A new live-streamed clubbing series has been announced for Greater Manchester, which will beam our world-famous nightlife scene into living rooms across the globe.
MainRoom is the latest series from not-for-profit platform StreamGM, which comes from team behind lockdown favourite United We Stream.
Episodes will be broadcast live from dance floors, nightclubs, rooftops and basements around the city-region.
It’s all been created to capture Manchester’s legendary underground club culture and will shine a spotlight on the DJs and promoters operating in the city.
MainRoom events will take place monthly, over the course of three or four hours.
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Escape to Freight Island will host the first MainRoom event in July
The first event, She’s In Control, will be streamed from Escape to Freight Island on 24 July and will put women and people of marginalised genders front and centre.
Taking part in the She’s In Control livestream will be Jade Li, Edie, Danielle Moore from band Crazy P and Homoelectric resident, Gina Breeze.
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The collaboration will raise awareness and funds for Brighter Sound, a local organisation aiming to help underrepresented people develop careers in the industry.
StreamGM’s MainRoom series will be presented by Rebecca Swarray aka DJ Mix-Stress, who is the founder and curator of Manchester based events and arts collective, RebeccaNeverBecky and co-founder of queer DJ Collective, Queer Latifah.
Rebecca Swarray. Credit: Supplied
Episodes already lined up include collaborations with La Discotheque, Not Bad For A Girl, Mixing Mates, Black Gold Arts and Band on the Wall.
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Co-founder of StreamGM Laura Graham said: “Greater Manchester’s clubbing scene is historic, and renowned as THE destination city for a night out. This is partly due to the region’s vast clubbing tapestry, amazing super clubs, and major venues across the city, but also because Greater Manchester has always maintained a thriving, progressive and influential, grassroots clubbing scene, and it’s this scene we want to identify and explore.
“MainRoom will provide visibility for Manchester’s local clubbing culture, with a strong emphasis on inclusion, accessibility, empowerment, and most of all – fun times – for marginalised groups.
“We will collaborate directly with promoters and take amazing local talent and new clubbing concepts beyond the venue walls with our online audiences.
MainRoom’s first event posted. Credit: Supplied
“MainRoom will also give viewers a sense of the latest music, dance and fashion trends, straight from the club vibes and dancefloors.
“People all over the world will be able to use MainRoom to dip into Manchester’s epic clubbing scene, use our streams as soundtracks to house parties, or watch them to research future nights out in the city.
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“During United We Stream, our team were overwhelmed by messages from people for whom live streaming had given them access to events they would never normally be able to attend for myriad reasons, from disability and caring responsibilities to location or cost. MainRoom will open Mancunian clubbing to EVERYONE.”
MainRoom host Rebecca said: “MainRoom is a vital and exciting platform that will showcase exactly what the real creative essence of Manchester is.
“Platforming people on the ground, creating spaces and places for the under-presented and less visible is vital for cultural identity. This city has a melting pot of diverse talent, and I am honoured to be involved in MainRoom and look forward to speaking, showcasing, and interviewing some amazing people doing amazing things.”
StreamGM recently partnered with FAC51 The Hacienda for their landmark 40th Birthday party, and livestreamed their entire eight hour event, direct from the carpark of the Hacienda Apartments on Whitworth Street.
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The first live event is on July 24h at 9pm at She’s In Control – Freight Island.
Featured image: Supplied
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The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Valensi, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
Daisy Jackson -
30th May 2022 
