With the Live ’25 reunion tour this summer fast approaching, it’s fair to say that fans all over the globe are struggling to think about much else other than Oasis at the minute, so it won’t surprise you to hear that one of the greatest classics has been named the best of British song once again.
Oasis, Britpop fanatics and plenty more will already know the song in question, but the everlasting legacy of this tune remains extremely impressive, nevertheless.
We are, of course, talking about their 1994 hit ‘Live Forever’, taken from the seminal debut album, Definitely Maybe, an album absolutely littered with eternal gems from cover to cover.
It might not be the first time the iconic Manc anthem has earned the accolade, but it does feel like a more poignant time than ever to celebrate with the long-awaited gigs now just months away.
Voted for directly by Radio X (formerly XFM) listeners, the legendary Oasis tune has been the ‘Best Of British‘ yet again, with each year’s victor being chosen from a poll on a century of classic bits of music from UK artists.
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Note that this isn’t just a second win either; it’s actually the third time in a row that the station has given it the top spot, not to mention naming 16 Oasis entries on the list.
Oh yeah, it also happens to be just the 10th anniversary of the now annual award, meaning ‘Live Forever’ boasts nearly a third of all Best of British wins to trophies to date – and believe us, you won’t hear any complaints from The Manc office or Audio North.
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You’ll also be glad to hear that Manchester was the most heavily respresented city this year too, with bands like The Smiths, The Stone Roses, Joy Division and Oasis making up a total 39% of the vote. Because of course.
Radio X’s Managing Editor, Matt Deverson, said of the very easy repeat decision: “‘Live Forever’ had to be number one, didn’t it?
“And with Oasis dominating the 100 with 16 songs in the list, it reflects the growing excitement among Radio X listeners for what will be the biggest music and cultural moment of the year, from the biggest band in the world right now!”
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Might as well watch the music video for the 100th time, then, eh?
Do you agree? Is ‘Live Forever’ the greatest British song of all time?
It is still a spine-tingling track even to this day, there’s no doubt about that, but more importantly where does it land for you?
We certainly have one our own thoughts on the best Oasis songs of all time that we’re sure some of our opinions will irritate you no end.
Fellow firm favourites that made it into the top 10 were ‘Champagne Supernova’, ‘Slide Away’ and ‘Don’t Look Back in Anger’; meanwhile, one of the newest and highest-ranking additions is Sam Fender’s hugely popular ‘People Watching’, the title track from his fantastic third album.
With everyone getting ready for one of the biggest music events in history and even rumours of a return to Knebworth swirling, summer 2025 is set to go down in the history books. We were also glad to see someone who was there at the very beginning is as amped up as we are.
Featured Images — Helter Skelter/Shymanets (via GoodFon)/Oasis (screenshot via YouTube)
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The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
Danny Jones -
21st April 2025 
