There’s something poetic about seeing Miles Kane perform in a venue like the Albert Hall.
Beneath the stained glass and towering arches, he felt less like a veteran gigger and more like the high priest of British indie showstoppers – sharp-suited and equipped with what appeared to be custom, heeled adidas three stripes with a fully leopard print set to match. Carpeted floor, drum kit and all.
You can tell from the outset that, city rivalries aside, the scouser is adored by his Mancunian fanbase. His opening track, ‘Electric Flower’ – taken from his latest album, Sunlight in the Shadows – made for the perfect start.
Kane emerged to a roar. The track’s shimmering melodic edge got the two-tiered crowd quickly accustomed to Kane’s newest style of sound, and things kicked on easily from there.
It was a confident opener (not a greatest hit in my humble opinion, but a statement) before snapping straight into ‘Rearrange’: more familiar territory for most, which sent the floor bouncing within minutes.
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From there, the set unfolded like a guided tour of Kane’s career, past and present blending seamlessly.
‘Troubled Son’ and ‘The Wonder’ leaned into his grittier side, while ‘Without You’ felt inspired by a similar jangly riff of ‘Long Cool Woman’ by The Hollies, famously setting the rhythm to a particular Britpop classic. If you don’t know already, look it up!
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By the time ‘Coming Down the Road’ and ‘Love Is Cruel’ rolled around, Albert Hall was fully warmed up — and personally won me over on the new album with the latter.
It carries a softness that you don’t tend to expect with a Miles Kane track, but maybe that comes with a creative maturity approaching your 40s (sorry, mate).
Regardless, Kane stalked the stage with trademark swagger, feeding off the crowd and grinning like a man who knows he’s exactly where he belongs and continues to do so.
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Then came one of the night’s first real eruptions…
Ahead of the show,‘Inhaler’ was one of my most anticipated listens. It hits like a shot of adrenaline from the opening chord, and the crowd sing every word back at him as if it were 2011 all over again. If you’re a Miles Kane fan, my money is on ‘Inhaler’ being high up your list.
‘Blue Skies’ followed, which shone a spotlight on not only the vocals but the complete shredding from the rhythm guitarist in the final breakdown. Having stood in the top tier of the Albert Hall, I got a prime view of the audible freedom he had to play with!
Mid-set, Kane doubled down on newer material with ‘One Man Band’ and ‘I Pray’, both sounding huge live – proof that his recent output more than holds its own alongside the classics.
The emotional heart of the night arrived with my favourite, ‘Colour of the Trap’. This track has been etched onto my playlist for longer than I care to mention. You felt it coming. The room softened, phones lit up, and for a few minutes, Albert Hall felt like a shared memory rather than a venue.
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It’s almost as if he didn’t want it to end himself, with an echoing chorus of la la la la going on for a good few minutes after the band’s final instrumental chime. ‘My Love’ and ‘Walk on the Ocean’ kept that reflective mood rolling before ‘Better Than That’ nudged the energy back upwards.
From there, it was full throttle. ‘Coup de Grace’ and ‘Never Taking Me Alive’ were delivered with venom and volume. Straight from his 2018 catalogue felt like one for the dads, or at least it resonated with the 50-year-old bloke pointing his fist in the air with one hand and holding a double pint in the other. Legend.
As the main set drew to a close, ‘Don’t Forget Who You Are’ fittingly carried us into the encore — defiant, anthemic, and shouted back word-for-word by a crowd that had been banging this tune out long before they heard it on FIFA 14 (like me).
It was exactly the type of tune that made me whip my phone out and record it for the boys, saying, ‘remember this one?!’, to a chorus of thumbs up in the group chat. And when I mention the encore, it didn’t mess about.
Kane and the band picked up where they left us with a high intensity ending to ‘Don’t Forget Who You Are’ before the title track, ‘Sunlight in the Shadows’, gave the tour its emotional centrepiece: rich, expansive, and glimmering amongst camera flashes between bums on shoulders.
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And then, the inevitable closer. By far his biggest song, if Spotify streaming numbers are anything to go by, ‘Come Closer’ sent Albert Hall into one final frenzy.
We saw bass guitarist Nathan get his special birthday moment when Miles and the band brought on a chocolate cake to celebrate, blowing out the candles – mid belter. Just ending the night on a euphoric high that left smiles plastered across sweaty faces.
