Neuron: The dream team of AV specialists born out of Manchester’s underground scene
Behind the curtain of every great gig, there’s a team of people found a way to set the stage perfectly so that the magic could happen. And there’s one of those remarkable groups operating in Manchester right now: Neuron.
Some live shows are truly special. Not just in the moment. But for weeks, months, years, and decades afterwards. They’re destined to play out on a loop forever.
Stone Roses at Spike Island. Sex Pistols at Lesser Free Trade Hall. Oasis at Knebworth. Hacienda House Party on United We Stream. These live performances are still talked about and always will be. Not just because of who was on stage. But because during these shows – everything came together at exactly the right moment.
Behind the curtain of every great gig, there’s a team of people who’ve found a way to set the stage perfectly so that the magic could happen. And there’s one of those remarkable groups operating in Manchester right now: Neuron.
Starting out as a passion project for half a dozen DJs and musicians who just wanted to make memorable shows by pooling their resources, Neuron has expanded into a dream team of sound, lighting and video techs providing services that range from event production (including sound, lighting, staging) and management (set design, streaming) to installations (digital signage, home cinemas, AV integration).
Neuron offera a wide range of AV services
Specialists across the board in show production, Neuron rose up from the local underground scene back in 2010 – and the collective has since morphed into one of the leading AV solutions providers in the entire North West.
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Every year, they’ve gotten bigger. And after 10 years serving the city, Neuron’s portfolio now reads like a Who’s Who of Manchester’s big-name venues.
The brand has kitted out bars/restaurants such as One Eight Six and The Jane Eyre; setting the stage for club nights at Hidden and Yes; and did a little bit of everything for new venue The Blues Kitchen.
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Neuron’s team have also provided sonic experiences for juggernaut festivals like Glastonbury, Outlook and Dimensions; as well as taking the lead on live streaming virtual occasions as big as Digital Diwali.
The company has provided the platform for conferences, education projects and corporate occasions, too – including the stunning grade-II listed Rosso restaurant.
Jonny Wharton – one of the founding members of Neuron and now head of Event Production – said that the brand’s success ultimately boils down to a strong bond and shared love for what they do.
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“Neuron grew organically as a family,” he explains.
“It’s always been something we all actually care about rather than just a job. We care about the music and we care about the events.
“It’s a blessing for us, really.”
Neuron has become a leader in the live streaming sector
The events sector has taken a real wallop in recent times – and Neuron felt the blow just like everyone else. Indeed, the brand was predicated to enjoy its biggest year yet in 2020, but lockdowns scuppered what was all set to be a record-breaking business period.
Nonetheless, the Neuron team has stuck together – and so has the wider AV industry. Neuron actually worked alongside its competitors throughout the pandemic – swapping equipment and collaborating whenever it was clear one company could help the other.
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Neuron also did its bit to support its friends with the ‘We Make Events’ campaign – marching through Manchester city centre over summer as part of a day of action demanding better treatment for the events world.
The company eagerly endorsed the ‘Light It In Red’ campaign (where culturally significant buildings lying dormant were illuminated to highlight their status) and also stepped up to provide solutions for socially-distanced gigs during COVID.
When events weren’t happening, Neuron also did whatever it could to provide care homes with the necessary equipment they might need.
“We’re not sit around and do nothing people. We had to do something,” Jonny explains.
“Of course it’s been tough. The events side of the business has seen a 90% drop. And we’re still fighting to recover that. But luckily we have the installation service where we service venues with AV kit.
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“We were also a lucky recipient of the Cultural Recovery Fund – which has been a huge help.”
Neuron has provided services for venues right across Manchester – including YES
As restrictions came and went, and the performance industry tried to find a way to adapt to everything being so different, Neuron decided to become leaders.
The team threw itself head-first into the world of live streaming – mastering the art so their clients could put on immense high-quality productions even during a pandemic.
Neuron’s Trafford warehouse space was cleared and the team invested in building a brand new stage. It gave Neuron a means to turbocharge streaming and produce digital shows that gave viewers an experience as close to a live show as possible.
“[Mastering live streaming] allowed us to stay current in the community and produce virtual events that kept entertainment going,” Jonny explained.
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“Also, when we were allowed, we opened our doors to artists and musicians, facilitating live music with a skeleton crew.”
Neuron took care of its own people, too, during the pandemic – putting aside a pot of money for staff to take training courses at home if they desired.
