Will Kings of Leon ever lose their ability to sell out enormous arenas in the UK? Based on the cup-slinging, sat-on-shoulders, full-pelt-singing crowd that rushed the Co-op Live on Saturday night – nope.
The American rockers are back out on a short tour, but rather than plugging a new album, this feels like a greatest hits, remember-how-good-we-are-live tour.
It’s a setlist that will please those of us who loved their twangier, garage-rock earlier albums, Youth & Young Manhood and Aha Shake Heartbreak, with live highlights including The Bucket, Molly’s Chambers, Four Kicks, and King of The Rodeo (my personal favourite).
But there’s plenty of their more recent, stadium-worthy rock anthems thrown in too, like the inescapable Sex On Fire. Love it loathe it, you can’t deny its impact when played in a venue of adoring fans.
Kings of Leon arrived in Manchester on 4 July, and dress for the occasion. Jared Followill strolls on stage in a faded, cropped Stars and Stripes tee. Caleb Followill opts for double denim. Nathan Followill is behind the kit in a ‘wife-beater’ vest.
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They look every bit the all-American rock band. They must stick out like sore thumbs wandering around the UK between tour dates.
Less impressive is the slightly maddening stage design. The band spend much of the night silhouetted against enormous banks of blinding lights. If you’re looking straight at the stage, it’s like staring directly into the sun for two hours, or accidentally walking into a scrum of paparazzi just as Taylor Swift arrives. Once you accept that you’ll spend the evening partially blinded, though, there’s very little to fault.
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Musically, they’re immaculate. Every song sounds as polished as the record, but never sterile. They make it all look absurdly easy, which is hardly surprising given they’ve been playing together for more than 25 years.
Nathan’s especially nonchalant – in the middle of intricate drum fills, he’s chewing bubble gum as if he’s waiting for a bus rather than holding together one of rock’s biggest bands.
There’s an instinctive chemistry between the Followill family members that’s impossible to manufacture. Unlike the Gallagher brothers, who always seem on the verge of putting each other in a headlock, Kings of Leon perform with complete harmony. Every glance and transition feels effortless, the product of decades spent sharing stages together.
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The band have been changing their setlist throughout the tour, but nobody expected a heartfelt rendition of America The Beautiful. Unsurprisingly, it’s the only song of the night the British crowd doesn’t sing along to, and it even draws a few boos before the band move swiftly on.
There are reminders throughout of where they came from. Caleb’s unmistakable Tennessee drawl still gives the songs that loose, bluesy Southern character that first set them apart, even as arenas sing every word back to them. During ‘Use Somebody’, he happily hands the chorus over to the crowd with a simple, “Alright, you sing it then,” barely needing to touch the microphone.
When the set finally ends, the band don’t rush off. They linger on stage, tossing guitar picks and sweat-soaked handkerchiefs into the crowd, waving from every corner of the stage and soaking it all in with broad smiles.
After all these years, they still look genuinely grateful to be there. For a band who’ve been doing this for more than two decades, it’s reassuring to see the novelty hasn’t worn off.
Elbow get behind campaign to save Jodrell Bank from closure
Danny Jones
Manc band Elbow are among the latest to get behind the campaign to save Jodrell Bank Observatory from closing permanently.
The Greater Manchester natives famously played a sold-out gig at the important scientific and cultural landmark for a very special live album recording well over a decade ago, and know all too well the site’s national and, indeed, global heritage.
Choosing the Observatory and the rare chance to perform a show in the shadow of the world-renowned James Lovell Telescope, it probably remains one of their most significant standalone UK date ever.
With that in mind, the local lads have been left just as worried by the news of its impending closure as everyone else, and have therefore issued a fresh appeal to help keep it open.
Posting a timely statement on social media, the group wrote: “Jodrell Bank has long been close to elbow’s heart. In 2012, the band played beneath the Lovell Telescope for one of the most memorable shows in our history.
“The recent news that funding for the e-MERLIN radio telescope network is set to end in 2028 puts the future of the scientific work at Jodrell Bank under serious threat. It is a remarkable place, with an extraordinary history, and one that continues to play an important role in science, culture and education.”
