A new national collection that’s dedicated to “the preservation and research of popular culture” is set to open in Manchester.
The British Pop Archive (BPA) has been created by the University of Manchester (UoM) and will open at the iconic John Rylands Library on Deansgate in the heart of the city centre, with the aim of celebrating British popular music and other aspects of popular culture to recognise its “pivotal influence” on the world stage.
Featuring “iconic items” relating to quintessential British bands, legendary UK television, youth culture, counter-culture, and more that have set trends around the globe, the BPA will be an important academic resource for research and teaching, UoM says.
It’ll also be public resource for exhibitions and public events that’s open to all.
We are excited to announce today the launch of the British Pop Archive, a national collection dedicated to the preservation and research of popular culture.
— John Rylands Research Institute and Library (@TheJohnRylands) April 6, 2022
Through working with the celebrated music journalist and broadcaster Jon Savage – who was recently-appointed as Professor of Popular Culture at The University of Manchester – the BPA has “ambitious plans” to build on its current collection.
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It wants to create a “comprehensive representation” of British popular culture.
“Britain’s pop and youth culture has been transmitted worldwide for nearly sixty years now,” Jon Savage explains.
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“The intention of the BPA is to be a purpose-built pop and youth culture archive that reflects the riches of the post war period running to the present day, and while we are launching with Manchester-centric collections, the intention is for the BPA to be a national resource encompassing the whole UK”.
The British Pop Archive will feature “iconic items” relating to quintessential British bands, legendary UK television, youth culture, and more / Credit: The University of Manchester
To kick-start the action, on 19 May 2022, the British Pop Archive will launch with Collection – which is curated by Mat Bancroft, Jon Savage, and Hannah Barker, and is described as a “distinctively Manchester-flavoured exhibition” to really show why Manchester is the perfect home for the BPA.
It is set to explore the “vibrant cultural scene of a city” that has driven innovation, creativity, and social progress.
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The exhibition will feature treasures from British pop history – many of which have never been seen by the public – and some of the highlights include personal items relating to The Smiths, New Order, The Haçienda, Factory Records, Granada Television and Joy Division, such as Ian Curtis’s original handwritten lyrics for ‘She’s Lost Control’.
“We launch the British Pop Archive with a Manchester focused exhibition full of unique and unseen artefacts,” Mat Bancroft says ahead of the exhibition openeing.
The BPA will open at the iconic John Rylands Library in Manchester city centre / Credit: John Rylands Library
He continued: “These materials tell the story of a vibrant city with art, culture and music at its heart.
“More than that, they foreground the creative catalysts, musicians, producers, artists, designers and writers who have instigated this repositioning of landscape to propose media as the new cultural capital of the city.”
Speaking ahead of the BPA launch, Professor Christopher Pressler – John Rylands University Librarian and Director of The University of Manchester Library – added: “The British Pop Archive is part of our desire to reach into areas not always associated with major research libraries, including pop music, popular culture, counter-culture, television and film.
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“This is a national archive held in Manchester, one of the most important centres of modern culture in the world.”
Featured Image – University of Manchester
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Keo play Projekts: garage and grunge revivalists crush Manchester skatepark for new music video
Danny Jones
This past Thursday evening, fast-rising rock band Keo took over Projekts MCR skatepark for a special pop-up gig and to film a brand-new music video for their latest single, ‘Pistol’, starring some of their biggest fans here in Manchester.
In fact, it didn’t take long for us to suss out that plenty of them had flocked from far and wide to be there, and let’s say we’re sure they’ll say it was worth the journey.
We caught Keo’s well-attended festival set inside the Woodlands at Kendal Calling 2025, not to mention their completely sold-out show at the O2 Ritz back in March – their biggest headline date up to that point – and we’re more certain than ever that they’re going to be absolutely massive.
And if they keep up doing more memorable stuff like this, it’s just a matter of how soon…
Packing out Projekts to the point that people were literally hanging off fences and standing on electrical boxes at the side of the street to try and get a peek at the post-punk, grunge and garage rockers, some of their most enthusiastic young fans had been waiting outside the location as early as noon.
For context, doors opened six hours later, and the boys didn’t come on until 7:30pm.
Those who signed up to Keo‘s mailing list were sent information regarding securing a spot at the one-off performance earlier this month.
While you would have seen the place fill up even if they were just standard concert tickets, the fact that the band were taping the whole thing to use as the visuals for their newest single, as mentioned, meant that Keo’s avid followers were literally clamouring AND clambering to get the best view position possible.
Turning the popular skaters’ hub’s central bowl into a makeshift stage, with lights, camera, booms and various crew surrounding the entire venue, it was a surreal experience to say the least.
And, of course, they were absolutely brilliant – just as they were at the Ritz at the start of the year and Kendal before that, playing a short but sweet set that left everyone wanting more and choruses of punters chanting Keo long after the final song.
We can’t wait to see how the video itself turns out, especially seeing how much the people who wrapped around them and the skatepark were lost in the moment, and we’re also looking forward to them headlining Neighbourhood Fest in Manchester city centre this October.
You can grab a ticket to see them and the rest of the NBHD lineup right HERE, but until then, give the full studio version of ‘Pistol’ a play and get ready for their debut album.
Oasis’ (What’s the Story) Morning Glory? named biggest UK studio album EVER by Official Charts
Danny Jones
You’re damn right: Oasis continue to be MASSIVE as new figures from the Official Charts Company have confirmed that (What’s the Story) Morning Glory? has clocked in as the biggest UK studio album of all time.
The Britpop icons and history go hand in hand.
Yes, according to the latest numbers by our domestic chart-crunchers, only two other albums surpassed Oasis‘ second LP – and they’re both greatest hits collections.
The announcement was made on Wednesday, 22 July, just over a whole year on from those reunion world tour shows at Heaton Park. How fitting.
Starting off by channelling Liam Gallagher energy and quipping that “Oasis vibes are in the area”, they go on to explain the colossal cumulative record.
“Oasis claim one of the biggest honours in British music history, they write, “as (What’s the Story) Morning Glory? is named the UK’s Official biggest studio album of all time, according to new Official Charts Company data.”
Combining UK sales of the record – both physical and digital over the years – along with modern streaming statistics, the sophomore outing from the Britpop giants has amassed approximately 6.2 million UK chart units. Staggering stuff.
Last year’s Live ’25 shows have no doubt helped give an added boost to their metrics, but it’s still gargantuan stuff from the local band.
Yet another incredible stat not just for the Burnage boys but the Manchester music scene as a whole.
2026 looks to be just as big a comeback, by the looks of things.
In case you were wondering who beat them out in the race for the top spot, they were pipped to the post by Queen’s Greatest Hits and the same again from ABBA, two worthy opponents to take third place after.
You can see the rest of the list in full right HERE.
Oh, and Definitely Maybe also made the list, too, coming in at number 39 – making that two in the top 50 even amongst all the compilations.
It feels like last July all over again, doesn’t it? And if now isn’t the perfect time to stick on the title track, we don’t know what is.
Actually, sod it – we’re sticking the full thing on…