“So many event workers and freelancers were just sat at home not knowing what to do or when work was going to come back,” Jonny recalls.
“So, we thought we could help by paying for them to learn a new skill – which might be a positive thing to do.”
Neuron has played a role in putting on huge festivals – including Glastonbury
Whilst Neuron’s ‘best year yet’ has been put on ice, there’s intense optimism among the staff for the future of the business.
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The company has secured a 10-year lease on its current home in Trafford Park – and there’s lots of work on the horizon now that COVID restrictions are due to be removed.
Experts are predicting a new Roaring Twenties at the rear end of the pandemic – with a period of “intense social interaction” expected over the next few years. And a smart bet would be that Neuron will be there behind the scenes – enabling many of these massive events to go ahead.
The brand is best-placed to serve the biggest chapter in recent history for promoters because it offers everything any venue could need.
Jonny states: “People are appreciative of one-stop shop in terms of events production. It’s not ideal to have to deal with three to four different suppliers. Dealing with one person makes things a lot easier
“Our original name had ‘pro audio’, but we dropped that as part of a rebrand to signify that we do offer a full range of services for events and venues. We wanted the brand to reflect growth and maturity.”
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Alex Morgan, Director of Venues & Installations at Neuron, added: “We can provide solutions for music venues, clubs, bars, restaurants, hotels, schools and unis – it’s all bespoke.
“We’re a solutions-oriented company. Most people using this AV equipment aren’t techies – so we’re focused on making it easy.
“We’re also really easy and fun to work with. What we say is if you’re looking for something, just come down and have a chat.
“At the very least, we’ll have some useful ideas for you.”
Neuron understands the events world – because that’s exactly where it came from. The team was brought together by Manchester’s underground culture – and now they’re trying to help the industry bounce back; bigger and better than ever.
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It’s been a dismal few months for live performances, there’s no doubt about it. But it does mean we’re sure to see some historic shows take place over the coming months: The comeback gigs that will be remembered forever as launching a new era.
And Neuron will be there. Setting the stage.
Neuron-av.com
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The legendary Hulme community pub The Old Abbey Taphouse has been reborn
Daisy Jackson
The closure of The Old Abbey Taphouse was a real blow for Hulme and the surrounding university district area; the community pub was a bit of a local institution thanks to its grassroots music and inclusive atmosphere.
But now it appears that the spirit of the venue lives on, under the new name of The Abbey.
Some of the city’s most experienced independent operators – who have been behind venues like YES and The Deaf Institute, and music promoters Now Wave – will be the new custodians of this beloved local landmark.
The pub, which closed early last year, has now been carefully and lovingly restored ahead of its big relaunch, which will start in true Manc vision with an exclusive opening night gig.
The Abbey is reborn. (Credit: The Manc Group)
The vision for its new chapter will be ‘Old Pub, New Music’, creating a new home for grassroots live music and emerging artists.
There’s also affordable, hearty pub grub, including Pieminister pies, and a huge range of beers from local breweries and beyond.
Bringing The Abbey back to life are a core team of four: Ruth Hemmingfield, Wesley Jones, Jonathan Wickstead and Gareth Butterworth.
Ruth, Jon and Wesley are co-owners of YES; Ruth previously launched and programmed landmark Manc venues including The Deaf Institute, Gorilla and Albert Hall; while Wesley and Jonathan, through Now Wave, promote hundreds of independent gigs and live events each year.
As for Gareth, he’s the founder of the multi-venue festival Manchester Psych Fest, meaning that all of them have plenty of hospitality, late-night, live music and events experience between them.
The team behind The Abbey pub. Credit: Piran Aston
The rear of the site of The Old Abbey Taphouse will be extended to create a new dedicated live music and events venue, while the cherished beer garden is given a facelift with new decking and its own bar.
The Abbey has stood in Hulme since the 1890s, playing an important role in the area’s heritage – this is where activist Len Johnson managed to overturn the shameful ‘colour bar’ policies of the 1940s.
Its restoration and relaunch are part of the flourishing Manchester Science Park development.
Matthew Pazos, Senior Retail Commercial Manager at Bruntwood SciTech, said: “Ruth, Wesley and Jonathan are the perfect custodians to breathe new life into The Abbey.