In addition to reliving clips and images from the historic live set all the years later, they also pointed people towards their ‘elbow – Live at Jodrell Bank‘ album documentary, which has now been made available online for the very first time as part of wider efforts to raise awareness around the cause.
Directing people to key online resources shared by the institution and astrophysics centre itself following their unfortunate update late last month, the push to not only find the funding but sustain support for the facility continues to ramp up throughout the world of science, arts and industry.
For anyone who somehow missed the news – 2028 being the current deadline handed down as per budget cuts across the sector – concerned parties here in the North West and all over the country have since started petitioning to save Jodrell Bank Observatory from shutting down for good.
In addition to being described as a “huge blow” to the field by the Royal Astronomical Society (RAS), some have even gone so far as to describe the decision as a form of “vandalism” when it comes to research and British culture as a whole.
Having also served as the host venue for the annual bluedot Festival since 2016, the multi-genre science and arts celebration could soon be forced to find a new home.
The battle is far from over yet, and the community has time to rescue Jodrell Bank Observatory from its fate, but it will take lots of money and more notable public figures to make it happen.
Once again, you can do your bit by signing the petition mentioned above right HERE.
Featured Images — Emma Farrer (via Wikimedia Commons)/The Manc Group
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Manichester organisers confirm tribute festival will return in 2027
Danny Jones
For anyone who didn’t manage to make it to the inaugural ‘Manichester’ festival held earlier this year in memory of British music legend Gary ‘Mani’ Mounfield, you’ll be glad to hear that the tribute festival will be returning in 2027.
Set up in the name of the late, great Stone Roses and Primal Scream bassist, the event sold out in the blink of an eye, as hordes of Mancs and more turned up to honour the local icon through live music.
Following paying their respects in the immediate aftermath, his surviving family members, peers and other figures from within the industry then held that wonderful evening, where several big names turned up to remember with live performances – and it’s official: they’re not done yet.
Writing in a lengthy caption, the brand said, “The family of Stone Roses legend Gary ‘Mani’ Mounfield have thanked everyone who made Manichester at Diecast such a special day — performers, organisers, and the thousands who turned up to celebrate a true Manchester icon.”
The evidently emotional and grateful statement goes on to read: “On behalf of Gene, George & the Family — thank you to everyone who performed, contributed and attended Manichester on 30 May 2026, and for all your kind words of support.
“The response was massive — fans travelled from everywhere, demand through the roof, love for Mani louder than ever. [Local fashion label] GioGoi even said they could’ve filled Old Trafford.”
Revealing that the team of organisers have now green-lit the follow-up edition next year, they promise to deliver the same kind of magic, only “bigger, better, built properly” and with more music and people involved this time around.
They also thanked Manc-Mexican musician and creative, Alejandro Reyes Knight, for filming and editing the content on the night, adding that since he “grew up in Madchester”, there was no better person to be tasked with the job.
For anyone who was there at Diecast on the special memorial evening itself, we don’t need to tell you how special the energy was in the room.
We spent a good week or so looking back at footage following the maiden Manichester festival, as we’re sure plenty of you did, too; safe to say we’re glad we’ll have another opportunity to celebrate his life and career in the best way we know how: with plenty of tunes and singing our hearts out.
It remains to be seen whether Diecast will remain the host venue for the sophomore tribute fest, and the next date is also still yet to be fully set.
All we do know is that with such a good lineup and turnout the first time around, you can expect an excellent and equally heartfelt sequel in 2027.
You can register your interest right HERE. Wherever and whenever it is, we’ll see you there.
@the.manc Yesterday, Manchester laid one of the city's greatest music legends, Gary ‘Mani’ Mounfield, to rest at Manchester Cathedral. 🍋 Fellow band member and life-long friend Ian Brown read out a speech as hundreds gathered outside the cathedral to pay their respects to The Stone Roses and Primal Scream bassist. Mani will be missed by many, and we send love to all his family and friends. ❤️ #manchester#mani#ianbrown#thestoneroses#stoneroses♬ original sound – The Manc
Daisy Jackson -
5th July 2026 
