Liam Gallagher has fired back at Fontaines D.C. after two members of the popular Irish band said “they couldn’t give a sh*t” about the Oasis reunion.
Not unlike Oasis, the Dubliners might be one of the biggest bands on the planet right now and after they were asked about the reunion that shook the world in an interview about their new album, Romance, guitarist Carlos O’Connell and bassist Conor Deegan III were pretty blunt in response.
Speaking to Studio Brussel, O’Connell simply said: “I couldn’t really give a shit, to be honest”, with Deegan adding: “I’m not excited about it either, to be honest, because I just feel like we get caught in the last era, like the 2010s, into such a nostalgic thing that we’re forgetting to make new things.”
He goes on to say, “I feel like what we were wanting to do with this record anyway was to look into the future and make new things… So for Oasis to reform at this moment for us is really annoying.”
And just as it seems the rising alternative and post-punk outfit are a little bit miffed about the Burnage boys coming back and maybe stealing a little bit of their thunder, Liam Gallagher himself doesn’t seem particularly keen on Fontaines either.
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Kicking off the indirect exchange by simply replying to a clip of the interview with one line – “State of ’em” – fans needed little convincing that the 51-year-old could be roped into a social media rant given how active he’s been since news of the reunion broke.
“They look like sh*t” and after someone jokingly said, “So they aren’t supporting you on tour as rumoured then”, Liam simply added, “Are they f**k.”
Reacting to reports about the straightforward frontman looking to recruit ‘established acts’ to support him and his brother on Oasis’ reunion trail – though his son Gene’s band has also been linked with the tour – on X, the mere suggestion of Fontaines D.C led to this extremely colourful phrase:
As you can see, he did receive some support for his clap-back, with one viral post reading: “Any B-side from OASIS is much better than the best Fontaines D.C. single. They’re lucky that today’s music is sh*t, in the 90s they would be working at a McDonald’s.”
While some fans of both bands might have been a little gutted to see the two beefing so publicly, especially since they’re each riding such a massive high right now, Fontaines’ lead singer and lyricist Grian Chatten did offer some relief by clarifying that he strictly didn’t share the same thoughts.
Commenting underneath NME’s coverage of the spat on Instagram, 29-year-old Chatten insisted, “I love Oasis. This is not my opinion.” Hopefully, the two frontmen can patch things up at least and then, who knows, maybe we get an absolutely unreal support act for those Croke Park shows?
Hey, if Oasis can get back together then anything’s possible…
Featured Images — Warner Music Sweden (via Wikimedia Commons)/Studio Brussel (via YouTube)
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The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Danny Jones -
14th September 2024 