Miles Kane at Albert Hall wasn’t just another date on the tour calendar. It was a reminder of just how deep his catalogue runs, how legendary in the indie rock game he is, and how effortlessly he can still command a Manchester crowd despite hailing from Merseyside. We don’t mind them, really!
Kings of Leon at Co-op Live, Manchester – blinding in every way
Daisy Jackson
Will Kings of Leon ever lose their ability to sell out enormous arenas in the UK? Based on the cup-slinging, sat-on-shoulders, full-pelt-singing crowd that rushed the Co-op Live on Saturday night – nope.
The American rockers are back out on a short tour, but rather than plugging a new album, this feels like a greatest hits, remember-how-good-we-are-live tour.
It’s a setlist that will please those of us who loved their twangier, garage-rock earlier albums, Youth & Young Manhood and Aha Shake Heartbreak, with live highlights including The Bucket, Molly’s Chambers, Four Kicks, and King of The Rodeo (my personal favourite).
But there’s plenty of their more recent, stadium-worthy rock anthems thrown in too, like the inescapable Sex On Fire. Love it loathe it, you can’t deny its impact when played in a venue of adoring fans.
Kings of Leon arrived in Manchester on 4 July, and dress for the occasion. Jared Followill strolls on stage in a faded, cropped Stars and Stripes tee. Caleb Followill opts for double denim. Nathan Followill is behind the kit in a ‘wife-beater’ vest.
They look every bit the all-American rock band. They must stick out like sore thumbs wandering around the UK between tour dates.
Less impressive is the slightly maddening stage design. The band spend much of the night silhouetted against enormous banks of blinding lights. If you’re looking straight at the stage, it’s like staring directly into the sun for two hours, or accidentally walking into a scrum of paparazzi just as Taylor Swift arrives. Once you accept that you’ll spend the evening partially blinded, though, there’s very little to fault.
Musically, they’re immaculate. Every song sounds as polished as the record, but never sterile. They make it all look absurdly easy, which is hardly surprising given they’ve been playing together for more than 25 years.
Nathan’s especially nonchalant – in the middle of intricate drum fills, he’s chewing bubble gum as if he’s waiting for a bus rather than holding together one of rock’s biggest bands.
There’s an instinctive chemistry between the Followill family members that’s impossible to manufacture. Unlike the Gallagher brothers, who always seem on the verge of putting each other in a headlock, Kings of Leon perform with complete harmony. Every glance and transition feels effortless, the product of decades spent sharing stages together.
The band have been changing their setlist throughout the tour, but nobody expected a heartfelt rendition of America The Beautiful. Unsurprisingly, it’s the only song of the night the British crowd doesn’t sing along to, and it even draws a few boos before the band move swiftly on.
There are reminders throughout of where they came from. Caleb’s unmistakable Tennessee drawl still gives the songs that loose, bluesy Southern character that first set them apart, even as arenas sing every word back to them. During ‘Use Somebody’, he happily hands the chorus over to the crowd with a simple, “Alright, you sing it then,” barely needing to touch the microphone.
When the set finally ends, the band don’t rush off. They linger on stage, tossing guitar picks and sweat-soaked handkerchiefs into the crowd, waving from every corner of the stage and soaking it all in with broad smiles.
After all these years, they still look genuinely grateful to be there. For a band who’ve been doing this for more than two decades, it’s reassuring to see the novelty hasn’t worn off.
Kings of Leon at Co-op Live Manchester – tickets, times, setlist and more for UK tour
Thomas Melia
American rock band Kings of Leon are making their way to Manchester for a second visit to Co-op Live as part of their current EU/UK arena tour.
Formed in 1999 by brothers Caleb, Nathan, Jared, plus their cousin Matthew Followill, the rock band has gone on to achieve nine top 40 singles and six UK number one albums.
The rockers have two singles in Spotify’s Billions Club, including their standout hit ‘Sex on Fire’, which has amassed over 2 billion streams and ‘Use Somebody’ with 1.2 billion – two tracks that helped skyrocket them from cult favourites here in Britain to global superstars.
