on the upcoming tour, Alison said: “Many years touring the same pool of songs, and I am keen for a palate refresher.
“Specifying which years I will be fishing from, too, I think, is a grand way to serve potluck for specific tastes. No bones…” Ever the wordsmith.
The domestic pre-sale window here opens at 10am this coming Wednesday, 11 March, with general admission tickets going live at the same time the following Friday (13 Mar); you can get ready to grab yours right HERE.
Oh, and if you were wondering how her live performances sound these days, look no further than her recent Isle of Wight slot.
Featured Images — Publicity picture (supplied)/Hinnerk Rümenapf (via Wikimedia Commons)
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A special The Smiths reissue was cancelled due to a dispute between Morrissey and Johnny Marr
Danny Jones
According to some new information, a special reissue of The Smiths’ debut album was reportedly abandoned due to disagreements between Morrissey and Johnny Marr.
Since the Gallagher brothers have buried the hatchet, guess someone’s got to keep the Manchester music feuding alive.
Yes, as per a high-profile source from Rough Trade, ‘Moz’ and Marr couldn’t settle on one key issue which would have seen the self-titled first Smiths LP re-released for their label and indie record store’s 50th anniversary.
Speaking on the German music podcast, Vinyl &…, one of Rough Trade’s European bosses revealed that aside from not exactly being chummy these days, the band’s two most famous members couldn’t agree on what the album artwork would be.
Whack on English subtitles to see what was said.
Yes, that really was the main sticking point, apparently.
Curt Keplin, who is the managing director for Rough Trade’s EU presence, said that The Smiths were a big part of their golden jubilee/half-century celebrations.
Sadly, The Smiths’ inaugural outing then had to be pulled from the plans at the last minute, with the ‘Smooth Operator’ herself, Sade, taking their place.
Initially set to fly the flag for the 1984 retrospective, Keplin said: “Actually, The Smiths were supposed to be included, but Johnny Marr and Morrissey couldn’t agree on how the packaging should look. So, things remain relatively difficult between those two.”
‘Difficult’ is probably putting it mildly, with Morrissey having long since accused his former bandmate, lead guitarist and co-songwriter turned solo artist, of controlling key rights that could see him tour as The Smiths without him.
He went on to add: “You first have to find an artist who is basically open to it and thinks it’s great and then gives us the rights – or rather, the label then says, ‘Ok, this is now being repressed in a different colour, in new packaging’, and so on and so forth.”
The anniversary stuff first began being compiled last summer, with 2026 being the start of a year-long schedule of limited edition vinyl releases and more – but unfortunately, The Smiths aren’t looking like they’ll be part of it.
While it may seem slightly petty to some, more than anything, it’s probably just symptomatic of the simmering resentment between the two that still remains.
However, fans of either or both have still been treated to Morrissey‘s latest and divisive drop, Make-Up Is a Lie, and Johnny Marr will be coming back to town for a massive homecoming gig at Castlefield Bowl.
Danny Jones -
8th March 2026 
