Noel Gallagher has revealed he is already back in the studio and recording a new acoustic album which he says is arriving this year and is going to be one “for the fans”.
Just over six months on from the release of the latest Noel Gallagher’s High Flying Birds record, Council Skies, the Britpop icon has confirmed he is making more new music and this time, he is strictly limiting himself to acoustic-only.
Speaking once again with radio presenter and friend Matt Morgan on his podcast, the rock and songwriting legend said, “I’m back in the studio – not rock, the acoustic stuff. I’m doing it for fans really.”
He also detailed that not only will there be solo stuff that he’s sat on for years, including early demos from when he first started the NGHFB project, but even an unrecorded track written back in the Oasis days. You have our interest, sir…
As reported by Music News, Gallagher went on to say: “I’ve had to take all the electronic equipment out of the studio… because I’ve tried to make an acoustic album three times, and every time (I’ve used electronics)… so it’s just acoustic instruments in the studio.”
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“I’ve come up with working just with acoustic instruments, so instead of a bass, it’ll be a double bass — that way I can say, ‘I’ve made an acoustic album, but it’s used all acoustic instruments.’”
Joking that that won’t just be him “strumming a guitar with the same four chords and singing about the weather”, he touched upon acoustic being arguably the most unforgiving way of making tunes, adding: “It’s the essence of what every song is. There’s nothing you can do after that, you can’t f*** it up.”
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The 56-year-old also once again played with the hypothetical of him and Liam getting back together and how making a new Oasis album knowing what he knows about writing now “would be a disaster”. He also got in a cheeky dig at his younger brother’s lyricism on his debut single with John Squire.
Noel Gallagher talking about if Oasis ever get back together and singing his version of Liam's new song
However, whether he likes it or not, perhaps the most interesting prospect about this upcoming album to most fans is the fact that it is said to include an old track he never got around to recording when the rock legends were still together.
“I’ve got a CD with six [acoustic tracks] on it already”, says Noel, “There’s a song called ‘God Help Us All’, which is an old song from another 2005, so when I was still in Oasis, but I never recorded it.
He went on to add, “I’m looking forward to the challenge of seeing it through”, insisting that regardless of the style, “as long as the melody and lyrics are good, it’s good — once again reiterating that acoustic tunes tap into the very root of what the idea is.
All we’ll say is that we are always excited to hear more from one of the greatest and most successful musicians to ever walk the planet, let alone from the UK or Manchester, specifically.
Better yet, not only are Noel and his High Flying Birds playing a massive gig in Wigan this summer but he has also announced that he will be on several huge artists taking part in this year’s series of Teenage Cancer Trust gigs are the Royal Albert Hall, bringing Blossoms along with him for the ride.
While we’re well off getting any kind of release date for this acoustic album, hopefully, we’ll get to hear at least a taster of it by then.
Oasis promoters drop biggest Knebworth hint yet after securing license around key date
Danny Jones
Not that we’re the type to get carried away, but we’ll confess that our curiosity, interest and general levels of anticipation have been piqued, as Oasis’ main promoters have recently renewed the license to host events at the infamous Knebworth.
My word, is this it? Like the reunion, is it ACTUALLY going to happen?…
We’re sure the raw, uncontrollable excitement will come should it be fully confirmed, but for now, all we know is that our colleagues in music media, SJM Concerts, have renewed the land in and around Knebworth Park and House for live entertainment once again.
Moreover, the company have also done so on a rather fitting date decades on from the original and legendary outdoor gigs.
As can be found on the planning application section of the North Hertfordshire Council website – the county in which the storied Britpop gigs took place – a fresh license to hold new events.
If/when the announcement happens, the already granted permission will allow for a capacity of up to 125,000 and a curfew of 3am.
We know the original Knebworth shows were beyond iconic, but let’s say this would be nailed on to be nothing short of absolutely box office.
Besides having also helped promote Oasis’ colossal Live ’25 reunion tour last summer, it’s also worth noting that they secured said license just over a week before the 30th anniversary of the pair of nights back in 1996: 10-11 August, to be specific.
