Sometimes, life loves to throw a great big curveball at you. 2020 was that curveball.
But even after the most shambolic year in recent history, it hasn’t silenced our city’s music.
Now more than ever it’s important to take care of ourselves and each other. Musicians are finding their own ways of addressing mental health issues within the strained music industry.
When DJ and producer Liam Hyphen learnt that a close friend had taken his own life during lockdown last year, he wanted to pay tribute in the only way he knew how – through music. “This is for him, and everyone else we’ve lost,” Liam told Audio.
Dormancy is a project born out of grief, pain and loss – and the end result is a product of Liam’s resilience and determination.
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But his inspiration for the project was not only the loss of his friend, but actually the loss of his own path over the past year.
Knowing he needed to make some changes, he invested in some new music and photography equipment to embark on a new venture. He hoped it would inspire and enable him to express himself – and it did.
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“It came from a place of anger initially. I was getting sick and tired of feeling like I didn’t deserve a place within the music community in Manchester,” he told us.
“Everyone seems to have a team or group of people around them, but I mainly do it all on my own. Whenever I play a gig, nine times out of 10 I’m rocking up on my own. I’m in the studio on my own. I enjoy it, but it makes things that extra bit difficult.
“So, I decided right, I’m gonna finish this [project] and prove to myself that I can do it. Then came the idea of not just doing it for myself, but for everyone else that is struggling in Manchester. All the bartenders, the photographers, the DJs, the chefs, the waiting staff – everyone who makes it tick.”
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Liam Hyphen/Instagram
Unaware of the scale of task ahead, Liam went on to produce the track. But along with it, a fitting video that pays tribute to Manchester’s hospitality and music heritage, which he says took a painstakingly long time to get right. Ever the perfectionist, it seems!
“There were lots of trips around Manchester during daily exercise collecting clips of as many places as possible – and then loads more when I remembered somewhere I’d missed. Which happened a lot.
“Then came the editing – oh my god. I didn’t have a clue where to start. Originally, I just stuck them all together. Then figured out that I could place them to fit with the music and just kept learning and finding other ways to make it look like it wasn’t done by someone on their phone.
“I’m really happy with how it’s turned out because of how much effort and love has gone into it. But I know in the production world it’s actually very basic. Big respect to videographers and filmmakers.
Liam Hyphen/Instagram
The track itself takes inspiration from Manchester’s acid house era, fused with breaks and hard-hitting drums. Liam wanted to create something versatile – something for the clubs as well as easy-listening. He’s done just that by producing something with such an atmospheric vibe.
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Liam knows everyone will interpret the track differently, but that’s the beauty of music. “I imagine it’ll mean something different to everyone. Manchester is a city full of great culture and connects people from all different backgrounds,” he said.
“The hospitality and nightlife industry bring those people together and it is incredibly important. For me, it reminds me of all those people. It doesn’t matter who you are. That’s what makes Manchester so great – no judgement.”
Liam Hyphen/Instagram
Liam hopes Dormancy will raise a bit of money in the process. A percentage of the sales will be going to So Let’s Talk, a mental health charity who are supporting people within Manchester’s nightlife and hospitality industry.
“Paddy, who runs it, is doing amazing things and I wish there was more I could do. If anyone reading this is struggling, please reach out to them, or someone, or anyone. You’re not alone.”
This isn’t the first time Liam has had a crack at lifting Manchester’s spirits. A few months back, he drove around the streets of city centre on an open top bus, together with some other top-name DJs and blasted tunes.
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Now that Dormancy is ready for release, Liam looks back on the “emotional journey” and admits he’s bloody knackered after it all.
But he does reckon that Dormancy is the first record he’s actually finished. It just shows that good things come with determination and passion – and they’re always worth the work. There’s nothing like that sense of achievement, is there?
It’s a wholesome story and Liam should be proud of himself. By the sounds of it, he needs a nap now, though.
Dormancy is out on 6 February, check it out! You can also listen to his Manc Mixtapes episode here.
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The legendary Hulme community pub The Old Abbey Taphouse has been reborn
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme and the surrounding university district area; the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue lives on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, has now been carefully and lovingly restored ahead of its big relaunch, which will start in true Manc vision with an exclusive opening night gig.
The Abbey is reborn. (Credit: The Manc Group)
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’s also affordable, hearty pub grub, including Pieminister pies, and a huge range of beers from local breweries and beyond.
Bringing The Abbey back to life are a core team of four: Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth.
Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manc venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year.
As for Gareth, he’s the founder of the multi-venue festival Manchester Psych Fest, meaning that all of them have plenty of hospitality, late-night, live music and events experience between them.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch are part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth from the new Abbey team commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area.
“We’re honouring the pub’s history while building its future.”
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.