There are pop stars, and then there is Robyn.
There’s something about the Co-op Live that still feels new, but last night it felt like it had been waiting for a show like this. The Swedish icon brought her long-awaited Sexistential Tour to Manchester, and from the first beat drop, the arena was hers.
Opening with a wall of robes, strobes and a euphoric rush of synths. Robyn didn’t so much arrive as materialise – already dancing, already fully committed. The production was immense; towering LED rigs, carefully crafted lighting, and a stage that somehow managed to feel intimate despite the sheer scale of the room. It was a proper spectacle.
The setlist drew from across her catalogue, weaving newer material around the bangers with real care. Honey felt celestial. With Every Heartbeat did what it always does. And when the opening bars of Dancing On My Own finally landed, the roar that met them was something else entirely – the kind that gives you goosebumps on the back of your neck. Even if you’ve heard the song a thousand times it still landed it like it was the first time.
What strikes you most about Robyn, though, isn’t the production or even the songs. It’s how real she seems up there. She throws herself into every lyric, dances like nobody’s watching, and radiates a kind of joy that feels hard-won rather than performed. In an era of very calculated pop, that matters.
The Sexistential Tour is exactly what it promises – big questions about love, loneliness, and what it means to just exist, set to some of the best pop music ever written.
Manchester, she owned us and I think we are all okay with that.
Featured image – The Manc