The licence is said to have come into effect this past Saturday (1 Aug) and is believed to be indefinite.
What added even more fuel to the fire of these well-established rumours over the past year was when Baroness Sharon Taylor of Stevenage told the House of Lords the band would be playing FIVE whole nights at Knebworth in the future, before later clarifying that she was speaking in “hypothetical terms.”
All that being said, it’s fair to say we’ll be keeping a very keen eye on socials over the next few days, in particular, just in case.
The Manc has reached out to SJM for an official comment (surprise, surprise), but we are yet to receive a response regarding the matter.
Your silence speaks volumes, just saying.
This coming Monday, 10 August 2026, will mark the official 30th anniversary of Oasis at Knebworth 1996, and with the likes of ‘Wonderwall’ seeing a chart resurgence as the go-to England anthem at this year’s World Cup, we’re choosing to be optimistic. What about you?
Blossoms deliver most rock and roll performance in years as Declan McKenna joins them on stage
Danny Jones
Last night, we were fortunate enough to be there in the flesh not only to see Blossoms play a special anniversary show in Manchester, but to witness Declan McKenna join them on stage.
A tiny part of us was wondering if we’d see Rick Astley roll out into the venue, but let’s just say we’ll absolutely take this.
Celebrating a decade to the day since the release of the self-titled debut LP – yes, we feel old, too – Blossoms announced the one-off intimate show at The Deaf Institute, a venue they hadn’t played in 12 whole years (good lord…), and it served as much more than a night of nostalgia.
But we’ll admit, the highlight was almost certainly seeing the ‘Brazil’ and ‘British Bombs’ singer join Tom Ogden, Charlie Salt, Josh Dewhurst, Myles Kellock and Joe Donovan on stage for their smallest gig since god knows when.
We’ve gotten somewhat used to seeing the Enfield-born solo artist popping up at random venues across the country and even performing DJ sets at local pubs.
If you haven’t seen that Kylie Minogue clip before, you really need to…
However, we don’t think anyone in the crowd was expecting this cameo, let alone hearing them perform a co-written track off the new record live in front of the audience for the very first time.
As if all of this wasn’t already a bit bonkers and left-field, the song in question, entitled ‘Additional Driver’, was self-admittedly so surprising in SO many ways that Tom felt he needed to explain the full story behind it and why Declan shouted “shoulda got the 192” before they started playing.
Yes, in some kind of Greater Mancunian fever dream, we’ve finally got artists writing lyrics about the region’s most infamous bus route that we’re sure most, if not all of you, can relate to.
But it wasn’t just this moment that had us debating in our heads, ‘are they the best Manc or maybe in Northern band full stop going right now?’, it was seeing them slip so seamlessly back into the more straight-down-the-line indie rock from their first chapter of studio material that did it.
Everyone knows and loves the biggest bangers from that inaugural outing: ‘Getaway’, ‘Charlemagne’, ‘At Most a Kiss’, ‘Honey Sweet’, etc.; but it’s hard to forget just how quintessentially rock and roll tunes like ‘Blow Rose’, ‘Cut Me and I’ll Bleed’, ‘Texia’ and even some of the other deep cuts/early releases are.
Don’t get us wrong, we love how much the dressing up (musically and quite literally) they’ve done over the years as their production, creativity and experimentation has increased, but it’s always hard to beat that feeling you get when finding an artist’s first album – especially one as good as Blossoms‘.
In fairness, listening back to ‘Deep Grass’ all these years later, we’ll still remember how spacey, psychedelic and downright different that intro felt back in the day; it now feels like a fitting end to that maiden outing and the perfect jumping-off point for what has been a real sonic exploration ever since.
For a lad born in SK2 and lucky enough to have seen these lads right from the start, stuff like this will never not feel surreal to me.
Long live ‘Blossoms from Stockport‘, and roll on Songs From The Wedding Cake this October.
Danny Jones -
21st January 2024 
