In case you missed it, Rizzle Kicks are BACK and they’re making their return to Manchester in a big way with a massive outdoor show at Castlefield Bowl.
Named as the latest artists to join the Sound of the City (SOTC) lineup for 2025, with only a few acts having been named thus far, the British pop duo will be playing a huge sun-soaked set next summer.
The 2010s hit-makers were a regular presence in the UK charts for a good few years, releasing just two albums in 2011 and 2013 before slipping into a somewhat unannounced hiatus to work on other things.
Jordan Stephens and Harley ‘Sylvester’ Alexander-Sule have both enjoyed multiple other music projects separate from the group, as well as getting into presenting, podcasting, acting and more, so they’ve been plenty busy while they’ve been away. But now they’re back with new music on the horizon too.
MANCHESTER. WHO’S READY? FRIDAY 11 JULY 2025 ‼️
We told you that more shows are coming and we’re so buzzing to announce that we’ll be playing Castlefield Bowl this July. This is going to be a big one and we’d love to see you all there.
Confirming their SOTC festival gig on Monday, 18 November, Rizzle Kicks said on socials: “We told you that more shows are coming and we’re so buzzing to announce that we’ll be playing Castlefield Bowl this July [2025]. This is going to be a big one and we’d love to see you all there.”
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The announcement also comes not long after the pair revealed their third studio album is on the way almost 12 years on from their sophomore record, Roaring 20s.
Speaking on their return to the music scene and the upcoming release, Jordan said: “We allude to the fact that we acted off the cultural encouragement and the reality of the time. I think now we’d like to believe that we’ve distanced ourselves from those just through experience.”
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The new Rizzle Kicks sound touches on sobriety and paternity,“not just with Harley becoming a father and all the growth that comes with that role, but also in a larger sense as we get older we feel a responsibility to share our wins and our failures”, added the 32-year-old.
Entitled Competition is for Losers, the new studio LP is set to release on 14 February next year just before their official tour gets fully underway in March. Stephens and Sule played their first show together in nearly a decade at KOKO in Camden earlier this month and are eager to get back to business as usual.
Their other Manchester date, which was already announced, is set to take place on 19 March at the O2 Ritz and sold out – along with all the other shows – in just 15 minutes. Wow.
For those fans dying to be at their Castlefield Bowl gig on Friday, 11 July, you can pre-order Competition is for Losers to access pre-sale from 10am this Thursday.
General admission tickets will be available from the same time on Friday (22 November).
Issuing a call-out to the die-hard Rizzkle Kickers, lovingly referred to by the band as the #tunesquad, they said: “You already know the drill, tickets are going to go fast. LET’S DO THIS.”
Featured Images — Blacksocks (press Images supplied)
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The Strokes at Co-op Live, Manchester – actually very hard to explain
Daisy Jackson
Manchester has waited a long, long time for this – The Strokes back on stage in our city.
I’ve been a fan of the band for as long as I can remember, but have never managed to catch them live, partly because they’ve left it TWENTY YEARS between shows here.
But back they are, with an enormous gig at the Co-op Live on their Reality Awaits tour.
The Strokes are known as one of the most solid indie bands of the 2000s, going triple platinum with their debut album Is This It and releasing massive anthems like Last Nite, Reptilia, and Someday.
They’re also known as a bit of an unpredictable live act – some will say they’re one of the best on the circuit, others will say they’re disappointing, and it really can depend on the night.
What they’re not known for is their audience interaction, so when frontman Julian Casablancas tries to have a bit of a chat with the audience, we all sort of stare blankly back at him. He’s speaking to us? What do we do?
“Wow, tough crowd,” he says, which is the first time I’ve ever heard anyone describe a Manchester audience as tough.
Then he turns back to drummer Fabrizio Moretti and says: “This is f*cking hideous, let’s play some songs.”
The setlist seems to get a shake-up every couple of shows, which is a nice surprise for us – and apparently also Julian, who regularly pops over to ask his bandmates what’s up next.
It doesn’t really matter that he’s not done his homework, because the second that drum kicks in, along with the impeccable guitar work of Schiltz, Fraiture and Hammond Jr., he snaps into action.
It’s impressive that their songs still have such singalong quality when Casablancas enunciates like a man with a dislocated jaw. For certain songs he’s so incoherent that if you weren’t a fan you’d walk in this room and wonder what the f*ck was going on.
But then, that’s sort of why us The Strokes fans love them so much. There’s a calamitous beauty to the work they put out and it’s so fun to belt out some words, even if they’re not the right ones.
I was hoping that seeing it live would sell that divisive new album, Reality Awaits, to me, but it didn’t. It’s too autotuney, too languid, and too often the victim of everyone’s toilet breaks.
Their earlier tracks still land best in a live setting, especially Reptilia, an absolute juggernaut in their back catalogue.
Rollercoaster set and tricky crowd interactions aside, we all had a great time – I’m just not sure I could say the same about Julian Casablancas.
Sam Fender describes his own ticket prices as ‘b*llocks’ and demands change for fans
Daisy Jackson
Sam Fender has kicked off about ticket prices for his own tour, ahead of his huge stadium summer next year.
The Geordie star announced his Proper Massive stadium tour last week, which will visit some of the UK’s biggest venues including The O2 in London, Etihad Stadium in Manchester, and St James’ Park in his home city of Newcastle.
But after ticket prices for the tour were announced, Sam Fender surprised us all by joining in with a moan about how expensive they were.
He described the ticketing strategy for his tour as ‘b*llocks’ and said he was ‘not happy’ with ticket prices.
And proving just how much sway an artist can have on ticket prices, Sam Fender then demanded that things be redone.
Sam first appeared in the comments on Gavin Davis’ Instagram account, which frequently shares tour leaks and ticket prices.
There, he wrote: “I’m not happy with these prices, they’re getting changed. It got inflated well more than I’d had in mind, it should only be inflated in relation to the cost of putting the show on.
“The standing will not be split as well, I had no idea about it. I have no idea how this was normalised in gigs.
“It’s bollocks and it won’t be happening on this tour.”
Then later, on his own Instagram stories, Sam Fender posted: “I’ve managed to get Front Standing tickets removed from the UK stadium tour. Whoever buys a standing ticket gets as much chance as anyone to be at the front.
“No more £120 standing tickets either.
“Costs are astronomical compared to two years ago, I can’t control the venue and ticketing fees, that’s a sad reality of today’s industry.
“This is gonna be the biggest and best show we’ve ever put on. Can’t wait to see everyone on the road next summer!”
The ticket prices for the Proper Massive tour are now confirmed by Sam Fender himself as being £85 for GA standing, and £55/£75/£95 for seats.
Danny Jones -
18th November 2024 
