After what feels like an eternity, everyone’s favourite Geordie is back: Sam Fender’s new album looks like it’s on the way but we’re getting a massive UK arena tour first.
Literally three whole years since his smash-hit sophomore record Seventeen Going Under and having gone without any new releases from Sam besides an exciting feature on Noah Kahan’s ‘Homesick’ back in January, Fender fanatics have quite rightly been losing their minds.
You can consider us firmly included in that group.
Initially confirming the announcement at 10 on Friday, 18 October after a series of teasers online, the 30-year-old has finally shared details of the new ‘People Watching’ tour, suspected to be the name of his upcoming third studio album.
Fans have already heard glimpses of the heavily rumoured title track ‘People Watching’ both in the short social media clips and out on the road, as the North Shields-born indie star and his band have been playing new songs at a handful of gigs at the likes of this year’s Boardmasters festival back in August.
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Although live versions of other as yet unreleased tracks like ‘Nostalgia’s Lie’ and ‘Love is a Long Road’ are out there on the internet, it became clear which song he was going to release first after he posted the lyrics, “I people watch on the way back home”, on his accounts.
He also shared posters outside some of the UK’s biggest venues, like Manchester’s Co-op Live and Leeds’ First Direct Arena, and told fans to get ready with a countdown page on his website.
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Having now dropped the series of dates, we’re buzzing to find out that ‘Sam Fender 3’ and his UK tour are coming sooner than we expected – the gigs themselves as early as December in fact.
As was pretty much inevitable, he then announced that another Manchester date would be added due to “phenomenal demand”, meaning that us Manc fans have an extra chance to be in that crowd, as will those in London and Glasgow. Consider this the best early Christmas present ever!
Set to play Manchester’s Co-op Live on 6 and 7 December 2024, as well as a special hometown gig in Newcastle later that month, he will be launching into the rest of his European dates in March next year. It’s hard to believe this is his first UK tour since spring 2022.
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Better yet, the incredible Wunderhorse will once again be supporting him and £1 from every ticket sold for the UK dates will be donated to the Music Venue Trust in support of grassroots venues. Love this boy.
We’re so glad to have him back and after watching him live a few times now, including at Castlefield Bowl back in 2022, we can confirm he really is one of the best in the country.
General admission tickets go on sale from 10am on Friday 25 October HERE.
We still don’t know the album name for sure or the release date, but we know that ‘SF3’ is coming and we can’t wait to hear the new songs as well as all the hits live. Roll on December!
So good to be back at it!!! We loved sharing some new tunes! Thank you X
Featured Images — Raph_PH (via Flickr)/Press Image (supplied)
Audio
Unknown Mortal Orchestra at the Albert Hall Manchester – groovy, hazy and effortlessly cool
Clementine Hall
Unknown Mortal Orchestra at the Albert Hall proved exactly why they’ve built such a cult following over the past decade.
Formed in 2010 by frontman Ruban Nielson, the band first broke through with their scrappy, lo-fi self-titled debut and since then, they’ve become known for their signature blend of psychedelic rock, funk, and warped pop.
I first saw the band back in 2023 at Glastonbury, and yes sorry I am one of those annoying people that bring it up all the time.
They’re the perfect band to close your eyes, sway your head and tap your foot to – and that’s exactly what the crowd were doing in unison last night at the Albert Hall.
Image: The Manc Group
From the second they stepped on stage, there was no rush – just that signature hazy groove met with enough stage lights to sink a ship.
You could barely see them on stage, but that made it even cooler. And you can only imagine how gorgeous the Albert Hall looked with hundreds of spotlights in different colours whizzing all over it.
Early tracks simmered and pulled us in before the band stretched out into crowd pleasers like ‘Multi-Love’ and ‘Hunnybee’. What an absolute tune by the way.
Image: The Manc Group
There wasn’t much crowd interaction but, again, there didn’t need to be. They let the music do the talking and by treating us to some of the most epic guitar solos we’ve ever heard (no, seriously), we’ll forgive them for not talking to us.
Each song melted into each other as the band oozed effortless charm and talent throughout the almost two hour set, which is no mean feat.
Of course, a sea of phones shot up for ‘So Good at Being in Trouble‘, their most popular track which prompted a harmonious audience singalong. Not very harmonious by me, admittedly.
It was a fantastic ending that left the audience feeling united by the laidback brilliance of Unknown Mortal Orchestra, and I hope they don’t leave it too long to come back this time.
Review | Leon Thomas at Manchester Academy – ‘Mutts Don’t Heel’ but this gig healed me
Thomas Melia
American singer-songwriter Leon Thomas visited Manchester Academy last night, performing hits from his deluxe album to a sold-out crowd of more than 2,600.
One year after an exclusive London MUTT Live date, Mr Thomas returns to the UK with the ‘MUTTS DON’T HEEL’ Tour, venturing to five cities, including the music capital of the North: Manchester.
The night started off just how it should’ve done with ‘HEEL’, as the audience were welcomed by the drum-loop and a chill atmosphere from the start.
Now, it wouldn’t be a Leon Thomas gig without at least one Ty Dolla $ign collaboration making the setlist, and there’s plenty to choose from with a new one dropping just over a month ago, ‘miss u 2’.
Leon Thomas performing hits at Manchester Academy (Credit: Audio North)
The funk-influenced musician opted for ‘FAR FETCHED’, and the audience was in the palm of his hand. No matter which of the four link-ups he chose, it was always going to go down well – Manchester never disappoints.
Leon didn’t even have to ask the crowd to bring more energy; they already matched him. When he sings, “For someone who don’t ask for favours, I’ve done way too many favours”, on ‘PARTY FAVORS’, he really meant it.
Last year, Leon Thomas dropped PHOLKS, a project which saw him exploring old-school funk and soul sounds even further and ‘Just How You Are’ had even the shyest dancer pulling out a little two step.
This isn’t the only hit that sent the crowd into a frenzy; ‘Baccarat’ and its impressive psychedelic guitar solo had jaws literally falling to the floor at Manchester Academy.
His songs might not be dramatic or extravagant, but they don’t need to be. Leon’s artistry prevails when he’s softly singing, and you’re still able to detect each instrument.
Leon Thomas brought the MUTTS DON’T HEEL Tour to Manchester Academy (Credit: The Manc)
‘Breaking Point’ is an easy-listening soul track that had all 2,600 Leon Thomas fans in our feelings as we realised we were coming to the end of a phenomenal concert.
And of course, ‘Mutt’ – his biggest single to date: a bouncy and swag-filled number that sticks in your head for weeks on end – sounded even better when backed by a live band as I discovered last night.
There was some insane musicality, distinct bangers and impeccable live arrangements that elevated the original studio recordings. Maybe ‘Mutts Don’t Heel’, but Leon Thomas definitely healed me.
He wasn’t the only cool cat playing last night either: