A new live-streamed clubbing series has been announced for Greater Manchester, which will beam our world-famous nightlife scene into living rooms across the globe.
MainRoom is the latest series from not-for-profit platform StreamGM, which comes from team behind lockdown favourite United We Stream.
Episodes will be broadcast live from dance floors, nightclubs, rooftops and basements around the city-region.
It’s all been created to capture Manchester’s legendary underground club culture and will shine a spotlight on the DJs and promoters operating in the city.
MainRoom events will take place monthly, over the course of three or four hours.
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Escape to Freight Island will host the first MainRoom event in July
The first event, She’s In Control, will be streamed from Escape to Freight Island on 24 July and will put women and people of marginalised genders front and centre.
Taking part in the She’s In Control livestream will be Jade Li, Edie, Danielle Moore from band Crazy P and Homoelectric resident, Gina Breeze.
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The collaboration will raise awareness and funds for Brighter Sound, a local organisation aiming to help underrepresented people develop careers in the industry.
StreamGM’s MainRoom series will be presented by Rebecca Swarray aka DJ Mix-Stress, who is the founder and curator of Manchester based events and arts collective, RebeccaNeverBecky and co-founder of queer DJ Collective, Queer Latifah.
Rebecca Swarray. Credit: Supplied
Episodes already lined up include collaborations with La Discotheque, Not Bad For A Girl, Mixing Mates, Black Gold Arts and Band on the Wall.
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Co-founder of StreamGM Laura Graham said: “Greater Manchester’s clubbing scene is historic, and renowned as THE destination city for a night out. This is partly due to the region’s vast clubbing tapestry, amazing super clubs, and major venues across the city, but also because Greater Manchester has always maintained a thriving, progressive and influential, grassroots clubbing scene, and it’s this scene we want to identify and explore.
“MainRoom will provide visibility for Manchester’s local clubbing culture, with a strong emphasis on inclusion, accessibility, empowerment, and most of all – fun times – for marginalised groups.
“We will collaborate directly with promoters and take amazing local talent and new clubbing concepts beyond the venue walls with our online audiences.
MainRoom’s first event posted. Credit: Supplied
“MainRoom will also give viewers a sense of the latest music, dance and fashion trends, straight from the club vibes and dancefloors.
“People all over the world will be able to use MainRoom to dip into Manchester’s epic clubbing scene, use our streams as soundtracks to house parties, or watch them to research future nights out in the city.
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“During United We Stream, our team were overwhelmed by messages from people for whom live streaming had given them access to events they would never normally be able to attend for myriad reasons, from disability and caring responsibilities to location or cost. MainRoom will open Mancunian clubbing to EVERYONE.”
MainRoom host Rebecca said: “MainRoom is a vital and exciting platform that will showcase exactly what the real creative essence of Manchester is.
“Platforming people on the ground, creating spaces and places for the under-presented and less visible is vital for cultural identity. This city has a melting pot of diverse talent, and I am honoured to be involved in MainRoom and look forward to speaking, showcasing, and interviewing some amazing people doing amazing things.”
StreamGM recently partnered with FAC51 The Hacienda for their landmark 40th Birthday party, and livestreamed their entire eight hour event, direct from the carpark of the Hacienda Apartments on Whitworth Street.
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The first live event is on July 24h at 9pm at She’s In Control – Freight Island.
Featured image: Supplied
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The best and worst Christmas songs ever written
Dean Hadcock
We can all agree, in terms of Christmas music, it has its bops and it has its flops.
Some songs do an incredible job of capturing that warm fuzzy feeling that Christmas can give you… others feel like they were purposely made just to drive you crazy.
And whether you’re into violins and jingling bells or pure festive pop, we’ve all got opinions about Christmas music.
So let’s take a look at five of the all-time bestChristmas songs and five of the absolute worst.
We know people will go to war in the name of their favourite Crimbo song, so before you start a crusade against us because your favourite is on the worst list, let me remind you this list is completely subjective… but we all know it’s right.
The worst Christmas songs ever written
Santa Tell Me – Ariana Grande
Not hate towards Ariana – she’s an honorary Manc after all – but Santa Tell Me is a massive flop. Nothing screams ‘I’m in a department store at Christmas time’ more than this song and I pray for any retail worker who has to hear this more than once on their wintery shifts.
2. Everyday Is Christmas – SIA (The Whole Album)
You’re getting a whole 13-song album for this one. SIA did not need to make a full Christmas album but she did and it’s basically all the same song. Everything about it is bad, even down to the album art. There’s something about SIA’s voice that just doesn’t lend itself to festive music. Sorry SIA.
3. It’s Beginning To Look a Lot Like Christmas
It’s not the singer, it’s the song. It doesn’t matter who is singing this one, it’s going on the worst list. When it’s the start of November why does every commercial company decide this is the perfect song to shove on every Christmas ad ever? And how does something with such cheerful lyrics manage to sound so glum?! It’s like a Winnie the Pooh Christmas song.
