How bizarre it must be to be Pitbull. This is a man with, by all accounts, a pretty successful music career – but how bizarre for his trajectory to kick up so sharply now, 20 years after his debut album.
Watching the rapper, now 44 years old, dominate sold-out arenas across the world and become a social media sensation and something of a cult phenomenon is a joy to behold.
Who else could lead tens of thousands of people a night to party wearing a bald cap and a drawn-on goatee? Manchester donned their Pitbull costumes en masse and town looked all the better for it yesterday.
For anyone having even a hint of ‘I don’t get it’ in their minds, you’ve forgotten what nightclubs were like in the late 2000s. An era where we would post 80 blurry photos on Facebook from one night out, and our makeup bags were just Dream Matte Mousse and a kohl eyeliner.
It’s the same era where dance floors were absolutely dominated by Pitbull hits, from Hotel Room Service to Give Me Everything to International Love.
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So his tour returning to Manchester feels like stepping back in time for all the 30-somethings in town, who all (myself included) decided to party like there were no consequences (currently staring into my cup of tea and remembering why I don’t usually drink wine on a school night).
The best thing about this gig is the way it strips all pretension away from all 23,500 people inside the Co-op Live. While we’d normally spend hours pampering and preening for a show to look our best, here we all stick a bald cap and a suit jacket on just let loose in a sea of people wearing the exact same uniform. I have never heard so many people breathlessly giggling their way through a show before.
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And while the gig itself is quite silly and camp (there are scantily-clad dancers everywhere and the guy in charge of the pyrotechnics is pretty trigger-happy), there are some properly talented musicians on stage too.
Pitbull is backed by multiple percussionists, keyboards, guitars, woodwind and more, and his Latino roots shine with songs like Culo and Gasoline, where the dancers salsa and his hips get extra wriggly.
Pitbull staring out at his fans between songs in ManchesterPitbull brought the party to Manchester
We came because it’s silly but we stayed because it’s GOOD.
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Prolific songwriter (‘Life is not a waste of time, time is not a waste of life. So let’s not waste any time, get wasted, and have the time of our lives’), party-starter, and philanthropist (he’s funded tuition-free schools in his hometown of Miami), Pitbull is soaking in every inch of the success that’s come his way.
On stage at Co-op Live in Manchester, the lights come up between songs to Pitbull stood on his little platform, grinning cheesily and looking over his assembled mini Pitbulls like a proud overlord. This man is having the time of his life.
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either:
Daisy Jackson -
9th June 2025 