“Their reputation for running independent spaces in Manchester, alongside their live music expertise, will ensure this much-valued pub once again becomes a beating heart for Hulme and the wider neighbourhood.
“The reopening of The Abbey will create an inclusive new hub that welcomes everyone – from the Hulme locals who have looked after the pub over the years, to the Manchester Science Park community, university students, and the many residents and workers across the Oxford Road Corridor.
“We are delighted that such a culturally significant and important pub is set to open its doors once again.”
Ruth from the new Abbey team commented: “We love a good pub. With The Abbey, we’re excited about bringing a brilliant old pub back to life, protecting what people loved about it, and creating something special: a great local, alongside a vital grassroots music venue for the area.
“We’re honouring the pub’s history while building its future.”
Gig review | Lola Young’s Manchester comeback – A joyous return to stage at the O2 Apollo Manchester
Kristen MacGregor-Houlston
The excitement in the air is palpable in the O2 Apollo Manchester, the crowd is itching for her to make her way onto stage and is chanting her name – Manchester has missed you, Lola Young.
After an extended hiatus since she collapsed at the All Things Go festival in New York last September, Lola is back on a short tour to find her feet again. Whilst Manchester isn’t officially the first show, it is the headline performance for her comeback.
Lola’s break had come at a pivotal moment, with her third studio album, I’m Only F***ing Myself (2025), earning huge acclaim, performances across the globe, and endorsements from the likes of Elton John for her talent.
After cancelling all of her shows ‘for the foreseeable future’, Lola asked fans for their forgiveness, writing in an emotional statement: “I really hope you’ll give me a second chance once I’ve had some time to work on myself and come back stronger.”
Tough to handle for anyone, let alone a young rising artist.
It was clear to everyone that her hard work on herself had paid off, as this was a different Lola Young from the one I saw at Glastonbury last year: there was a calmness to her – she seemed more centred and more confident.
That calmness, however, did not mean a lacklustre performance: she is still a powerhouse; her stage presence is just magnetic, and it is clear to see how loved she is by her fans. The energy in the room didn’t falter the entire time she was on stage.
She kicked things off with ‘Sad Sob Story’, a song about moving on from a toxic relationship, which seemed fitting as she steps away from the drama and difficulties of last year into a fresh start. A wall-shaking opening number that set the scene for what was to follow with the rest of the show.
As part of her healing journey, Young stated that she has decided to write something special and specific for each show to tell herself if she’s worried or doubting her ability.
She shared her Manchester mantra with us: “When you are connected, when you express what you feel is true to you, when you open yourself up and share your very unique experience, remember you are electric… Those who want to listen will lean in, no matter your volume.”
Although she was clearly introspecting, she was also speaking to her audience, her fans, and expressing gratitude for them still being there. Shouts of support echoed out through the venue, her fans truly loving and supporting her as they have since day one, perhaps more so than ever.
Her performances of songs like ‘Big Brown Eyes’, ‘Not Like That Anymore’ and ‘Conceited’, showed just how much fun Lola was having on stage, being back and being surrounded by people who truly loved her.
At times, the crowd were singing along so loudly and passionately that she laughed and told the audience, “I can’t even hear myself in my own ears.” She had to occasionally take moments to step back and take it all in, seemingly overwhelmed with joy at the outpouring of love being reflected back to her.
Her band were also a stand-out, sharing in her energy and passion. It is clear that Young and her band could easily fill huge arenas with their talent and fervour, but this more intimate venue just seemed correct.
Lola continued to prove throughout the night why she was so deserving of her BRIT Award for ‘Breakthrough Artist of the Year’, and her Grammy nominations for ‘Best New Artist’ and ‘Best Pop Solo Performance’.
Her vocal talent, emotional depth and electric stage presence were showcased in songs like ‘why do i feel better when i hurt you?’, ‘Post Sex Clarity’ and the incredible ‘You Noticed’, showing an extremely vulnerable side to her that had many audience members tearing up.
We saw all sides of Young during this show, with her iconic songs ‘One Thing’, ‘d£aler’ and ‘Messy’ practically blasting the roof off of the O2 Apollo Manchester.
The fans could hardly contain themselves, screaming the lyrics back at her – it was truly a night to remember for everyone.
With another night in Manchester due to popular demand, Lola promised to be back soon. Could it be a bigger tour, bigger venues, new music?
Who knows, but for now we’re just glad to see her healthy and have her back in our lives again.