4. Underneath The Tree – Kelly Clarkson
This one makes me feel like I’m in a silly little 00s British Christmas romcom and I absolutely hate it. How did she fall from Since U Been Gone to this utter trash? I’m not mad, Kelly, I’m just disappointed.
5. Feliz Navidad – Jose Feliciano
For a three-minute-long song, it does not need to repeat Feliz Navidad 21 times. There are literally only four different unique sentences in this one and they’re repeated over and over again. We get it Jose, you wanna wish me a Merry Christmas. Can you do it a bit more quietly, I’ve got a Bailey’s hangover.
The best Christmas songs ever written
White Christmas – The Drifters
Nothing lends itself more to Christmas than some classic doo-wop, that’s why White Christmas by The Drifters and only The Drifters is the best version of this festive classic. As soon as the band’s deep harmony kicks in at the start it fills the room with that Christmassy feeling.
2. Step Into Christmas – Elton John
No era was better for Christmas music than the 70s and Elton John’s Step Into Christmas is its peak. Whether you’re putting up the tree, present shopping, having a festive boogie or eating your Christmas dinner, this song fits the vibe perfectly.
3. Christmas Wrapping – The Waitresses
We don’t think American new wave band The Waitresses knew the scale of what they were making when they were recording this anti-Christmas song. It instantly became a cult classic. Trust us, sit down and listen to the bass in this one, it’s so funky and usually by the time the sax comes into it we’re already up dancing.
4. Wonderful Christmastime – Paul McCartney
As soon as this song starts with those synthy keys you know you’re in for a good’n, I mean who else is more equipped to write a jolly ol’ Christmas song than an ex-Beatle? It just feels like the epitome of Christmas.
5. Christmas Rappin’ – Kurtis Blow
By the time this song came out in 1979, rap was a relatively new genre on the scene. So for Kurtis Blow, the first commercially successful rapper, to release Christmas Rappin’ as his first song is insane but what a hit it was. Not your generic Christmas song but it’s something different and you can’t deny, that beat is infectious.
Rowetta has left Happy Mondays after 34 years
Danny Jones
It’s a sad day for Madchester fans everywhere as Manc-born and bred musician Rowetta has officially left Happy Mondays after 34 long years.
Rowetta, born Rowetta Idah, hails from Crumpsall and remains one of Greater Manchester’s most well-known singers and all-round cultural figures.
The 58-year-old has recorded and performed with the electronic and indie dance icons since 1990 and rejoined the original lineup for a reunion back in 2012 and has remained part of the touring band ever since, but it now looks as though their long-running partnership has come to an end.
Confirming the news via an official announcement on Monday, 23 December, they wrote: “Happy Mondays and Rowetta announce that Rowetta will no longer be performing with the band.
The statement goes on to read: “Happy Mondays thank Rowetta for her services and wish her the best for the future.” Many have questioned the circumstances given the brevity of the post.
Best known for her powerful voice on the likes of ‘Step On’, ‘Kinky Afro’ and several other hits, but her association with the group has been on and off over the years amid their various splits/hiatuses.
As well as a solo career which saw her songs sampled by the likes of Swedish House Mafia and Black Eyes Peas, Rowetta also featured on the very first series of the X-Factor back in 2004 and has lent her vocals on various different projects over the years.
For instance, she was also a featured artist on Shed Seven’s 2023 single, ‘In Ecstasy, joining them on stage for live renditions as recently as August of this year, when they supported Blossoms at their massive Wythenshawe Park show.
She also delighted crowds at Kendal Calling last summer, with many online arguing that she’s been “carrying the show” of late.
Rowetta herself has issued an official personal response other than sharing the same statement confirming that they have parted ways, leaving many wondering what may have gone on behind the scenes.
The comments underneath both individual posts are also turned off – make of that what you will.
To have spent over three and a half decades on and off with one of the North’s best-loved bands and to then share only a couple of lines, does admittedly raise an eyebrow.
Not only were followers understandably surprised to hear of the news but even if the Happy Mondays and/or Rowetta aren’t making their feelings known on the matter, it hasn’t stopped plenty of others getting emotional on their behalf.
One person wrote on X: “Many Mondays gigs in recent years it has been Rowetta who has kept things going on stage. But, it’s been great to see her singing with Shed Seven this year, and really showcasing her talents on the albums and on stage. Onwards and upwards.”
Is it actually Happy Mondays without Rowetta? Her vocals, presence, style & energy are irreplaceable… I sincerely hope she’s not been shafted by the band she’s been such an integral part of … 🤔 good luck @Rowetta .. keep shining 💥 https://t.co/37CHsFcKNk
For many, it’s a case of “the Happy Mondays without Rowetta just doesn’t work” and it’s clear the relationship with their fans and the energy at live shows won’t be the same without her.
Only time will tell whether or not a particular flash-point caused this split or if they collectively just decided to call it a day.
Either way, we loved listening to you, Ro – we hope to hear you on plenty of other stuff in the meantime.
Daisy Jackson -
30th May 2022 