This four-piece’s latest LP, Can We Please Have Fun, dropped mid-2024 and knowing how energetic crowds were at the previous Manc gig, it’s safe to say we’ve got this covered.
They even let us know the England score last time out (read our full review), too.
Gig guide – Kings of Leon at Co-op Live, Manchester
Kings of Leon UK tour dates
Fri 3 July – Glasgow, UK – Bellahouston Park
Sat 4 July – Manchester, UK – Co-op Live
Mon 6 July – Leeds, UK – First Direct Bank Arena
Are there any tickets left for Kings of Leon at Co-op Live?
If you’re wondering where you’ll ‘Find Me’ on Saturday 4 July, it is probably watching these four relatives play their two decades’ worth of hits at Co-op Live.
Don’t ‘Waste a Moment’ as there’s only a limited number of tickets left if you’re after catching a glimpse of Kings of Leon live – get yours HERE.
Kings of Leon are gearing up for their Manchester gig at Co-op Live this July (Credit: Press shot)
Kings of Leon setlist for 2026 UK tour
These American rockers have been performing all across Europe, switching up a couple of songs at each show; however, the hits below have featured at most of their appearances.
Slow Night, So Long
Waste a Moment
Find Me
On Call
Radioactive
The Bucket
Revelry
Manhattan
Use Somebody
Wait For M
Split Screen
Closer
Molly’s Chambers
Razz
MyParty
Supersoaker
Fans
Back Down South
Seen
Pyro
Black Thumbnail
To Space
Knocked Up
Sex on Fire
What are the stage times for Kings of Leon in Manchester?
Doors for Kings of Leon at Co-op Live in Manchester are set to open at 6pm with a kick-off time of 7pm from a huge indie rock band.
Supporting the US rockers is a band who have received comparisons to Kings of Leon, the loud-and-proud Scottish stars The Snuts, known for their tracks like ‘Glasgow’, ‘Elephants’ and ‘Maybe California’.
For those of you heading to Co-op Live, you’ll be glad to know it’s right next door to a rather famous big blue stadium and its integrated Metrolink stop.
Head along the light blue or orange lines directly to the Etihad Campus or Ashton-under-Lyne, and you can get off the tram literally spitting distance from the arena. You can find the full map HERE.
Trams run frequently on the Ashton-Eccles line to the Etihad stop, with services leaving every six minutes from the city centre and until 1am on Fridays and Saturdays.
Bus
You can find the full list of bus routes HERE, with the one in closest proximity to the venue being the 53 bus, which runs from Cheetham Hill through to Higher Crumpsall, Old Trafford and Pendleton, leaving just a two-minute walk to Co-op Live.
If you’re driving, there is limited parking available at the venue, but this must be pre-booked ahead of time, and there are designated drop-off areas.
The postcode is M11 3DU, and you can follow the signs towards the wider Etihad Campus as you get closer; directions to the adjacent drop-off points will also be signposted.
Keep in mind that congestion on the roads close to the stadium is expected to gather around two hours prior to any event, so if you are travelling on the road, these are the suggested times they provide on event day, though estimates will obviously vary:
Alan Turing Way (both directions): plan an additional 20 minutes into any journey by road.
Hyde Road (eastbound): expect an additional 15 minutes to be added to your journey.
Mancunian Way (westbound): plan for an extra 10 minutes of travel time.
There are also three park-and-ride facilities near Co-op Live, but be advised that the Velopark and Holt Town stops will be closed post-event to help safely manage crowds:
Ashton West (Ashton line) – 184 spaces and 11 disabled spaces
Ladywell (Ashton-Eccles line) – 332 spaces and 22 disabled spaces
Walk/cycle
Lastly, Co-op Live is only a half-hour stroll from Manchester Piccadilly, and you could even walk along the canal all the way to the front door if you fancy taking the scenic route.
Greater Manchester now also offers the option to hire bikes on the Beryl app, with riders able to locate, unlock, get to their destination and then safely lock up the bike all through an easy-to-use app. There are hire points just near the south-west corner of the Etihad Stadium on Ashton New Road.
For more information on all travel options, you can check out the enhanced journey planner.
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Tickets for Kings of Leon’s UK tour dates are selling out fast. (Credit: Raph_PH via Wikimedia Commons)
Harry Quick -
1st February 2026 
