Without music, there is no Manchester as we know it.
The buzzing atmosphere in our great city was built by roaring guitars, scratching vinyls, shimmering strobe lights and booming microphones.
But the pandemic has halted the satisfying, rhythmic hum that used to echo through the city air on a daily basis.
And it’s been sorely missed.
The enormous support that came flooding in for United We Stream – a Manchester-based broadcasting platform that showcased quarantined performances from dozens of musicians and raised the best part of £400,000 for the night-time economy – showed that millions care about live music.
ADVERTISEMENT
But now more action is needed.
Without it, 30-50% of the live music workforce will become unemployed, 90% of grassroots venues will close, and the industry will lose at least £900 million.
ADVERTISEMENT
That’s we’re asking you, our readers, to join us in supporting Let The Music Play – an initiative set up to save live music across the UK.
United We Stream
The campaign asks the government for three things:
1. A clear conditional timeline for reopening venues without social distancing
ADVERTISEMENT
2. An immediate comprehensive business and employment support package and access to finance.
3. Full VAT exemption on ticket sales.
If these aims can be achieved, the music industry just might have a fighting chance.
Ed Sheeran, Dua Lipa and Paul McCartney have all signed a letter addressed to Culture Secretary Oliver Dowden calling for help.
Radiohead, The Cure, Nick Cave, PJ Harvey, Johnny Marr, Dizzee Rascal, Primal Scream, The Rolling Stones and Coldplay have also joined the cause.
ADVERTISEMENT
Albert Hall Manchester
In the meantime, we need to do our bit.
Contact your local MP. Share the initiative online. Spread the hashtag #LetTheMusicPlay. Donate to causes wherever you can.
Music has shaped our region. It’s given us so much.
Now it’s time for Manchester to give back.
Head over to the Let The Music Play website to learn more about how you can support this essential initiative.
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
The Manc -
2nd July 2020 
