Manchester musicians Witch Fever have revealed that they are now almost completely “broke” despite having just finished touring with a major rock band on a lengthy arena run across Europe, as concerns continue to grow around shows in the EU.
Post-Brexit, it has become increasingly more difficult for UK bands not only to make money playing around the mainland but to even book support slots in the first place.
From more stringent visa requirements that limit the amount of time they can perform on the road, as well as other essential work permits, to tax, transport and wider logistics, almost every aspect of the live music landscape has become more complicated on the continent.
Unfortunately, ‘Doom-punk’ outfit Witch Fever is one of countless groups being affected by these issues; opening up on a recent podcast appearance, they said that this is simply “what the music industry is like at the moment.”
As you can see, speaking in the most recent episode of the 101 Part Time Jobs with Giles Bidder – a fellow artist as well as pod and radio host – two members of the local outfit put it as plainly as they could: “we’re broke as f***”.
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Breaking things down into as basic terms as possible, bassist Alex Thompson said that while the “fees are [already] low, the costs are getting higher and higher” relative to what they can afford.
Thompson went on to admit that she is now relying on the remainder of her late mother’s pension to get by and that no one in the band can even get a steady enough job right now because they’re heading back out on tour again this March.
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As explained by lead singer Amy Walpole, the band has only just finished supporting Danish veterans Volbeat, but any potential ‘profit’ from the two-months’ worth of shows is currently “stuck in withholding taxes across Europe” – a common problem for most British artists trying to play overseas right now.
Surprisingly, they even received a little bit of backlash on social media since the interview (which you can watch in full HERE) went live.
This just in, JK Rowling super fan celebrating us struggling coz the music industry is impossible rn because *checks notes* it’s karma for disagreeing with JKs views lol
It wasn’t long ago that the Witch Fever gang booked a big hometown gig here in the city centre, either, as their warm-up shows for Volbeat also involved a trip to the AO Arena back in November.
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We’ve seen them live a couple of times now, and if those shows were anything to go by, we really think you should go see them on their upcoming tour.
As it happens, we put them on our artists of the month round-up in January 2024, and they’ve only got bigger since then; it’s more important than ever that we support rising bands and grassroots venues on our doorstep when we can.
If you’re interested, you can grab your tickets now. Even if not, in the meantime, you can see what we had to say about them and four other fantastic Greater-Manchester-based bands down below.
Featured Images — Press shot (supplied)/101 Part Time Jobs (screenshot via YouTube)
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Danny Jones -
21st January 2026 
