There’s something poetic about seeing Miles Kane perform in a venue like the Albert Hall.
Beneath the stained glass and towering arches, he felt less like a veteran gigger and more like the high priest of British indie showstoppers – sharp-suited and equipped with what appeared to be custom, heeled adidas three stripes with a fully leopard print set to match. Carpeted floor, drum kit and all.
You can tell from the outset that, city rivalries aside, the scouser is adored by his Mancunian fanbase. His opening track, ‘Electric Flower’ – taken from his latest album, Sunlight in the Shadows – made for the perfect start.
Kane emerged to a roar. The track’s shimmering melodic edge got the two-tiered crowd quickly accustomed to Kane’s newest style of sound, and things kicked on easily from there.
It was a confident opener (not a greatest hit in my humble opinion, but a statement) before snapping straight into ‘Rearrange’: more familiar territory for most, which sent the floor bouncing within minutes.
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From there, the set unfolded like a guided tour of Kane’s career, past and present blending seamlessly.
‘Troubled Son’ and ‘The Wonder’ leaned into his grittier side, while ‘Without You’ felt inspired by a similar jangly riff of ‘Long Cool Woman’ by The Hollies, famously setting the rhythm to a particular Britpop classic. If you don’t know already, look it up!
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By the time ‘Coming Down the Road’ and ‘Love Is Cruel’ rolled around, Albert Hall was fully warmed up — and personally won me over on the new album with the latter.
It carries a softness that you don’t tend to expect with a Miles Kane track, but maybe that comes with a creative maturity approaching your 40s (sorry, mate).
Regardless, Kane stalked the stage with trademark swagger, feeding off the crowd and grinning like a man who knows he’s exactly where he belongs and continues to do so.
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Then came one of the night’s first real eruptions…
Ahead of the show,‘Inhaler’ was one of my most anticipated listens. It hits like a shot of adrenaline from the opening chord, and the crowd sing every word back at him as if it were 2011 all over again. If you’re a Miles Kane fan, my money is on ‘Inhaler’ being high up your list.
‘Blue Skies’ followed, which shone a spotlight on not only the vocals but the complete shredding from the rhythm guitarist in the final breakdown. Having stood in the top tier of the Albert Hall, I got a prime view of the audible freedom he had to play with!
Mid-set, Kane doubled down on newer material with ‘One Man Band’ and ‘I Pray’, both sounding huge live – proof that his recent output more than holds its own alongside the classics.
The emotional heart of the night arrived with my favourite, ‘Colour of the Trap’. This track has been etched onto my playlist for longer than I care to mention. You felt it coming. The room softened, phones lit up, and for a few minutes, Albert Hall felt like a shared memory rather than a venue.
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It’s almost as if he didn’t want it to end himself, with an echoing chorus of la la la la going on for a good few minutes after the band’s final instrumental chime. ‘My Love’ and ‘Walk on the Ocean’ kept that reflective mood rolling before ‘Better Than That’ nudged the energy back upwards.
From there, it was full throttle. ‘Coup de Grace’ and ‘Never Taking Me Alive’ were delivered with venom and volume. Straight from his 2018 catalogue felt like one for the dads, or at least it resonated with the 50-year-old bloke pointing his fist in the air with one hand and holding a double pint in the other. Legend.
As the main set drew to a close, ‘Don’t Forget Who You Are’ fittingly carried us into the encore — defiant, anthemic, and shouted back word-for-word by a crowd that had been banging this tune out long before they heard it on FIFA 14 (like me).
It was exactly the type of tune that made me whip my phone out and record it for the boys, saying, ‘remember this one?!’, to a chorus of thumbs up in the group chat. And when I mention the encore, it didn’t mess about.
Kane and the band picked up where they left us with a high intensity ending to ‘Don’t Forget Who You Are’ before the title track, ‘Sunlight in the Shadows’, gave the tour its emotional centrepiece: rich, expansive, and glimmering amongst camera flashes between bums on shoulders.
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And then, the inevitable closer. By far his biggest song, if Spotify streaming numbers are anything to go by, ‘Come Closer’ sent Albert Hall into one final frenzy.
We saw bass guitarist Nathan get his special birthday moment when Miles and the band brought on a chocolate cake to celebrate, blowing out the candles – mid belter. Just ending the night on a euphoric high that left smiles plastered across sweaty faces.
Miles Kane at Albert Hall wasn’t just another date on the tour calendar. It was a reminder of just how deep his catalogue runs, how legendary in the indie rock game he is, and how effortlessly he can still command a Manchester crowd despite hailing from Merseyside. We don’t mind them, really!
Jewish leaders call for cancellation of huge Fontaines D.C. gigs in Heaton Park
Daisy Jackson
Jewish leaders have expressed ‘profound concerns’ regarding the two enormous Fontaines D.C. gigs taking place in Heaton Park next summer.
The Jewish Representative Council of Greater Manchester and Region has called for the shows to cancelled.
They said that ‘the safety of our community must be paramount’.
Irish rockers Fontaines D.C. have been outspoken at their concerts in the past in their support for Palestine, displaying ‘Free Palestine’ messaging on huge screens across the globe.
Now, the JRC has publicly expressed concerns about ‘the potential consequences of inflammatory rhetoric from the band’.
They added: “At a time of heightened antisemitism, the comments and chants associated with the band risks importing tensions from the Middle East into the UK, with Jewish people here becoming the targets.”
Fontaines D.C. are set to play two massive shows at Heaton Park next summer, on 3 and 4 July.
Manchester City Council has stressed that they will be working closely with members of the Jewish Representative Council as event management plans are developed, and added that ‘partners from the Council, emergency services including Greater Manchester Police (GMP), and event organisers, will comprehensively review the plans in place ahead the concerts’.
In a statement, the JRC said: “The JRC has registered our profound concerns with Manchester Council regarding Fontaines D.C.’s forthcoming concert at Heaton Park and has called for it to be cancelled.
“Despite our representations, it appears the concert will be going ahead. We expect and will be working with the council to ensure robust and adequate safeguards are in place to protect the Jewish community.
“We have no objection to Heaton Park hosting concerts.
“Our concerns are not about legitimate political expression but the potential consequences of inflammatory rhetoric from the band.
“At a time of heightened antisemitism, the comments and chants associated with the band risks importing tensions from the Middle East into the UK, with Jewish people here becoming the targets. The safety of our community must be paramount.”
A Manchester council spokesperson said: “We understand the very real concerns that members of our Jewish community have in the wake of the horrific antisemitic terrorist attack at Heaton Park Synagogue last year and a wider rise in antisemitism. Our thoughts remain not just with those who lost their lives and their loved ones but with the whole Jewish community.
“We stand shoulder to shoulder with them in saying there is no place for antisemitism or discrimination of any form in Manchester and continue to work with the police, communities and other partners to provide reassurance and support.
“On the specific concerns expressed by some members of the Jewish community in relation to the two Heaton Park concerts in summer 2027, addressing these concerns will be front and centre in preparations for these events. We have met recently with members of the Jewish Representative Council and will continue to work closely with them as we develop event management plans.
“Partners from the Council, emergency services including Greater Manchester Police (GMP), and event organisers, will comprehensively review the plans in place ahead the concerts. This is standard practice for all major events in the city and is there to ensure events take place safely and successfully.
“In advance of the concerts, as with any other large-scale events, a thorough risk assessment of every aspect of the event will be carried out, focused on ensuring the safety and security of the event, its attendees and the wider community.
“The organisers, City Council and GMP will put in place suitable and proportionate mitigations and assurances to make sure that the concerts are delivered in full compliance with the licensing conditions. Organisers would also be happy to meet with concerned parties to help address any concerns. They are clear that discrimination or intimidation, including antisemitism, have no place at their events.”
Manchester’s beautiful winter Teepee is back, with free pints this weekend and live music every day
Daisy Jackson
Nothing heralds the arrival of the autumn/winter seasons quite like the appearance of The Oast House’s beautiful winter Teepee.
The popular seasonal space is officially reopening its doors this weekend, and inside you’ll find roaring fires, a giant disco ball, live music, and plenty of pints to keep the colder months feeling a little less grim.
After giving its beer garden a major glow-up this spring and hosting a summer packed with live music, The Oast House is bringing back one of Manchester’s favourite winter hangouts – and it’s kicking things off with a proper belter of an opening weekend.
We’re talking twinkling fairy lights, faux fur throws, and a dedicated bar pouring Staropramen fresh from the tank, all inside its massive winter Teepee.
And there’s even better news for the first few through the door.
To celebrate the Teepee’s return, The Oast House team will be cracking open a full tank of fresh Staropramen on Saturday 10 October, with free pints up for grabs for the first 440 guests.
There’ll be live music every night in the winter TeepeeManchester’s cosiest venue is back
The Teepee will be keeping things lively seven nights a week throughout autumn and winter, with The Oast House’s much-loved Open House programme moving indoors for the season.
Expect everything from Bandeoke and Musical Bingo to Retro Sounds and Oast Acoustic sessions, meaning there’ll be something different on the cards every night of the week.
The venue’s free monthly live music festival, Oast House Live, isn’t going anywhere either. It’ll continue inside the Teepee on the last Saturday of every month, bringing even more live music to the heart of Spinningfields.
Of course, it wouldn’t be The Oast House without a menu worth getting stuck into.
The kitchen will be serving up its 12-hour-brined rotisserie chicken, alongside a line-up of tempting sides like Ziggy Fries tossed in chicken salt and chicken butter, cheddar and onion slaw, and charred corn on the cob drenched in house-made Scotch bonnet butter.
Food in The Oast House Winter TeepeeThere’ll be 450 free pints given away on SaturdayRotisserie chicken
And if you’re after something a bit different, the house-special ‘addictive’ Chicken (T)oastie is one you won’t want to miss.
Sundays are all about the roast, too, with the kitchen dishing up its signature rotisserie chicken alongside chicken-butter roasties tossed in chicken salt, all the trimmings and bottomless house chicken gravy.
Basically, if you’re after somewhere to escape the cold without sacrificing a good night out, you know where to head.
The Oast House and its Winter Teepee are open daily from 11am until late throughout the season.
The Oast House Winter Teepee opens Saturday 10 October, with free Staropramen pints for the first 440 guests.
For more information and to book your table, head HERE.
Harry Quick -
1st February 2026 
