The Kimpton Clocktower Hotel and The Refuge are throwing a summer packed with Pride events this year.
The Summer of Pride will see the incredible venue overtaken by everything from sparkling cocktails to photography exhibitions to terrace parties.
The Manc Audio will be launching a summer residency on The Refuge Terrace, celebrating diverse up-and-coming DJs and music talent from across the region.
Hotel brand Kimpton has been supporting the LGBTQIA+ community for more than 41 years and will continue with its work all summer.
The Refuge at the Kimpton Clocktower Hotel will celebrate Pride all summer. Credit: Supplied
The hotel supports several charity partners, including George House Trust, which provides support services to people living with HIV and their carers and loved ones.
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Those who work for the Kimpton Clocktower are also completing the Be Trans Aware training programme, which will help staff to understand and support the full gender spectrum.
Although Pride month is officially in June, the celebrations will continue into July at the huge Oxford Street hotspot.
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There’ll be a partnership with Sparkle Weekend, the world’s largest free-to-attend celebration of gender diversity.
The Kimpton Clocktower Hotel. Credit: Supplied
Sparkle Charity will host the event in Sackville Gardens between 8 and 10 July, but the Kimpton Clocktower will invite Sparkle Weekend members and hotel guests to a Sparkle Social Hour, with a drink on the house.
A special Sparkle cocktail will pop up on The Refuge’s menu, mixing white rum, cranberry, almond orgeat and cacao blanco, topped with an apple and rose foam.
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50% of proceeds from the cocktail will be donated to Sparkle, the National Transgender Charity.
The British Culture Archive are going to host a free new exhibition at the hotel, launching on 19 July.
Together As One – A Celebration of Manchester’s LGBTQIA+ Community features photographs by Jon Shard and Peter J Walsh capturing some iconic moments in the city, including Flesh at The Hacienda and the protest against Margaret Thatcher in 1988.
The Come As You Are Weekender will make a return in August too, coinciding with the Manchester Pride celebrations on 27 and 28 August.
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Speaking on the announcement, general manager of Kimpton Clocktower Hotel, Johan Scheepers said: “Inclusion and diversity is an integral part to the Kimpton Clocktower Hotel and Kimpton brand and we have always been extremely proud of this.
“It is crucial that any activity we do embraces the LGBTQIA+ community, so we’re more excited than ever to be announcing three-months of Pride championing activity.
“For us, it’s never just about doing something for Pride – it’s how we can spearhead the whole community throughout the entirety of the year. We look forward to welcoming all guests this summer and beyond.”
The K’s kick off Manchester’s BRITs Week celebrations early with jam-packed intimate gig
The Manc
If you were ‘Hoping Maybe’ to see The K’s at some point this year, this is your sign do it, as the rising indie band did not let the occasion of playing an intimate BRITs-backed gig get to them – they were buoyed by it.
Beloved city centre venue Gorilla was overflowing for The K’s last night, hosting an unreal small-cap set as part of Brits Week ‘26 for a very important cause: War Child.
Perfectly teed up by fellow nearby band, Florentenes from Bolton, The K’s took to a familiar stage many years on from their debut, and instantly had the crowd ready and raring for an hour of pure tunes and some very, very sweaty brows.
Earlestown’s finest certainly carried that Northern charm and energy throughout the whole night; their indie and almost nostalgic lyrical storytelling has you moshing one minute, whilst grasping your mate and ascending into live music heaven the next. There really aren’t many feelings like it.
Sobbing and swaying in the vast ocean of shoulders whilst screaming the lyrics to ‘Helen. Oh I’, I questioned how any compliment will ever compare to launching “thousand ships every time” from a kiss.
The K’s were yearning before Wuthering Heights made it vogue (again).
Musically, the band were seamless and a well-oiled machine, and so were the audience as they wholeheartedly echoed every lyric back at the lads and bounced it off the walls.
The K’s have come a long way since their first visit to Gorilla (Credit: Lucy Wagstaffe)
Every primary school assembly proudly led us to this moment, and it did not disappoint, displaying their increasingly seasoned and successful career, which I can only imagine is going to go from strength to strength this year.
I don’t think we even one more fan could have squeezed one more passionate fan into Gorilla on the night; it was heaving with people and pride; the sweat dripping down the walls indicated things are big for these local lads, and we couldn’t be prouder.
They are another prime example of shining a deserving light on Northern artists! And having the 2026 BRIT Awards up here with us is a testament to that.
Featured Images — Lucy Wagstaffe (supplied via War Child UK)
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Florence + The Machine at the Co-op Live, Manchester – the star has never been better
Clementine Hall
Florence + The Machine make a triumphant return to the stage in a thrilling exploration of female rage.
When you think of Florence Welch, you can’t help but picture her barefoot complete with flower crown and bouncy skirts racing around the stage in a fairy-like fashion.
And yes whilst she still is this, the band’s new era is suddenly a lot darker and haunting with their new album Everybody Scream exploring topics of loss and grief.
Florence and her coven-like quartet of dancers did not leave the stage once throughout the 21-track setlist, but not once did it feel tired.
Image: The Manc
The album’s title track kicked off the show before transitioning into fan-favourite anthem Shake It Out.
Florence’s voice is just as recognisable as ever, as is her long auburn hair that she swishes with her as she strides up and down the stage alongside her flowing sleeves.
Beneath the powerful vocals, the haunting atmosphere grew stronger as Seven Dials and Which Witch saw the dancers, coined as ‘the witch choir’, crawling up and down the stage in a Michael Jackson Thriller-style fashion.
Daffodils saw Florence interact with the crowd – embracing a woman pressed to the front of the barrier sporting a bright yellow flower crown.
It’s clear to see how much their music means to so many, and being at a Florence gig you feel as though you’re really part of something special.
A highlight came half way through the two-hour spectacle, as Florence dedicated Never Let Me Go to her sister in the crowd who she stated was “clever enough to marry a man from Manchester”.
Image: The Manc
We couldn’t agree more Florence.
Spectrum (Say My Name) really ignited a fire in the crowd, the entire arena was up and moving to the iconic track.
Her most vulnerable moment of the night comes as she returns for the encore, when she sings You Can Have It All which is written about her near-fatal ectopic pregnancy she experienced in 2013.
It’s raw and haunting, and we feel every note as she summons the strength to perform a song so revealing.
Of course, as the first two notes of Dog Days Are Over the crowd erupts into chaos.
Florence asks us to put our phones down, “you won’t get a good video and if you’re holding your phone, you can’t move” she states, and so we did what we were told.
It’s proof of the power that Florence holds over her audience, and from then on we were left to dance with complete abandon as the show ended in a feeling of pure joy and euphoria.
Daisy Jackson -
4th July 2022 
