The Music Venue Trust has defended the live music industry after a recent study found that half of Brits felt they’d been ‘priced out’ of seeing live music.
The YouGov survey found that more than three-quarters of Britons (77%) think the price to see live music is expensive, with 44% saying it’s ‘very’ expensive.
But the MVT wants to raise awareness for how affordable live music can be, if fans are willing to let go of the likes of Harry Styles and Taylor Swift (who are, admittedly, very expensive artists to go and see).
The music venue charity described the research as ‘incredibly depressing’ and argued that live music is ‘literally the cheapest, easiest, most accessible cultural experience there is’.
The MVT pointed out that there are ‘brilliant, live affirming, incredible shows’ happening every day of the year with tickets for less than a tenner.
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It stressed that schools, communities and the media need to champion these smaller, grassroots music scenes as much as the gigs with the ‘flying pianos or cartwheeling robots’.
Blossoms at Night & Day. Credit: The Manc GroupBand on the Wall. Credit: Jody HartleyThe Pink Room at YES. Credit: Facebook, Yes ManchesterGrassroots music venues were used as an example of why music isn’t ‘too expensive’
The YouGov survey also found that most people think £40 or less is a fair price for a ticket – but 75% of the gig-going public have paid more than £50.
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It means that even those who are willing to cough up the increasingly high prices for live music are paying what they feel is over the odds.
The full open letter, signed by the Music Venue Trust’s CEO Mark Davyd, is below.
“In a new YouGov survey the UK public says less than £40 is a fair price for a live music ticket. The headline also says that people are being ‘priced out of attending’ live music events.
“There are literally hundreds of brilliant, live affirming, incredible shows happening every single day at local grassroots music venues. The average price of admission is £10.90 a ticket, but there’s almost certainly one near you this week for less than a tenner. They are performed by fantastically talented musicians, just as good as any you’ll see on a huge stage. There won’t be flying pianos or cartwheeling robots, but these days there will be great sound and lighting, delivered by professional technicians. Bar prices are affordable, the staff are welcoming, and the audience in them wants you there as part of the community. And no, Harry Styles isn’t playing, but you know who is? Somebody who deserves an audience just as much, who has written as many songs, is just as passionate about the music they are making, who has something to perform for you that you might fall in love with.
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“This survey says an incredibly depressing number of people didn’t attend a live music show in 2022. About a fifth of people apparently didn’t go because they thought they couldn’t afford it. So there’s something seriously wrong there, because it’s literally the cheapest, easiest, most accessible cultural experience there is.
“Let’s make sure every parent knows that. Let’s get every school teaching their pupils that. Let’s get out into our communities and make sure that every single person in them knows they have access to live music. Let’s ensure our local and national press are reflecting that. Let’s see the incredible music from these fantastic spaces on our TV, talked about on our radio, part of the national discussion of who we are and what we do.
“Let’s find the one third of the public who didn’t attend a show in 2022 and make sure they know what they are missing out on. 14% of people regularly attended a gig in 2022. Let’s double that. Let’s make 2023 the best year of live music ever.
“Let’s never leave anybody in the UK believing that this headline is true ever again.”
Featured image: The Manc Group
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Hilary Duff announces massive Manchester gig on first world tour in nearly 20 years
Danny Jones
Noughties throwback, Hilary Duff, is continuing her contemporary comeback trail by announcing a brand-new world tour, including a massive arena gig right here in Manchester.
That’s right, Lizzie McGuire herself is returning to the UK with new music.
In all seriousness, child star Hilary Duff has gone on to have quite the career, but it feels like it’s been forever since we’ve had fresh music from her, which is why her next album and huge run of tour dates around the globe feels like such a big deal.
Ahead of her sixth studio release, lucky… or something, dropping this month, the American popstar has now confirmed nearly 50 upcoming dates in support of the record; she also still managed to give us a very Disney Channel reveal video.
Yes, heading out on the road across North America, Europe, the UK and Ireland, as well as Australia and New Zealand, Hilary Duff has announced a total of 47 gigs so far.
With no other live shows confirmed in mainland Europe yet, Great British and Irish fans can be glad of the five shows locked in for the UK leg.
Having said that, with the 38-year-old enjoying a real renaissance of late, we wouldn’t be surprised to see more added to the newly confirmed ‘lucky me’ tour.
As mentioned, with her latest LP scheduled to launch on 20 February, we got her most recent track just a few short weeks ago.
Following the lead single from the project, ‘Mature’ – also released this past November 2 – you can see the music video for her ‘Roommates’ down below.
The song is also produced by her husband, Matthew Koma.
This newest outing is the first Hilary Duff album in over a decade, following 2015’s Breathe In. Breathe Out; it’ll also be nearly two of them since her last world tour, having last played Manchester all the way back in 2007.
As for her shows, following a number of performances in late 2025 and this year already, she’ll be playing throughout the calendar and well into early 2027.
You can see the rest of the European tour dates thus far down below.
Hilary Duff UK and IE tour dates – September ’26
6 – Dublin, IE – 3Arena
8 – Cardiff, UK – Utilita Arena Cardiff
10 – London, UK – The O2
Thursday, 12 – Manchester, UK – AO Arena
13 – Glasgow, UK – OVO Hydro
For tickets to see her here in Manchester at the end of this summer, early access can be enjoyed by Three mobile members from 10am on Tuesday, 17 February, or via the venue’s own presale window from the same time next Thursday, 19 Feb.
As for general admission, tickets will then go live at 10 the following Friday (20 Feb), and you can get ready to grab yours HERE.
SING TO ME PAOLO! 🎤🛵💅
Superstar @HilaryDuff brings 'the lucky me tour' to Manchester!
Featured Images — Press shots (supplied via AO Arena)
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Gig Review | Mika shines at the AO Arena in Manchester on the first night of his world tour
Aimee Woodcock
Mika’s Manchester stop on his ‘Spinning Out’ global tour was a vibrant, high-energy celebration of all things pop.
Not happy with just walking on stage – this is Mika we’re talking about – he made his entrance on a spinning hamster wheel, bathing the AO Arena in kaleidoscopic lights.
Opening with ‘Modern Times’ and ‘Eleven’ from his latest discography before leaning into one of the classics, ‘Relax, Take it Easy’, the atmosphere inside the packed arena felt charged.
His stamina was something that stood out from the get-go, delivering every track with that signature Mika flair, accompanied by choreography and a live band that matched his energy – no mean feat.
The production leaned heavily into colour and movement, with swirling visuals and playful stage design that mirrored the tour’s theme of motion and momentum with nods to themes of LGBTQ+ rights.
Working through this current album, and after a quick outfit change, we were treated to an a cappella intro to another classic, ‘Lollipop’ with Mika dressed in a full pink suit (and shoes).
Between songs, Mika’s easy rapport with the crowd added warmth and intimacy to the arena-sized performance.
He shared anecdotes and playful banter, encouraging the crowd to sing along, uniting the fans.
Highlights included a rendition of ‘Grace Kelly’, which sparked one of the loudest reactions of the night, and a heartfelt performance of his more reflective ‘Happy Ending’ offered a welcome contrast to the glittering pop anthems.