American multi-hyphenate Lionel Richie paid Manchester a visit last night and gave the 23,500 fans in the crowd all of his ‘Endless Love’.
Richie needs no explanation, being a household name, this artist had the crowd in the palm of his hands as soon as he stepped foot onto the stage, just like he has been doing since he burst onto the music scene over 50 years ago.
When you’re about to watch a legend strut his stuff in various tailcoats ‘All Night Long (All Night)’, you know you’re in for a mini workout.
We tried out Co-op Live’s Backstage Club before the show to fuel up with a pizza and grab a drink to ensure that we could dance ‘All Night Long (All Night) as much as the main man himself.
‘Breezy like a Sunday Morning’.Soaking up the fun at Co-op Live’s Backstage Club.You really do get the VIP treatment.Credit: Audio North
As well as boasting an intimate area with music history covering all four walls, this location had a photobooth, pool table, its own merchandise vendor and a live band.
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For tonight’s show, it was only right that the band soundtracking Co-op Live’s Backstage Club were aptly named The Pennies and the signature drinks were equally fitting, ‘Say You, Say G&T’ and a cocktail offering labelled, ‘Breezy like a Sunday Morning’.
Glasgow solo star Brooke Combe – a favourite of ours from past Neighbourhood Festivals – gave the crowd our first taste of music for the night, playing highlights of her debut album ‘Dancing at the Edge of the World’, which only dropped back in January.
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Her songs ooze soul, from the infectious ‘Shaken by the Wind’ to the instantly catchy ‘The Last Time’ and fan favourite, ‘Are You With Me?’. Combe’s stage presence was nothing short of contagious.
It’s no surprise, really, considering she’s already practised and perfected her craft at Glastonbury back in 2022 among countless other massive slots. Make sure you catch her the next time she’s in Manchester.
The legendary performer knew he had to kick things off in true Lionel Richie style, it’s only obligatory that he opened the show with his greeting-titled hit ‘Hello’.
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Lionel welcoming fans with ‘Hello’ and being greeted with equally impressive roars from the crowd.Richie slowing it down for a moment, performing Commodores classic, ‘Easy’.Credit: The Manc Group
As the chorus approached, the American superstar hailed “Hello” and the audience immediately exclaimed in synch, “Is it me you’re looking for?”.
Social media might’ve been non-existent when the performer first reached our ears, but this didn’t stop Lionel Richie from inadvertently turning last night into a mini ‘Throwback Thursday’ playing his 1977 Commodores swooner ‘Easy’.
If you had told me that Lionel Richie would directly address me and my brother mid-performance, I would’ve laughed in your face, but last night the star adopted the both of us. Life complete.
The American singer came up the catwalk, soaking up all the cheers and love from the Co-op Live crowd, and then pointed directly at me and my brother and gave us a little shoutout.
Before playing the anthem that is ‘We are the World’, Mr. Richie expressed, “Alright, I’ll just tell ‘em” before admitting to the whole arena, “These are my cousins right here”.
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I guess when we sang “Hello, is it me you’re looking for?” earlier in the show, it really was me (and my brother) he was looking for.
Getting called 'cousins' by @LionelRichie was not on our 2025 bingo card, but it has made our entire year. 😭💀
Just like his opening track, the final slot also has its fixed placement in Richie’s setlist; of course, that song is none other than the essential party number, ‘All Night Long (All Night)’.
Richie recites the line, “We’re going to party, Karamu, fiesta, forever”, and the crowd understood the assignment as by the time he sang, “Come on and sing along / All night long”, everyone was up.
This tune is nothing less than cathartic, and for the five minutes it played, everyone was side-stepping, swaying, singing, dancing, not a single inhibition in sight.
Lionel Richie might know his way around writing smash hits and commanding a crowd, but it’s the audience’s joy for the music that made this concert such a special night.
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Did we tell you? Lionel Richie called us his cousins.Richie amidst a flurry of flashlights from the Manc crowd.Credit: The Manc
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: